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Katharina Grosse, Untitled, 2019 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021

In Conversation

Katharina Grosse
Margaret Andera

Friday, May 7, 2021, 1pm EDT

Join the Milwaukee Art Museum’s Contemporary Art Society for a virtual conversation between Katharina Grosse and the museum’s interim chief curator and curator of contemporary art, Margaret Andera. The pair will discuss Grosse’s Untitled (2019), which the museum recently acquired. The painting is the first work by the artist to enter the collection as well as the first by a female artist in the museum’s collection of contemporary German paintings. To attend the event, register at us02web.zoom.us.

Katharina Grosse, Untitled, 2019 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1, 2020–January 3, 2021. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020. Photo: Mitro Hood, courtesy Baltimore Museum of Art

In Conversation

Katharina Grosse
Eric N. Mack

Wednesday, December 16, 2020, 6pm EST

Using the exhibition Katharina Grosse: Is It You? at the Baltimore Museum of Art as a starting point, Grosse and fellow artist Eric N. Mack will discuss the intersections of their practices, processes, and inspirations. The talk will be moderated by critic and art historian Molly Warnock as part of the museum’s Violet Hour series. To watch the live conversation, visit BMA’s Facebook.

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1, 2020–January 3, 2021. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020. Photo: Mitro Hood, courtesy Baltimore Museum of Art

Still from Alexander Kluge’s film Separatrix (2020), featuring Katharina Grosse’s painting Untitled (2019)

In Conversation

Katharina Grosse and Alexander Kluge
with Joachim Bernauer and Julia Draganović

Tuesday, November 24, 2020, 1pm EST (7pm CET)

Katharina Grosse will speak with writer, theorist, and filmmaker Alexander Kluge about his writings on Leibniz’s theory of the “separatrix” and its key impact on her new body of watercolors and paintings on canvas, on view at Gagosian, Rome, through January 7. The conversation will be moderated by special guests Joachim Bernauer, director of Goethe-Institut Italien, and Julia Draganović, director of Accademia Tedesca Roma Villa Massimo, Rome. For this online discussion, Bernauer and Draganović will be speaking live from the gallery while Grosse and Kluge will join remotely. To join, complete this form.

Still from Alexander Kluge’s film Separatrix (2020), featuring Katharina Grosse’s painting Untitled (2019)

Ed Ruscha, The Future, 1999 © Ed Ruscha. Photo: Jeff McLane

Exhibition

The Future

November 30, 2020–January 31, 2021
gagosian-deitch.com

Gagosian is pleased to announce The Future, the sixth in a series of annual thematic exhibitions presented by Gagosian and Jeffrey Deitch during Art Basel Miami Beach. Previously staged at the historic Moore Building in the Miami Design District, this year the collaborative project will be hosted on a new stand-alone website.

Ed Ruscha, The Future, 1999 © Ed Ruscha. Photo: Jeff McLane

Katharina Grosse, Shake Before Using, 2020 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020

Support

Artist Plate Project
Coalition for the Homeless

November 16–December 14, 2020

Gagosian is pleased to support the Coalition for the Homeless’s Artist Plate Project fundraiser. Artwork by fifty artists, including Cecily Brown, Katharina Grosse, Sterling Ruby, Ed Ruscha, Sarah Sze, Andy Warhol, Jonas Wood, and Christopher Wool, is featured on limited-edition dinner plates produced by Prospect and made available through Artware Editions to support the Coalition’s lifesaving programs. All of the funds raised by the sale of the plates will provide food, crisis services, housing, and other critical aid to thousands of people experiencing homelessness and instability. The purchase of one plate can feed seventy-five homeless and hungry New Yorkers.

Katharina Grosse, Shake Before Using, 2020 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020

Photo: Robert Schittko, Art/Beats

In Conversation

Katharina Grosse
Bartolomeo Pietromarchi

Tuesday, November 10, 2020, 1pm EST (7pm CET)

Katharina Grosse will speak with Bartolomeo Pietromarchi, director of Museo nazionale delle arti del XXI secolo (MAXXI) in Rome, as part of the museum’s Conversazioni d’autore series. The pair will discuss her artistic practice, including such works as Ingres Wood Seven (2018) in the MAXXI collection, as well as her latest paintings and works on paper on view in Separatrix at Gagosian, Rome, through January 7. The event is organized in collaboration with Gagosian; Accademia Tedesca Roma Villa Massimo, Rome; and Goethe-Institut, Rome. To watch the live conversation, visit MAXXI’s Facebook.

Photo: Robert Schittko, Art/Beats

See all Events for Katharina Grosse

Announcements

Still from “Katharina Grosse: Rockaway!”

Video

Katharina Grosse
Rockaway!

In 2016, MoMA PS1 invited Katharina Grosse to transform an abandoned building at Fort Tilden in the Rockaways, New York, into an artwork using her technique of spraying brightly colored paint directly onto the structure. In this video, produced by the museum and featuring footage of the work being made, Grosse explains the concepts and process behind the project, and her interest in color and scale.

Still from “Katharina Grosse: Rockaway!”

Museum Exhibitions

Installation view, Katharina Grosse: Chill Seeping from the Walls Gets between Us, Helsinki Art Museum, June 8, 2021–January 23, 2022. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021. Photo: Hanna Kukorelli/HAM Helsinki Art Museum

On View

Katharina Grosse
Chill Seeping from the Walls Gets between Us

Through January 23, 2022
Helsinki Art Museum
www.hamhelsinki.fi

Katharina Grosse is taking over the main exhibition halls on the museum’s upper level with two new installations, one of which has been painted on-site. Focusing on painting as a process and intervention, she transforms the exhibition spaces into artworks engaging in an active correspondence with the architecture, where visitors become participants as they move through her boldly colored installations.

Installation view, Katharina Grosse: Chill Seeping from the Walls Gets between Us, Helsinki Art Museum, June 8, 2021–January 23, 2022. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021. Photo: Hanna Kukorelli/HAM Helsinki Art Museum

Katharina Grosse, Ingres Wood Seven, 2017 © Katharina Grosse and VG Bild-Kunst Bonn, 2019 Photo: Jens Ziehe

On View

Katharina Grosse in
Collezione MAXXI. Lo spazio dell’immagine

Opened November 21, 2018
Museo nazionale delle arti del XXI secolo, Rome
www.maxxi.art

The spirit and the identity of the museum are being renewed with a display of more than thirty works by twenty-six artists. Dedicated to the museum’s new acquisitions, this group show aims to create a counterpoint between the abstract and the figurative. Work by Katharina Grosse is included.

Katharina Grosse, Ingres Wood Seven, 2017 © Katharina Grosse and VG Bild-Kunst Bonn, 2019 Photo: Jens Ziehe

Katharina Grosse, Shutter Splinter, 2021, installation view, Helsinki Biennial, June 12–September 26, 2021. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021. Photo: Hans Grosse

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Katharina Grosse in
Helsinki Biennial: On the Shores of the Same Sea

June 12–September 26, 2021
Various sites on Vallisaari Island and on mainland Helsinki
helsinkibiennaali.fi

The inaugural Helsinki Biennial brings contemporary art to the unique surroundings of Vallisaari Island, a short ferry ride from mainland Helsinki. Artworks are installed along a three-kilometer-long trail and inside the island’s historical buildings, as well as on the mainland. Exploring themes of interconnectedness and mutual dependence, the biennial includes work by forty artists and collectives from Finland and around the world, including Katharina Grosse, who converted Vallisaari’s old derelict school building and its surroundings into a painting.

Katharina Grosse, Shutter Splinter, 2021, installation view, Helsinki Biennial, June 12–September 26, 2021. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021. Photo: Hans Grosse

Georg Baselitz, B. für Larry (Remix), 2006 © Georg Baselitz

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Wonderland

May 7–September 19, 2021
Albertina Modern, Vienna
www.albertina.at

Inspired by Lewis Carroll’s 1865 novel Alice’s Adventures in Wonderland, this exhibition features more than a hundred contemporary artworks from the Albertina’s collection organized into seven different “chapters” conceived as independent yet loosely connected “worlds.”  Work by Georg Baselitz, Katharina Grosse, Anselm Kiefer, Roy Lichtenstein, Albert Oehlen, Andy Warhol, and Franz West is included.

Georg Baselitz, B. für Larry (Remix), 2006 © Georg Baselitz

Installation view, Sphinx Opera, Bayerische Staatsoper, Munich, June 24–July 31, 2021. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021. Photo: Wilfried Hösl

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Sphinx Opera

June 24–July 31, 2021
Bayerische Staatsoper, Munich
www.staatsoper.de

This exhibition visualizes significant productions, faces, and voices that have shaped the Bayerische Staatsoper, or the Bavarian State Opera, in Munich. Over the past thirteen years, writer and filmmaker Alexander Kluge has filmed the goings-on at the renowned opera house under Nikolaus Bachler’s directorship. Work by artists including Georg Baselitz and Katharina Grosse are presented alongside Kluge’s video works and bring the interaction of the arts to the center of attention in an unconventional way.

Installation view, Sphinx Opera, Bayerische Staatsoper, Munich, June 24–July 31, 2021. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021. Photo: Wilfried Hösl

Katharina Grosse, The Horse Trotted a Little Bit Further, 2020, installation view, Fondazione Merz, Turin, Italy, © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021. Photo: courtesy Fondazione Merz

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Katharina Grosse in
Push the Limits

September 7, 2020–February 28, 2021
Fondazione Merz, Turin, Italy
www.fondazionemerz.org

Push the Limits is an exhibition that investigates how art probes cultural, geographical, sexual, social, and visual limits to expand horizons of thinking, perception, and speech. Each work on display is a push forward in a space where current codes of behavior are suspended and transformation becomes possible. Work by Katharina Grosse is included.

Katharina Grosse, The Horse Trotted a Little Bit Further, 2020, installation view, Fondazione Merz, Turin, Italy, © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021. Photo: courtesy Fondazione Merz

Katharina Grosse, It Wasn’t Us, 2020, installation view, Hamburger Bahnhof–Museum für Gegenwart, Berlin © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020. Photo: Jens Ziehe

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Katharina Grosse
It Wasn’t Us

June 14, 2020–January 10, 2021
Hamburger Bahnhof–Museum für Gegenwart, Berlin
www.smb.museum

Katharina Grosse will use the historical hall of the Hamburger Bahnhof and the outdoor area behind the building as the site for a new work that radically destabilizes and renegotiates the existing order of the space of the museum. Incorporating the floor of the hall and Styrofoam sculptural elements as a pictorial ground, her painting will extend beyond the building’s walls and into public space, inviting us to reconsider our habits of seeing, thinking, and perceiving.

Katharina Grosse, It Wasn’t Us, 2020, installation view, Hamburger Bahnhof–Museum für Gegenwart, Berlin © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020. Photo: Jens Ziehe

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1, 2020–January 3, 2021. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020. Photo: Mitro Hood, courtesy Baltimore Museum of Art

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Katharina Grosse
Is It You?

March 1, 2020–January 3, 2021
Baltimore Museum of Art
artbma.org

For this exhibition Katharina Grosse presents five recent paintings and a new site-related environment. The central gallery is transformed with an expansive, immersive fabric installation that is partially suspended from the ceiling, creating a cloth “room” with vibrantly painted undulating walls.

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1, 2020–January 3, 2021. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020. Photo: Mitro Hood, courtesy Baltimore Museum of Art

Katharina Grosse, Stage 2—The Profit, 2019 © VG Bild-Kunst Bonn, 2020

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Katharina Grosse in
Alexander Kluge: The Power of Music / The Opera: Temple of Seriousness

October 20, 2019–April 19, 2020
Kunsthalle Weishaupt and Museum Ulm, Germany
museumulm.de

At the core of this exhibition was the power of music, which reaches special levels of expression in opera. The emotional power of socially relevant themes was explored through film, science, literature, and art, including work by Katharina Grosse.

Katharina Grosse, Stage 2—The Profit, 2019 © VG Bild-Kunst Bonn, 2020

Installation view, Mural: Jackson Pollock | Katharina Grosse, Museum of Fine Arts, Boston, July 1, 2019–February 23, 2020. Artwork, left to right: © 2020 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York; © Katharina Grosse and VG Bild-Kunst Bonn, 2020

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Mural
Jackson Pollock | Katharina Grosse

July 1, 2019–February 23, 2020
Museum of Fine Arts, Boston
www.mfa.org

Jackson Pollock’s Mural (1943) is recognized as one of the pivotal achievements of the artist’s career, the moment when he left figuration behind, expanded the scale of his work, and started to develop his signature drip technique. The MFA has commissioned German artist Katharina Grosse to respond to this work, in an effort to demonstrate how the two artists have respectively transformed painting through their innovative techniques and approaches to massive scale.

Installation view, Mural: Jackson Pollock | Katharina Grosse, Museum of Fine Arts, Boston, July 1, 2019–February 23, 2020. Artwork, left to right: © 2020 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York; © Katharina Grosse and VG Bild-Kunst Bonn, 2020

Katharina Grosse, Untitled, 2018 © Katharina Grosse and VG Bild-Kunst, Bonn 2019

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Farbe absolut
Katharina Grosse × Gotthard Graubner

November 1, 2019–January 26, 2020
MKM Museum Küppersmühle für Moderne Kunst, Duisburg, Germany
www.museum-kueppersmuehle.de

Work by Katharina Grosse is juxtaposed with work by Gotthard Graubner (1930–2013) to show how the two abstract artists from different generations adopted varied artistic approaches to color. Both artists spent time at the Düsseldorf Academy of the Arts during the 1980s.

Katharina Grosse, Untitled, 2018 © Katharina Grosse and VG Bild-Kunst, Bonn 2019

Katharina Grosse, Untitled, 2011 © Katharina Grosse and VG Bild-Kunst Bonn, 2019

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Frozen Gesture
Gesten in der Malerei

May 18–August 18, 2019
Kunst Museum Winterthur, Switzerland
www.kmw.ch

In 1965 Roy Lichtenstein created his famous Brushstrokes and in doing so highlighted the fundamental elements of the image, such as the appearance of the colors and the pigment, the color fields and their limits, and not least the application of paint in the form of a gesture. This exhibition aims to explore the sheer range of gestures in contemporary painting. Work by Katharina Grosse, Roy Lichtenstein, and David Reed is included.

Katharina Grosse, Untitled, 2011 © Katharina Grosse and VG Bild-Kunst Bonn, 2019

See all Museum Exhibitions for Katharina Grosse