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Installation view, Titus Kaphar: New Alte̲rs: Reworking Devotion, Gagosian, Grosvenor Hill, London, March 17–May 15, 2022. Artwork © Titus Kaphar. Photo: Prudence Cuming Associates Ltd

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London Gallery Weekend
Damien Hirst, Cristina Iglesias, Titus Kaphar, Richard Prince

May 13–15, 2022
London
londongalleryweekend.art

As part of London Gallery Weekend, Gagosian will have extended hours at all London locations, including the Gagosian Shop in Burlington Arcade, where visitors can browse Richard Prince artist’s books, posters, and other merchandise as part of his Shop takeover. Visitors can view the exhibitions Cristina Iglesias at Davies Street, which opens on Saturday, May 14; Titus Kaphar: New Alte̲rs: Reworking Devotion at Grosvenor Hill, before it closes on May 15; and Damien Hirst: Natural History at Britannia Street.

A range of activities will be offered, including exhibition tours and drop-in drawing hours for visitors of all ages, in addition to treats from Connaught Patisserie and Treats ClubIn its second year, London Gallery Weekend is a free annual event featuring over 150 of the city’s leading contemporary art galleries coming together to celebrate culture and creativity.

Installation view, Titus Kaphar: New Alte̲rs: Reworking Devotion, Gagosian, Grosvenor Hill, London, March 17–May 15, 2022. Artwork © Titus Kaphar. Photo: Prudence Cuming Associates Ltd

Installation view, Damien Hirst: Relics and Fly Paintings, Gagosian, Britannia Street, London, open from June 5, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2021. Photo: Prudence Cuming Associates

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After Hours
Damien Hirst: Relics and Fly Paintings

Thursday, July 15, 2021, 6–8pm
Gagosian, Britannia Street, London

The Britannia Street gallery will be open after hours to visit Damien Hirst: Relics and Fly Paintings, the second phase of the artist’s yearlong takeover of the space. For this new iteration, the artist has clad the interior of the gallery in black butterfly-patterned wallpaper that reproduces the kaleidoscopic surface of his painting Valley of Death (2010). With its uniquely immersive atmosphere, the exhibition brings together a number of Hirst’s bodies of work, prompting reflections on themes of darkness and death, the past and the future.

Installation view, Damien Hirst: Relics and Fly Paintings, Gagosian, Britannia Street, London, open from June 5, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2021. Photo: Prudence Cuming Associates

Installation view, Rachel Whiteread: Internal Objects, Gagosian, Grosvenor Hill, London, April 12–June 6, 2021. Artwork © Rachel Whiteread. Photo: Prudence Cuming Associates

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London Gallery Weekend
Damien Hirst and Rachel Whiteread

June 4–6, 2021
London
londongalleryweekend.art

As part of the inaugural London Gallery Weekend, Gagosian will have extended hours at all three London locations. Damien Hirst: Relics and Fly Paintings, the second exhibition of the artist’s yearlong takeover of the Britannia Street gallery, will be unveiled on June 5 to coincide with the event. Visitors can also see Rachel Whiteread: Internal Objects at Grosvenor Hill, alongside additional works by the artist at Davies Street, before it closes on June 6. London Gallery Weekend is a new and free annual event featuring over 140 of the city’s leading contemporary art galleries coming together to celebrate culture and creativity.

As part of the event, Gagosian is collaborating with the Connaught Patisserie for a special pop-up, which will be at Gagosian, Grosvenor Hill, on June 5 from 10am to 4pm and June 6 from 11am to 3pm.

Installation view, Rachel Whiteread: Internal Objects, Gagosian, Grosvenor Hill, London, April 12–June 6, 2021. Artwork © Rachel Whiteread. Photo: Prudence Cuming Associates

Ed Ruscha, The Future, 1999 © Ed Ruscha. Photo: Jeff McLane

Exhibition

The Future

November 30, 2020–January 31, 2021
gagosian-deitch.com

Gagosian is pleased to announce The Future, the sixth in a series of annual thematic exhibitions presented by Gagosian and Jeffrey Deitch during Art Basel Miami Beach. Previously staged at the historic Moore Building in the Miami Design District, this year the collaborative project will be hosted on a new stand-alone website.

Ed Ruscha, The Future, 1999 © Ed Ruscha. Photo: Jeff McLane

Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen

Exhibition

Broadcast
Alternate Meanings in Film and Video

You’re only as young as the last time you changed your mind.
—Timothy Leary

Gagosian is pleased to present Broadcast: Alternate Meanings in Film and Video, an online exhibition of artists’ films and videos viewable exclusively on gagosian.com. The exhibition will be organized into a series of “chapters,” each lasting two weeks. The first chapter begins on Tuesday, May 19, 2020.

Broadcast: Alternate Meanings in Film and Video employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point. 

Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen

Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)

Book Launch

Visions of the Self
Rembrandt and Now

Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London
www.english-heritage.org.uk

In the interest of public health, this event has been postponed until further notice.

Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to londonevents@gagosian.com. Space is limited.

Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)

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Announcements

Damien Hirst with works from The Currency (2016). Artwork © Damien Hirst and Science Ltd, DACS 2021. Photo: Prudence Cuming Associates Ltd

Launch

Damien Hirst
The Currency

On July 14, 2021, Damien Hirst released The Currency—a collection of ten thousand NFTs that correspond to ten thousand unique physical artworks—with HENI on Palm, a new, more environmentally friendly NFT ecosystem. Collectors are invited to apply to buy an NFT through July 21, 2021. Successful applicants will all initially receive NFTs. Ultimately, each collector has one year to decide between keeping the NFT or trading it for the physical artwork; whichever is not selected will be destroyed. The Currency is an experiment in belief in which every participant is confronted with their perception of value, testing the boundaries of the digital and physical worlds and our role in both.

Damien Hirst with works from The Currency (2016). Artwork © Damien Hirst and Science Ltd, DACS 2021. Photo: Prudence Cuming Associates Ltd

Still from “Damien Hirst: Hylonome”

Video

Damien Hirst
Hylonome

In this time-lapse video, Damien Hirst’s Hylonome (2011) is installed at Gagosian, Rome, for the exhibition Forgiving and Forgetting, on view from July 6 through October 23, 2021. Rendered in Carrara marble, the female centaur, whose statuesque form conjures both Baroque corporeality and the stately symmetry of French Neoclassical sculpture, sparks an unexpected interplay between ancient and modern. The work is from the artist’s Treasures from the Wreck of the Unbelievable, a project that presented sculptural relics from a fictional shipwreck off the coast of East Africa, playing fast and loose with linear time, cultural origin, and perceptions of relative status and value.

Still from “Damien Hirst: Hylonome”

Damien Hirst, Fruitful, 2020 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Prudence Cuming Associates

Support

Damien Hirst
Fruitful and Forever Editions

Organized in collaboration with Fondazione Prada in Milan, Damien Hirst has created four new limited-edition prints to raise money for Save the Children’s campaign Riscriviamo il Futuro (Rewrite the Future). The initiative aims to support Italian children from disadvantaged backgrounds who have been affected by school closures during the covid-19 crisis. The editions, titled Fruitful and Forever, feature bright, abstract details from Hirst’s new series of Cherry Blossom paintings, and are available through September 27, 2020. To purchase the prints, visit leviathan.heni.com.

Damien Hirst, Fruitful, 2020 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Prudence Cuming Associates

Damien Hirst, Butterfly Rainbow, 2020 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020

Support

Damien Hirst
Rainbow Editions

Damien Hirst has created two limited-edition prints, each available in two different sizes, to support NHS Charities Together and the Felix Project. The prints, respectively titled Butterfly Rainbow and Butterfly Heart, both feature rainbow-colored bands of photographed butterfly wings, and will be available for purchase until midnight BST on Monday, May 25. The edition size will be determined by demand within the time limit of sale, and 100 percent of the profits will be donated to the charities. To purchase the prints, visit rainbow.henieditions.com.

Damien Hirst, Butterfly Rainbow, 2020 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020

Gagosian App for iPad

New Release

Gagosian App for iPad
Issue 3

Gagosian announces the release of issue 3 of the Gagosian App for iPad on January 22, 2012. Artists featured in this issue include Damien Hirst, Howard Hodgkin, Mike Kelley, Jeff Koons, Roy Lichtenstein, Paul Noble, Richard Prince, Jenny Saville, Richard Serra, Andy Warhol, and Zeng Fanzhi.

In issue 3 we feature a Damien Hirst “art board” that explores more than ninety spot paintings, offer a 360˚ full-motion interactive experience of Richard Serra sculptures Junction (2011) and Cycle (2010), and display a worldwide map of the Jeff Koons’s Celebration series exhibition history. We also explore a recent essay by Olivier Zahm on the exhibition Warhol: Bardot with interactive “pop-up” images, audio, and video content, show you an exclusive video of Richard Prince: Bel-Air installed at a private residence in 2011, and give you an in-depth look at Roy Lichtenstein’s working process and his series Landscapes in the Chinese Style.

Museum Exhibitions

Duane Hanson, Medical Doctor, 1992–94 © 2022 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York

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Take Care
Art and Medicine

April 8–July 17, 2022
Kunsthaus Zürich
www.kunsthaus.ch

This group exhibition aims to explore the timeless human preoccupation with health by retracing key moments in medical history from the nineteenth century to present day. More than three hundred works, including drawing, painting, sculpture, video, spatial installation, and performance, examine the productive interplay of sickness, pain, medicine, care, and healing. Work by Jean-Michel Basquiat, Duane Hanson, and Damien Hirst is included.

Duane Hanson, Medical Doctor, 1992–94 © 2022 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York

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Textiles de Artistas

March 12–June 19, 2022
Fundacíon Barrié, A Coruña, Spain
fundacionbarrie.org

This exhibition explores the history of twentieth-century art through fabrics designed by artists, with unique examples from artistic movements such as Fauvism, Cubism, Surrealism, and Pop art. Comprised of more than one hundred works, the show presents an important overview of weaving as a popular art form in the United Kingdom, the United States, and Europe. Work by Alexander Calder, Damien Hirst, Howard Hodgkin, Henry Moore, Pablo Picasso, Sterling Ruby, and Andy Warhol is included.

Installation view, Damien Hirst: Cherry Blossoms, National Art Center, Tokyo, March 2–May 23, 2022. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2022

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Damien Hirst
Cherry Blossoms

March 2–May 23, 2022
National Art Center, Tokyo
www.nact.jp

Damien Hirst: Cherry Blossoms reinterprets the traditional subject of landscape painting with playful irony. In this series Hirst combines thick brushstrokes and elements of gestural painting, referencing Impressionism, Pointillism, and Action painting. The monumental canvases, which are entirely covered in dense, bright colors, envelop the viewer in a vast floral landscape that oscillates between figuration and abstraction. This exhibition has traveled from the Fondation Cartier pour l’art contemporain, Paris.

Installation view, Damien Hirst: Cherry Blossoms, National Art Center, Tokyo, March 2–May 23, 2022. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2022

Installation view, Masterpieces in Miniature: The 2021 Model Art Gallery, Pallant House Gallery, Chichester, England, June 26, 2021–April 24, 2022. Artwork, left to right, top to bottom: © Lothar Gotz; © Julian Opie; © Bob and Roberta Smith; © Michael Landy; © Sean Scully; © Cecily Brown; © Glenn Brown; © Tacita Dean; © George Shaw; © Damien Hirst and Science Ltd, DACS 2021; © Gillian Wearing; © Damien Hirst and Science Ltd, DACS 2021; © Gary Hume; © Fiona Rae; © Rachel Whiteread; © Toby Ziegler

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Masterpieces in Miniature
The 2021 Model Art Gallery

June 26, 2021–April 24, 2022
Pallant House Gallery, Chichester, England
pallant.org.uk

In a unique response to the coronavirus pandemic, Pallant House Gallery has commissioned the 2021 Model Art Gallery, a scaled-down space designed by Wright & Wright architects featuring specially made miniature artworks—all ranging from the size of a pound coin to no larger than 20 centimeters—by more than thirty leading contemporary British artists, including Glenn Brown, Edmund de Waal, Damien Hirst, and Rachel Whiteread. Together with the Thirty Four Gallery and the Model Gallery 2000, these miniature galleries tell the story of Modern British art from the 1930s through today.

Installation view, Masterpieces in Miniature: The 2021 Model Art Gallery, Pallant House Gallery, Chichester, England, June 26, 2021–April 24, 2022. Artwork, left to right, top to bottom: © Lothar Gotz; © Julian Opie; © Bob and Roberta Smith; © Michael Landy; © Sean Scully; © Cecily Brown; © Glenn Brown; © Tacita Dean; © George Shaw; © Damien Hirst and Science Ltd, DACS 2021; © Gillian Wearing; © Damien Hirst and Science Ltd, DACS 2021; © Gary Hume; © Fiona Rae; © Rachel Whiteread; © Toby Ziegler

Jennifer Guidi, Seeking Hearts (Black MT, Pink Sand, Pink CS, Pink Ground), 2021 © Jennifer Guidi. Photo: Brica Wilcox

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Artists Inspired by Music
Interscope Reimagined

January 30–February 13, 2022
Los Angeles County Museum of Art
www.lacma.org

To mark the thirtieth anniversary of Interscope Records, the company invited artists to select albums and songs from Interscope’s groundbreaking catalogue and fostered exchanges between artists and musicians to generate resonant pairings. The exhibition, which includes more than fifty works, brings an intergenerational group of visual artists into dialogue with iconic musicians from the last three decades, providing a fresh perspective on influential music for the present moment. Work by John Currin, Jennifer Guidi, Damien Hirst, Titus Kaphar, Takashi Murakami, Richard Prince, Ed Ruscha, and Anna Weyant is included.

Jennifer Guidi, Seeking Hearts (Black MT, Pink Sand, Pink CS, Pink Ground), 2021 © Jennifer Guidi. Photo: Brica Wilcox

Installation view, Damien Hirst: Cherry Blossoms, Fondation Cartier pour l’art contemporain, Paris, July 6, 2021–January 2, 2022. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2021. Photo: Thibaut Voisin

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Damien Hirst
Cherry Blossoms

July 6, 2021–January 2, 2022
Fondation Cartier pour l’art contemporain, Paris
www.fondationcartier.com

Cherry Blossoms, Damien Hirst’s first museum exhibition in France, reinterprets the traditional subject of landscape painting with playful irony. In this series Hirst combines thick brushstrokes and elements of gestural painting, referencing Impressionism, Pointillism, and Action painting. The monumental canvases, which are entirely covered in dense bright colors, envelop the viewer in a vast floral landscape moving between figuration and abstraction.

Installation view, Damien Hirst: Cherry Blossoms, Fondation Cartier pour l’art contemporain, Paris, July 6, 2021–January 2, 2022. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2021. Photo: Thibaut Voisin

Installation view, Damien Hirst: Archaeology Now, Galleria Borghese, Rome, June 8–November 7, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved DACS 2021/SIAE 2021. Photo: A. Novelli © Galleria Borghese-Ministero della Cultura 

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Damien Hirst
Archaeology Now

June 8–November 7, 2021
Galleria Borghese, Rome
galleriaborghese.beniculturali.it

In Archaeology Now, more than eighty works from Damien Hirst’s Treasures from the Wreck of the Unbelievable (2007–17) series are displayed throughout the Galleria Borghese alongside ancient masterpieces from the museum’s collection. Hirst’s C0lour Space (2016) paintings are also exhibited—for the first time in Italy—among the collection and his colossal sculpture Hydra and Kali (2015) is presented outdoors in the Giardino Segreto dell’Uccelliera.

Installation view, Damien Hirst: Archaeology Now, Galleria Borghese, Rome, June 8–November 7, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved DACS 2021/SIAE 2021. Photo: A. Novelli © Galleria Borghese-Ministero della Cultura 

Damien Hirst, Up, Up and Away, 1997 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020 

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Damien Hirst
End of a Century

October 7, 2020–August 8, 2021
Newport Street Gallery, London
www.newportstreetgallery.com

End of a Century features over fifty early works by Damien Hirst, spanning his formative years as a student in the 1980s through the 1990s, when he became one of Britain’s leading contemporary artists. Featuring installations, sculpture, and paintings, some of which have not been seen before, the exhibition surveys a selection of Hirst’s most iconic series.

Damien Hirst, Up, Up and Away, 1997 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020 

Glenn Brown, Lemon Sunshine, 2001 © Glenn Brown

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00s. Collection Cranford
Les années 2000

October 24, 2020–May 30, 2021
Mo.Co. Contemporary, Montpellier, France
www.moco.art

This exhibition of work from the Cranford Collection, established by Muriel and Freddy Salem in 1999, aims to define the identity of the 2000s by creating a dialogue between one hundred artworks by a multigenerational array of artists who contributed to shaping the beginning of the millennium. Work by Glenn Brown, Damien Hirst, Mike Kelley, Albert Oehlen, Gerhard Richter, Ed Ruscha, Cindy Sherman, Jeff Wall, Franz West, and Christopher Wool is included.

Glenn Brown, Lemon Sunshine, 2001 © Glenn Brown

Installation view, Colección Jumex: Al filo de la navaja, Museo Jumex, Mexico City, August 18, 2020–February 14, 2021. Artwork, front: © Dan Graham; ceiling: © Studio lost but found/VG Bild-Kunst, Bonn 2021

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Colección Jumex
Al filo de la navaja

August 18, 2020–February 14, 2021
Museo Jumex, Mexico City
www.fundacionjumex.org

This exhibition, whose title translates to On the Knife’s Edge, brings together works by more than forty international artists. Comprising four thematic sections—migration and liberty, the human body, the environment, and the inexorable passage of time—the show aims to address the issues shaping our contemporary world. Work by Douglas Gordon and Damien Hirst is included.

Installation view, Colección Jumex: Al filo de la navaja, Museo Jumex, Mexico City, August 18, 2020–February 14, 2021. Artwork, front: © Dan Graham; ceiling: © Studio lost but found/VG Bild-Kunst, Bonn 2021

Simon Hantaï, Etude I, suite pour Pierre Reverdy, 1969 © Archives Simon Hantaï/ADAGP, Paris, 2020. Photo: Claude Gaspari

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Soleils noirs

March 25, 2020–January 25, 2021
Musée du Louvre-Lens, France
www.louvrelens.fr

This sensory exhibition, whose title translates to Black Suns, offers a fresh perspective on the color black, which has been endowed with a multitude of symbolic meanings in Western art from antiquity to the present day. The exhibition features nearly 180 works, intermingling periods and disciplines, and spanning painting, fashion, the decorative arts, the moving image, and installations. Work by Douglas Gordon, Simon Hantaï, and Damien Hirst is included.

Simon Hantaï, Etude I, suite pour Pierre Reverdy, 1969 © Archives Simon Hantaï/ADAGP, Paris, 2020. Photo: Claude Gaspari

Installation view, Dyr i kunsten, Arken Museum, Ishoj, Denmark, May 26, 2020–January 10, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: David Stjernholm

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Dyr i kunsten

March 21, 2020–January 10, 2021
Arken Museum, Ishoj, Denmark
uk.arken.dk

Dyr i kunsten, or Animals in Art, features sculpture, installations, video, photography, and paintings by a wide array of international artists whose work explores the ways that humans study, categorize, live with, and use animals and how we thus attempt to gain a deeper understanding of ourselves. Work by Douglas Gordon, Damien Hirst, and Carsten Höller is included.

Installation view, Dyr i kunsten, Arken Museum, Ishoj, Denmark, May 26, 2020–January 10, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: David Stjernholm

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