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The Extreme Present

Exhibition

The Extreme Present

Opening reception: Tuesday, December 3, 5–8pm
December 4–8, 2019
Moore Building, Miami

Gagosian is pleased to announce The Extreme Present, the fifth in a series of annual exhibitions at the Moore Building in the Miami Design District during Art Basel Miami Beach, presented by Gagosian and Jeffrey Deitch. The Extreme Present will explore artists’ reactions to the conditions of our accelerating and increasingly complex world. The title is inspired by The Age of Earthquakes: A Guide to the Extreme Present, a book by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, published in 2015. Their provocative thesis addresses the rapidly evolving digital era, half a century after Marshall McLuhan’s groundbreaking study on technology’s influence on culture, Understanding Media: The Extensions of Man, in which he coined the phrase “the medium is the message.” Works in this exhibition explore concepts of media, communication, togetherness, and isolation.

Download the full press release (PDF)

The Extreme Present

Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library

Tour

Visions of the Self: Rembrandt and Now
In partnership with English Heritage

Thursday, April 25, 2019, 6pm
Gagosian, Grosvenor Hill, London

Gagosian director and art historian Richard Calvocoressi will lead a tour of the exhibition Visions of the Self: Rembrandt and Now at Gagosian, Grosvenor Hill, London. Calvocoressi will take a look at postwar and contemporary masters of self-representation, anchoring the conversation to an important Rembrandt masterpiece included in the exhibition, Self-Portrait with Two Circles (c. 1665). The event has reached capacity. To join the wait list, contact londontours@gagosian.com.

Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library

Damien Hirst, Hymn, 1999–2005 © Damien Hirst and Science Ltd. All rights reserved, DACS 2018

Public Installation

Damien Hirst
Hymn

March 26–July 15, 2018
Norwich University of the Arts, UK
www.nua.ac.uk

Damien Hirst’s monumental sculpture Hymn (1999–2005) is on display at Norwich University of the Arts through mid-July. The twenty-foot-high painted bronze sculpture is based on an anatomical toy Hirst bought for his son. The installation coincides with a major exhibition of the artist at nearby Houghton Hall in Norfolk.

Damien Hirst, Hymn, 1999–2005 © Damien Hirst and Science Ltd. All rights reserved, DACS 2018

Thomas Houseago, Rainbow I (Psychedelic), 2017

Live Auction

2017 Leonardo DiCaprio Foundation Gala Auction

Live auction: July 26
Online preview: July 27–August 9
Online bidding: August 10–23
www.2017ldfauction.org

The Leonardo DiCaprio Foundation is dedicated to protecting the world’s last wild places. Since 2008 it has supported over 200 environmental projects across all five oceans and in over fifty countries. This auction helps make it possible for the Foundation to continue supporting pioneering individuals and organizations on the front lines of environmental conservation and climate advocacy, and will feature donated artworks by Urs Fischer, Frank Gehry, Damien Hirst, Thomas Houseago, Jeff Koons, Pablo Picasso, Sterling Ruby, Ed Ruscha, Rudolf Stingel, Lawrence Weiner, and Jonas Wood.

Thomas Houseago, Rainbow I (Psychedelic), 2017

Announcements

Gagosian App for iPad

New Release

Gagosian App for iPad
Issue 3

Gagosian announces the release of issue 3 of the Gagosian App for iPad on January 22, 2012. Artists featured in this issue include Damien Hirst, Howard Hodgkin, Mike Kelley, Jeff Koons, Roy Lichtenstein, Paul Noble, Richard Prince, Jenny Saville, Richard Serra, Andy Warhol, and Zeng Fanzhi.

In issue 3 we feature a Damien Hirst “art board” that explores more than ninety spot paintings, offer a 360˚ full-motion interactive experience of Richard Serra sculptures Junction (2011) and Cycle (2010), and display a worldwide map of the Jeff Koons’s Celebration series exhibition history. We also explore a recent essay by Olivier Zahm on the exhibition Warhol: Bardot with interactive “pop-up” images, audio, and video content, show you an exclusive video of Richard Prince: Bel-Air installed at a private residence in 2011, and give you an in-depth look at Roy Lichtenstein’s working process and his series Landscapes in the Chinese Style.

Museum Exhibitions

Installation view, Pompei e Santorini: l’eternità in un giorno, Scuderie del Quirinale, Rome, October 11, 2019 –January 6, 2020. Artwork © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York. Photo: Studio Idini

On View

Pompei e Santorini
l’eternità in un giorno

Through January 6, 2020
Scuderie del Quirinale, Rome
www.scuderiequirinale.it

Pompeii and Santorini: Eternity in a Day offers a comparison between two ancient sites whose entire societies were buried by eruptions—Pompeii and Santorini. Through themes of catastrophe and rebirth, visitors explore how natural disasters become inspiration for art. Work by Damien Hirst, Giuseppe Penone, and Andy Warhol is included.

Installation view, Pompei e Santorini: l’eternità in un giorno, Scuderie del Quirinale, Rome, October 11, 2019 –January 6, 2020. Artwork © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York. Photo: Studio Idini

Jeff Koons, Balloon Dog (Red), 1994–2000 © Jeff Koons

On View

Ikonen
Was wir Menschen anbeten

Through March 1, 2020
Kunsthalle Bremen, Germany
www.kunsthalle-bremen.de

This exhibition, whose title translates to Icons: Worship and Adoration, presents a single masterpiece in each of the museum’s sixty galleries complemented by everyday icons—from consumer brands to icons of popular culture, offering an interpretation of the traditional notion of the icon in art juxtaposed with the proliferation of icons in everyday life. The presentation examines various aspects of spirituality, devotion, and adoration. Work by Francis Bacon, Andreas Gursky, Damien Hirst, Yves Klein, Jeff Koons, Bruce Nauman, and Andy Warhol is included.

Jeff Koons, Balloon Dog (Red), 1994–2000 © Jeff Koons

Installation view, Objects of Wonder: From Pedestal to Interaction, ARoS Aarhus Art Museum, Denmark, October 12, 2019–March 1, 2020. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2019

On View

Objects of Wonder
From Pedestal to Interaction

Through March 1, 2020
ARoS Aarhus Art Museum, Denmark
en.aros.dk

Objects of Wonder features sculptural works from 1960 until the present. The exhibition, conceptualized in collaboration with Tate, London, showcases recent sensory or thought-provoking sculpture and experiments. The audience encounters a series of works that challenge the genre, where tactility, context, and light play a central role. Work by Damien Hirst, Bruce Nauman, and Rachel Whiteread is included.

Installation view, Objects of Wonder: From Pedestal to Interaction, ARoS Aarhus Art Museum, Denmark, October 12, 2019–March 1, 2020. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2019

Jeff Koons, Gazing Ball (da Vinci Mona Lisa), 2016, Jordan Schnitzer Family Foundation © Jeff Koons

On View

POP Power from Warhol to Koons
Masterworks from the Collections of Jordan D. Schnitzer and His Family Foundation

Through March 8, 2020
Taubman Museum of Art, Roanoke, Virginia
www.taubmanmuseum.org

POP Power celebrates a perennial movement that revels in the new and the now, the celebrity and the commodity, and art made accessible for the masses. Work by Damien Hirst, Jeff Koons, Roy Lichtenstein, Takashi Murakami, Richard Prince, and Andy Warhol is included.

Jeff Koons, Gazing Ball (da Vinci Mona Lisa), 2016, Jordan Schnitzer Family Foundation © Jeff Koons

Carsten Höller, Upside-Down Mushroom Room, 2000 © Carsten Höller. Photo by Attilio Maranzano, courtesy Fondazione Prada

On View

Atlas

Opened April 20, 2018
Fondazione Prada, Milan
www.fondazioneprada.org

The group of exhibited artworks, realized between 1960 and 2016, represents a possible mapping of the ideas and visions that have guided the creation of the collection and the collaborations with the artists  that have contributed to the activities of the foundation throughout the years. Work by Walter De Maria, Michael Heizer, Damien Hirst, Carsten Höller, and Jeff Koons is included.

Carsten Höller, Upside-Down Mushroom Room, 2000 © Carsten Höller. Photo by Attilio Maranzano, courtesy Fondazione Prada

Damien Hirst, The Hat Makes the Man, 2004–07, installation view, Yorkshire Sculpture Park, England, June 22–September 29, 2019 © Damien Hirst and Science Ltd. All rights reserved, DACS 2019

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Yorkshire Sculpture International

June 22–September 29, 2019
Various venues, Yorkshire, England
yorkshire-sculpture.org

Yorkshire Sculpture International is the UK’s largest dedicated sculpture festival and features a series of exhibitions, international commissions, events, and learning programs. The festival began this year and aims to build on the growing profile of Yorkshire as a cultural destination. Work by Huma Bhabha and Damien Hirst is included.

Damien Hirst, The Hat Makes the Man, 2004–07, installation view, Yorkshire Sculpture Park, England, June 22–September 29, 2019 © Damien Hirst and Science Ltd. All rights reserved, DACS 2019

Walton Ford, Grifo de California, 2017 © Walton Ford. Photo: Christopher Burke

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Book of Beasts
The Bestiary in the Medieval World

May 14–August 18, 2019
Getty Center, Los Angeles
www.getty.edu

This exhibition is inspired by The Bestiary, a popular medieval book that describes the beasts of the world with vibrant and fascinating images. With over one hundred works on display, this major loan exhibition transports visitors into the world of the medieval bestiary. Work by Walton Ford and Damien Hirst is included.

Walton Ford, Grifo de California, 2017 © Walton Ford. Photo: Christopher Burke

Damien Hirst, Death Is Irrelevant, 2000 (detail) © Damien Hirst and Science Ltd. All rights reserved, DACS 2019

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Damien Hirst in
Death Is Irrelevant: Selections from the Marc and Livia Straus Collection, 1975–2018

October 13, 2018–July 21, 2019
Hudson Valley MOCA, Peekskill, New York
www.hudsonvalleymoca.org

Through a selection of figurative sculptures by artists from seventeen countries, Death Is Irrelevant looks at how artists consider their existence and how they express their present sociopolitical and personal situation. The exhibition questions whether the practice of making art is a method of self-preservation, a road to immortality; whether figurative sculpture is a form of self-reflection or represents the outward projection of ideas of the surrounding world. Work by Damien Hirst is included.

Damien Hirst, Death Is Irrelevant, 2000 (detail) © Damien Hirst and Science Ltd. All rights reserved, DACS 2019

Sterling Ruby, WIDW. BALLISTIC., 2017 © Sterling Ruby

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Present Tense
Selections from the Lenhardt Collection

September 8–December 30, 2018
Phoenix Art Museum
www.phxart.org

Present Tense includes more than twenty paintings, prints, photographs, and sculptures all drawn from the private collection of Dawn and David Lenhardt. The show places recent contemporary acquisitions by the Lenhardts in conversation with works by modern artists. Work by Damien Hirst, Roy Lichtenstein, Sterling Ruby, and Andy Warhol is included.

Sterling Ruby, WIDW. BALLISTIC., 2017 © Sterling Ruby

Installation view, Damien Hirst at Houghton Hall: Outdoor Sculptures, Houghton Hall, England, July 18–September 30, 2018 © Damien Hirst and Science Ltd. All rights reserved, DACS 2018

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Damien Hirst at Houghton Hall
Outdoor Sculptures

July 18–September 30, 2018
Houghton Hall, England
www.houghtonhall.com

An installation of sculptures by Damien Hirst are installed outdoors in the Houghton Hall gardens, featuring some of the artist’s most famous and visually arresting works such as Virgin Mother (2005–06) and Charity (2002–03).

Installation view, Damien Hirst at Houghton Hall: Outdoor Sculptures, Houghton Hall, England, July 18–September 30, 2018 © Damien Hirst and Science Ltd. All rights reserved, DACS 2018

Georg Baselitz, Lehr nich ratte much wilm (Lelf bal wile), 2013 © Georg Baselitz 2018

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Counterpoint
Selections from the Peter Marino Collection

July 28–September 23, 2018
Southampton Arts Center, New York
southamptonartscenter.org

In 1978 Peter Marino acquired an artwork from Andy Warhol. Since then, the Peter Marino Collection has grown to encompass hundreds of paintings and mixed-media pieces representing some of the most notable artists of today. Work by Georg Baselitz, Glenn Brown, Damien Hirst, Anselm Kiefer, Richard Prince, and Andy Warhol is included.

Georg Baselitz, Lehr nich ratte much wilm (Lelf bal wile), 2013 © Georg Baselitz 2018

Installation view, Damien Hirst at Houghton Hall: Coour Space Paintings and Outdoor Sculptures, Houghton Hall, England, March 25–July 15, 2018. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2018. Photo: Pete Huggins

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Damien Hirst at Houghton Hall
Colour Space Paintings and Outdoor Sculptures

March 25–July 15, 2018
Houghton Hall, UK
www.houghtonhall.com

Hirst’s Colour Space paintings, a new series that has never been shown in public before, developed from the artist’s iconic Spot Paintings. Where the Spot Paintings appear to have been painted mechanically, the Colour Space paintings are more organic in appearance and allow for evidence of the human hand. The exhibition will also include a number of the artist’s most celebrated sculptures installed throughout the eighteenth-century house and gardens.

Installation view, Damien Hirst at Houghton Hall: Coour Space Paintings and Outdoor Sculptures, Houghton Hall, England, March 25–July 15, 2018. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2018. Photo: Pete Huggins

See all Museum Exhibitions for Damien Hirst