March 25–September 12, 2021
Piazza della Signoria, Florence, Italy
Giuseppe Penone’s Abete (Fir) is installed in the Piazza della Signoria in Florence, Italy, to celebrate Dantedì, the day dedicated to the Florentine poet Dante Alighieri, and the 700th anniversary of his death. The trunk and branches are made of cast stainless steel, encircled by a lattice with eighteen cast bronze elements. At just over 72 feet high, Penone’s sculpture is the largest ever installed in a public space in Florence and anticipates an upcoming exhibition of his work at the Gallerie degli Uffizi entitled Alberi In-versi (In-verse Trees), opening July 6.
Giuseppe Penone, Abete (Fir), 2013, installation view, Piazza della Signoria, Florence, Italy © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris
Hans Ulrich Obrist
Tuesday, January 26, 2021, 1pm EST
Join Gagosian for a conversation between Giuseppe Penone and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, London. The pair will discuss the artist’s practice, which is deeply engaged with nature and time, as well as his outdoor installation in San Francisco. Two large-scale bronze sculptures cast from trees—La logica del vegetale (The Logic of the Vegetal) (2012) and Idee di pietra (Ideas of Stone) (2004)—are dramatically installed in Fort Mason’s Great Meadow, overlooking San Francisco Bay and the Golden Gate Bridge, through March 28, 2021.
Giuseppe Penone, Idee di pietra (Ideas of Stone), 2004, installation view, Fort Mason, San Francisco, 2019–2021 © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Matthew Millman
Cecily Brown, Giuseppe Penone, and Nathaniel Mary Quinn in
100 Drawings from Now
October 7, 2020–January 17, 2021
Drawing Center, New York
The benefit exhibition 100 Drawings from Now features drawings made by an international group of artists since early 2020, providing a snapshot of artistic production during the period of profound global unrest that has resulted from the ongoing health and economic crises, as well as the surge of activism in response to systemic racism, social injustice, and police brutality in the United States. Together, the donated works spotlight the urgency, intimacy, and universality of drawing during moments of upheaval and isolation. Proceeds from the sales will support the Drawing Center and the artists. Work by Cecily Brown, Giuseppe Penone, and Nathaniel Mary Quinn is included.
Nathaniel Mary Quinn, Treasure Hunt #2, 2020 © Nathaniel Mary Quinn
Michael Craig-Martin, Man Ray, Giuseppe Penone
Thursday, July 30, 2020, 12pm edt
Join Gagosian for a trio of online presentations to learn about the ways Michael Craig-Martin, Man Ray, and Giuseppe Penone approach three-dimensional form and its potential to change the way we engage with the world. Craig-Martin will speak about his own practice, while Max Teicher and Pepi Marchetti Franchi will each discuss the works of Man Ray and Penone respectively. To join, register at zoom.us.
Installation view, Michael Craig-Martin: Sculpture, Gagosian, Britannia Street, London, May 31–August 23, 2019. Artwork © Michael Craig-Martin. Photo: Mike Bruce
The Inner Life of Forms
An excerpt of Giuseppe Penone: The Inner Life of Forms is available for online reading from July 1 through July 30 as part of the From the Library series. The selected essay, Sculpting Time by archaeologist and art historian Salvatore Settis, draws Penone’s work into dialogue with classical and preclassical history. The full monograph, edited by Carlos Basualdo of the Philadelphia Museum of Art, is the most comprehensive survey of the artist’s oeuvre to date. The book consists of two components: a three-part, in-depth dialogue between Basualdo and Penone and essays by Emily Braun, Tim Ingold, Rémi Labrusse, and Settis; and twelve individual booklets containing eleven new texts by longtime Penone scholar and collaborator Daniela Lancioni that explore the core themes and interests embodied in the artist’s work.
Giuseppe Penone: The Inner Life of Forms (New York: Gagosian, 2018)
Visions of the Self
Rembrandt and Now
Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London
In the interest of public health, this event has been postponed until further notice.
Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to email@example.com. Space is limited.
Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)
Philadelphia Museum of Art and Centre Pompidou
Giuseppe Penone has given the Philadelphia Museum of Art and the Centre Pompidou in Paris major gifts of works on paper. Each institution received more than three hundred pieces spanning five decades of the artist’s career, beginning in the late 1960s. The work reflects the artist’s wide range of influences and the connections he draws between humans and nature in exploring the involuntary processes of breathing, growth, and aging through materials such as stones, branches, and leaves. Both institutions plan to have exhibitions by Penone in 2022.
Giuseppe Penone, Attorno alla scultura, attorno allo scultore (Around the Sculpture, Around the Sculptor), 1984, Centre Pompidou, Paris © 2020 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Archivio Penone
Brown University will bestow an honorary doctorate of fine arts to Giuseppe Penone for his work as a visual artist on Sunday, May 27, 2018, during its 250th commencement ceremony.
Photo: James Ewing
Unveiling November 11, 2017
Louvre Abu Dhabi
Giuseppe Penone’s Germination, a permanent site-specific commission for the Louvre Abu Dhabi, will be unveiled in the museum’s courtyard on November 11. The four-part installation reveals the artist’s fascination with the use of organic materials, such as trees, to highlight the connection between man, nature, and art. The central element of the installation is Leaves of Light, a vast bronze tree which interacts with Jean Nouvel’s architectural design through mirrors placed on its branches.
Rendering of Giuseppe Penone’s Leaves of Light (2017) © Giuseppe Penone
The American Academy in Rome has announced that Giuseppe Penone will receive the prestigious 2017 McKim Medal on June 7. This is an annual prize that honors individuals whose work exemplifies creative and intellectual exchange and who have contributed significantly to the arts and humanities on an international level. Past recipients include Cy Twombly, Renzo Piano, Umberto Eco, Miuccia Prada, and Bernardo Bertolucci.
Photo: Manuel Lagos Cid/Getty Images
Sève et pensée
Through January 23, 2022
Bibliothèque nationale de France, Paris
Sève et pensée (Sap and Thought), an exhibition at the Bibliothèque nationale de France’s François-Mitterand location, centers on Giuseppe Penone’s spectacular installation Pensieri e linfa (Sap and Thought) (2021), produced especially for the site, which features a frottage rubbing of a 30-meter-long acacia tree trunk on a length of canvas. Handwritten text by the artist runs along both sides of the imprint. Also included are previously unseen works, drawings, photographs, and books, as well as a series of eighteen recent prints that Penone has gifted to the library.
Giuseppe Penone, Sève et pensée (Sap and Thought), 2017–18 (detail) © ADAGP, Paris, 2021. Photo: Archivio Penone
July 6–October 3, 2021
Gallerie degli Uffizi, Florence, Italy
This exhibition of Giuseppe Penone’s work, whose title translates to In-verse Trees, includes over thirty drawings, photographs, sculptures, and installations. Presented as part of a yearlong celebration honoring the Florentine poet Dante Alighieri, on the occasion of the 700th anniversary of his death, the exhibition is inspired by the plant symbolism in “Paradiso,” the third and final part of Dante’s Divine Comedy. Earlier in the year Penone’s monumental sculpture Abete (Fir) (2013) was installed in the Piazza della Signoria in anticipation of this exhibition.
Installation view, Giuseppe Penone: Alberi In-Versi, Gallerie degli Uffizi, Florence, Italy, July 6–October 3, 2021. Artwork © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: courtesy Gallerie degli Uffizi
June 26–September 26, 2021
Galleria d’Arte Moderna “Giovanni Carandente,” Palazzo Collicola, Spoleto, Italy
This exhibition, whose title translates to Drawings, is the first show in Italy dedicated to Giuseppe Penone’s use of the medium. Outlining the conceptual landscape that forms his practice, the exhibition includes drawings from many different series, sketches for sculptures, and photographs of woods, ponds, and branches taken by Penone in 1976.
Installation view, Giuseppe Penone: Disegni, Galleria d’Arte Moderna “Giovanni Carandente,” Palazzo Collicola, Spoleto, Italy, June 26–September 26, 2021. Artwork © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Stefano Bonilli
Giuseppe Penone in
Panorama | Procida
September 2–5, 2021
Various locations in Procida, Italy
Panorama brings together around fifty works spanning sculpture, painting, video, performance, and installations from a wide range of historical contexts. The exhibition takes place at twenty sites across the island of Procida, off the coast of Naples, including public and private buildings, churches, and historical palazzos, all pivoting around the fortified village of Terra Murata, which is dominated by the sixteenth-century Palazzo d’Avalos, a former prison citadel. This is the first in a series of exhibitions, each with the title Panorama, organized by Italics, an online editorial platform that highlights the extraordinary cultural and artistic heritage of Italy through the country’s most celebrated gallerists, to explore some of the most fascinating places in Italy. Work by Giuseppe Penone is included.
Giuseppe Penone, Equivalenze, 2016, installation view, Procida, Italy © 2021 Artists Rights Society (ARS), New York/ADAGP, Paris
Field of Dreams
August 20, 2020–August 31, 2021
Parrish Art Museum, Water Mill, New York
Field of Dreams activates the Parrish Art Museum’s expansive meadows with sculpture by ten international, multigenerational artists that engages and responds to the museum’s architecture and landscape. Created to extend the galleries outdoors, the exhibition series is part of the Parrish’s new Art in the Meadow initiative that enlivens its 14-acre grounds with artworks, performances, and projections. Work by Theaster Gates, Roy Lichtenstein, and Giuseppe Penone is included.
Theaster Gates, Monument in Waiting, 2020, installation view, Parrish Art Museum, Water Mill, New York © Theaster Gates. Photo: courtesy GRAY, Chicago/New York
February 21, 2020–January 11, 2021
Centre Pompidou-Metz, France
To celebrate its tenth anniversary, Centre Pompidou-Metz has invited Giuseppe Penone to install a new original work: a 49-foot-tall cast-bronze sculpture of a walnut tree (whose title translates to Indistinct Boundaries), with some sections and branches made of white marble.
Giuseppe Penone, Indistinti confini—Noce, 2017, installation view, Centre Pompidou-Metz, France © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Jacqueline Trichard/Centre Pompidou-Metz
La rivoluzione siamo noi
Collezionismo italiano contemporaneo
September 26, 2020–January 10, 2021
XNL Piacenza Contemporanea, Italy
XNL Piacenza Contemporanea, a new cultural center dedicated to contemporary art, presents its inaugural exhibition, whose title translates to We Are the Revolution: Contemporary Italian Collecting. The show features more than 150 works from eighteen of the most important art collections in Italy. Giuseppe Penone is creating a site-specific piece for the exhibition, and work by Urs Fischer, Ellen Gallagher, Piero Manzoni, and Andy Warhol is also included.
Giuseppe Penone, Propagazione (Propagation), 2020 © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Mauro Del Papa
Dessins, Gravures, et Sculptures
March 28, 2020–January 3, 2021
Domaine de Chaumont-sur-Loire, France
This exhibition, whose title translates to Drawings, Etchings, and Sculptures, consists of two large sculptures, thirty original drawings, and seven engravings by Giuseppe Penone.
Giuseppe Penone, Una pelle di foglie, 1999 © Giuseppe Penone
Among the Trees
March 4–October 31, 2020
Hayward Gallery, London
This exhibition brings together artworks that explore our relationships with trees and forests. Beginning with pioneering works from the late 1960s, Among the Trees surveys an expansive artistic terrain, including sculpture, painting, installation, video, and photography. The show invites viewers to consider trees as symbols and as living organisms that have helped to shape human civilization. Work by Sally Mann, Giuseppe Penone, and Jeff Wall is included.
Jeff Wall, Daybreak (on an olive farm/Negev Desert/Israel), 2011 © Jeff Wall
April 13, 2019–June 28, 2020
Stiftung Saarländischer Kulturbesitz, Saarbrücken, Germany
Giuseppe Penone’s aesthetics are based on a dialogue with nature and its forces and revolve around the question of the limits of one’s own body and perception. Included in this eponymous exhibition is the multipart expansive sculpture Coteccia (1983), which is presented in Germany for the first time.
Giuseppe Penone, Ripetere il bosco (To Repeat the Forest), 1969–97 © Giuseppe Penone/2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Archivio Penone
Giuseppe Penone in
October 22, 2019–January 6, 2020
Palazzo delle Esposizioni, Rome
This show, whose title translates to Sublime Anatomies, reveals the astounding nature of the human body, exploring the common ground between art and science through artistic and scientific works, including artifacts and documents, which illustrate the evolution of human anatomical study and its close relation to contemporary artistic research. Work by Giuseppe Penone is included.
Installation view, Sublimi anatomie, Palazzo delle Esposizioni, Rome, October 22, 2019–January 6, 2020. Artwork, left to right: © Yvonne Rainer; © 2020 Giuseppe Penone/Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Monkeys VideoLab
Pompei e Santorini
l’eternità in un giorno
October 11, 2019–January 6, 2020
Scuderie del Quirinale, Rome
Pompeii and Santorini: Eternity in a Day offers a comparison between two ancient sites whose entire societies were buried by eruptions—Pompeii and Santorini. Through themes of catastrophe and rebirth, visitors explore how natural disasters become inspiration for art. Work by Damien Hirst, Giuseppe Penone, and Andy Warhol is included.
Installation view, Pompei e Santorini: l’eternità in un giorno, Scuderie del Quirinale, Rome, October 11, 2019–January 6, 2020. Artwork © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York. Photo: Studio Idini