Alternate Meanings in Film and Video
You’re only as young as the last time you changed your mind.
Gagosian is pleased to present Broadcast: Alternate Meanings in Film and Video, an online exhibition of artists’ films and videos viewable exclusively on gagosian.com. The exhibition will be organized into a series of “chapters,” each lasting two weeks. The first chapter begins on Tuesday, May 19, 2020.
Broadcast: Alternate Meanings in Film and Video employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point.
Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen
Visions of the Self
Rembrandt and Now
Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London
In the interest of public health, this event has been postponed until further notice.
Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to firstname.lastname@example.org. Space is limited.
Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)
The Extreme Present
Opening reception: Tuesday, December 3, 5–8pm
December 4–8, 2019
Moore Building, Miami
Gagosian is pleased to announce The Extreme Present, the fifth in a series of annual exhibitions at the Moore Building in the Miami Design District during Art Basel Miami Beach, presented by Gagosian and Jeffrey Deitch. The Extreme Present will explore artists’ reactions to the conditions of our accelerating and increasingly complex world. The title is inspired by The Age of Earthquakes: A Guide to the Extreme Present, a book by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, published in 2015. Their provocative thesis addresses the rapidly evolving digital era, half a century after Marshall McLuhan’s groundbreaking study on technology’s influence on culture, Understanding Media: The Extensions of Man, in which he coined the phrase “the medium is the message.” Works in this exhibition explore concepts of media, communication, togetherness, and isolation.
The Extreme Present
Visions of the Self: Rembrandt and Now
In partnership with English Heritage
Thursday, April 25, 2019, 6pm
Gagosian, Grosvenor Hill, London
Gagosian director and art historian Richard Calvocoressi will lead a tour of the exhibition Visions of the Self: Rembrandt and Now at Gagosian, Grosvenor Hill, London. Calvocoressi will take a look at postwar and contemporary masters of self-representation, anchoring the conversation to an important Rembrandt masterpiece included in the exhibition, Self-Portrait with Two Circles (c. 1665). The event has reached capacity. To join the wait list, contact email@example.com.
Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library
March 26–July 15, 2018
Norwich University of the Arts, UK
Damien Hirst’s monumental sculpture Hymn (1999–2005) is on display at Norwich University of the Arts through mid-July. The twenty-foot-high painted bronze sculpture is based on an anatomical toy Hirst bought for his son. The installation coincides with a major exhibition of the artist at nearby Houghton Hall in Norfolk.
Damien Hirst, Hymn, 1999–2005 © Damien Hirst and Science Ltd. All rights reserved, DACS 2018
2017 Leonardo DiCaprio Foundation Gala Auction
Live auction: July 26
Online preview: July 27–August 9
Online bidding: August 10–23
The Leonardo DiCaprio Foundation is dedicated to protecting the world’s last wild places. Since 2008 it has supported over 200 environmental projects across all five oceans and in over fifty countries. This auction helps make it possible for the Foundation to continue supporting pioneering individuals and organizations on the front lines of environmental conservation and climate advocacy, and will feature donated artworks by Urs Fischer, Frank Gehry, Damien Hirst, Thomas Houseago, Jeff Koons, Pablo Picasso, Sterling Ruby, Ed Ruscha, Rudolf Stingel, Lawrence Weiner, and Jonas Wood.
Thomas Houseago, Rainbow I (Psychedelic), 2017
Fruitful and Forever Editions
Organized in collaboration with Fondazione Prada in Milan, Damien Hirst has created four new limited-edition prints to raise money for Save the Children’s campaign Riscriviamo il Futuro (Rewrite the Future). The initiative aims to support Italian children from disadvantaged backgrounds who have been affected by school closures during the covid-19 crisis. The editions, titled Fruitful and Forever, feature bright, abstract details from Hirst’s new series of Cherry Blossom paintings, and are available through September 27, 2020. To purchase the prints, visit leviathan.heni.com.
Damien Hirst, Fruitful, 2020 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Prudence Cuming Associates
Damien Hirst has created two limited-edition prints, each available in two different sizes, to support NHS Charities Together and the Felix Project. The prints, respectively titled Butterfly Rainbow and Butterfly Heart, both feature rainbow-colored bands of photographed butterfly wings, and will be available for purchase until midnight BST on Monday, May 25. The edition size will be determined by demand within the time limit of sale, and 100 percent of the profits will be donated to the charities. To purchase the prints, visit rainbow.henieditions.com.
Damien Hirst, Butterfly Rainbow, 2020 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020
Gagosian App for iPad
Gagosian announces the release of issue 3 of the Gagosian App for iPad on January 22, 2012. Artists featured in this issue include Damien Hirst, Howard Hodgkin, Mike Kelley, Jeff Koons, Roy Lichtenstein, Paul Noble, Richard Prince, Jenny Saville, Richard Serra, Andy Warhol, and Zeng Fanzhi.
In issue 3 we feature a Damien Hirst “art board” that explores more than ninety spot paintings, offer a 360˚ full-motion interactive experience of Richard Serra sculptures Junction (2011) and Cycle (2010), and display a worldwide map of the Jeff Koons’s Celebration series exhibition history. We also explore a recent essay by Olivier Zahm on the exhibition Warhol: Bardot with interactive “pop-up” images, audio, and video content, show you an exclusive video of Richard Prince: Bel-Air installed at a private residence in 2011, and give you an in-depth look at Roy Lichtenstein’s working process and his series Landscapes in the Chinese Style.
00s. Collection Cranford
Les années 2000
Through May 30, 2021
Mo.Co. Contemporary, Montpellier, France
This exhibition of work from the Cranford Collection, established by Muriel and Freddy Salem in 1999, aims to define the identity of the 2000s by creating a dialogue between one hundred artworks by a multigenerational array of artists who contributed to shaping the beginning of the millennium. Work by Glenn Brown, Damien Hirst, Mike Kelley, Albert Oehlen, Gerhard Richter, Ed Ruscha, Cindy Sherman, Jeff Wall, Franz West, and Christopher Wool is included.
Albert Oehlen, Schmilzender . . . , 2002 © Albert Oehlen. Photo: Jörg von Bruchhausen
End of a Century
October 7, 2020–March 7, 2021
Newport Street Gallery, London
End of a Century features over fifty early works by Damien Hirst, spanning his formative years as a student in the 1980s through the 1990s, when he became one of Britain’s leading contemporary artists. Featuring installations, sculpture, and paintings, some of which have not been seen before, the exhibition surveys a selection of Hirst’s most iconic series.
Damien Hirst, Up, Up and Away, 1997 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020
Al filo de la navaja
August 18, 2020–February 14, 2021
Museo Jumex, Mexico City
This exhibition, whose title translates to On the Knife’s Edge, brings together works by more than forty international artists. Comprising four thematic sections—migration and liberty, the human body, the environment, and the inexorable passage of time—the show aims to address the issues shaping our contemporary world. Work by Douglas Gordon and Damien Hirst is included.
Installation view, Colección Jumex: Al filo de la navaja, Museo Jumex, Mexico City, August 18, 2020–February 14, 2021. Artwork, front: © Dan Graham; ceiling: © Studio lost but found/VG Bild-Kunst, Bonn 2021
March 25, 2020–January 25, 2021
Musée du Louvre-Lens, France
This sensory exhibition, whose title translates to Black Suns, offers a fresh perspective on the color black, which has been endowed with a multitude of symbolic meanings in Western art from antiquity to the present day. The exhibition features nearly 180 works, intermingling periods and disciplines, and spanning painting, fashion, the decorative arts, the moving image, and installations. Work by Douglas Gordon, Simon Hantaï, and Damien Hirst is included.
Simon Hantaï, Etude I, suite pour Pierre Reverdy, 1969 © Archives Simon Hantaï/ADAGP, Paris, 2020. Photo: Claude Gaspari
Dyr i kunsten
March 21, 2020–January 10, 2021
Arken Museum, Ishoj, Denmark
Dyr i kunsten, or Animals in Art, features sculpture, installations, video, photography, and paintings by a wide array of international artists whose work explores the ways that humans study, categorize, live with, and use animals and how we thus attempt to gain a deeper understanding of ourselves. Work by Douglas Gordon, Damien Hirst, and Carsten Höller is included.
Installation view, Dyr i kunsten, Arken Museum, Ishoj, Denmark, May 26, 2020–January 10, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: David Stjernholm
September 23, 2020–January 3, 2021
Fondation Louis Vuitton, Paris
Presented in conjunction with a retrospective on Cindy Sherman, Crossing Views examines a selection of works from the collection of the Fondation Louis Vuitton, chosen in collaboration with Cindy Sherman. Echoing the artist’s work, the exhibition unfolds across two floors and is centered on the theme of the portrait and its interpretation through different approaches and media, including painting, photography, sculpture, video, and installation. Work by Damien Hirst, Albert Oehlen, Cindy Sherman, and Andy Warhol is included.
Albert Oehlen, Rock, 2009 © Albert Oehlen
The Beginning and End of Civilizations
April 4–October 18, 2020
ARoS Aarhus Art Museum, Denmark
This exhibition attempts to expose the mythological narratives that have sustained society through various historical epochs and had a governing influence on communities as well as on war and destruction. By highlighting specific historical points of interest, the show aims to uncover periods where old narratives are discarded and new ones emerge, often via radical ruptures. Work by Damien Hirst and Anselm Kiefer is included.
Damien Hirst, Mermaid, 2014 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020
The Taste of Art
February 19–July 26, 2020
Museum Tinguely, Basel
Amuse-Bouche: The Taste of Art presents works—some with a participatory element—by more than forty-five international artists from the Baroque period to the present that explore taste as a dimension of aesthetic perception. Breaking with the usual museum practice of appealing primarily to the sense of sight, works in the exhibition offer art historical and phenomenological encounters with the sense of taste. Work by Urs Fischer, Damien Hirst, Cindy Sherman, Andy Warhol, and Tom Wesselmann is included.
Installation view, Amuse-Bouche: The Taste of Art, Museum Tinguely, Basel, February 19–July 26, 2020. Artwork, left to right: © Opavivará!; © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Gina Folly © 2020 Museum Tinguely, Basel
Was wir Menschen anbeten
October 19, 2019–March 1, 2020
Kunsthalle Bremen, Germany
This exhibition, whose title translates to Icons: Worship and Adoration, presents a single masterpiece in each of the museum’s sixty galleries complemented by everyday icons—from consumer brands to icons of popular culture, offering an interpretation of the traditional notion of the icon in art juxtaposed with the proliferation of icons in everyday life. The presentation examines various aspects of spirituality, devotion, and adoration. Work by Francis Bacon, Andreas Gursky, Damien Hirst, Yves Klein, Jeff Koons, Bruce Nauman, and Andy Warhol is included.
Damien Hirst, Liberation, 2019, installation view, Kunsthalle Bremen, Germany © Damien Hirst and Science Ltd. All rights reserved, DACS 2020
Objects of Wonder
From Pedestal to Interaction
October 12, 2019–March 1, 2020
ARoS Aarhus Art Museum, Denmark
Objects of Wonder features sculptural works from 1960 until the present. The exhibition, conceptualized in collaboration with Tate, London, showcases recent sensory or thought-provoking sculpture and experiments. The audience encounters a series of works that challenge the genre, where tactility, context, and light play a central role. Work by Damien Hirst, Bruce Nauman, and Rachel Whiteread is included.
Rachel Whiteread, Untitled (Air Bed II), 1992 © Rachel Whiteread
Pompei e Santorini
l’eternità in un giorno
October 11, 2019–January 6, 2020
Scuderie del Quirinale, Rome
Pompeii and Santorini: Eternity in a Day offers a comparison between two ancient sites whose entire societies were buried by eruptions—Pompeii and Santorini. Through themes of catastrophe and rebirth, visitors explore how natural disasters become inspiration for art. Work by Damien Hirst, Giuseppe Penone, and Andy Warhol is included.
Installation view, Pompei e Santorini: l’eternità in un giorno, Scuderie del Quirinale, Rome, October 11, 2019–January 6, 2020. Artwork © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York. Photo: Studio Idini
Yorkshire Sculpture International
June 22–September 29, 2019
Various venues, Yorkshire, England
Yorkshire Sculpture International is the UK’s largest dedicated sculpture festival and features a series of exhibitions, international commissions, events, and learning programs. The festival began this year and aims to build on the growing profile of Yorkshire as a cultural destination. Work by Huma Bhabha and Damien Hirst is included.
Damien Hirst, The Hat Makes the Man, 2004–07, installation view, Yorkshire Sculpture Park, England, June 22–September 29, 2019 © Damien Hirst and Science Ltd. All rights reserved, DACS 2019