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Katharina Grosse (New York: Gagosian, 2018)

Online Reading

Katharina Grosse

Katharina Grosse is available for online reading from May 13 through June 12 as part of Artist Spotlight: Katharina Grosse. The book documents the artist’s 2017 exhibition at Gagosian in New York, as well as important in situ works such as Rockaway! (2016). The publication includes essays by Dan Cameron and Okwui Enwezor, additional texts by Louise Neri, and a conversation with the artist by Isabelle Graw.

Katharina Grosse (New York: Gagosian, 2018)

Limited-edition surfboard by Katharina Grosse, produced in collaboration with Parley for the Oceans. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: Jens Ziehe

Launch

Katharina Grosse
Limited-Edition Surfboards

Friday, October 25, 2019, 6–7pm
Gagosian Shop, New York

Gagosian Shop is pleased to host a launch event with Katharina Grosse and Parley for the Oceans, a nonprofit environmental organization dedicated to promoting ocean sustainability. To benefit Parley for the Oceans, Grosse has produced a series of uniquely painted surfboards constructed from sustainably sourced wood—reducing foam, resin, and fiberglass use. There will be remarks by Grosse and Cyrill Gutsch, founder of Parley, and the artist’s 2018 Gagosian monograph will be available for purchase. To attend the free event, RSVP to grossersvp@gagosian.com.

Download the full press release (PDF)

Limited-edition surfboard by Katharina Grosse, produced in collaboration with Parley for the Oceans. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: Jens Ziehe

Gagosian at Galeries Lafayette Champs-Élysées, Paris, 2019

Visit

Gagosian at Galeries Lafayette Champs-Élysées

Opening reception: Saturday, October 12, 6:30–8pm
October 12–20, 2019
Galeries Lafayette Champs-Élysées, Paris
galerieslafayettechampselysees.com

In celebration of FIAC in Paris, Gagosian is pleased to collaborate with Galeries Lafayette Champs-Élysées on a two-floor pop-up takeover featuring products related to Gagosian artists. On the first floor, the Coin Culture section will feature catalogues, posters, apparel, and audio productions. The second floor, the Library, will house an additional selection of limited-edition books, publications, and catalogues raisonnés.

Download the full press release in English (PDF) or French (PDF)

Gagosian at Galeries Lafayette Champs-Élysées, Paris, 2019

Katharina Grosse. Photo: Max Vadukul

In Conversation

Katharina Grosse
Caroline A. Jones

Tuesday, October 29, 2019, 7–8pm
Museum of Fine Arts, Boston
www.mfa.org

Since the late 1990s, Katharina Grosse has sprayed prismatic swaths of color onto architectural structures, objects, and landscapes, eroding the distinction between two and three dimensions to create immersive visual experiences. On the occasion of her exhibition Mural: Jackson Pollock | Katharina Grosse, on view at the Museum of Fine Arts, Boston, Grosse will discuss her work to date, including her newly commissioned painting for the exhibition, with Massachusetts Institute of Technology’s Caroline A. Jones. To attend the free event, reserve tickets at www.mfa.org.

Katharina Grosse. Photo: Max Vadukul

Photo: Andrea Stappert

Artist Talk

Katharina Grosse

Wednesday, November 29, 2017, 7pm
Camberwell College of Arts, London
www.southlondongallery.org

Katharina Grosse will discuss her practice and current solo exhibition at the South London Gallery as part of the Open-Talks series. Conceived by the South London Gallery and the Camberwell College of Arts, this series offers an alternative curriculum that synthesizes the current interests and research focus of both institutions. To attend the event, purchase tickets at www.tripgiving.uk.

Photo: Andrea Stappert

Photo: Andreas Schiko 

Concert

Katharina Grosse
Stefan Schneider

Sunday, October 1, 2017, 8pm
South London Gallery
www.southlondongallery.org

Katharina Grosse and musician Stefan Schneider present the UK premiere of Tiergarten, a performance based upon material from their recent collaborative LP named after the park in central Berlin. Playing together, the artists move between analogue synthesizers and spoken word, “interacting, communicating, contemplating, complementing each other through their instruments and intuitions.”

To book, call +44 20 7703 6120

Photo: Andreas Schiko 

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Announcements

Still from “Katharina Grosse: Rockaway!”

Video

Katharina Grosse
Rockaway!

In 2016, MoMA PS1 invited Katharina Grosse to transform an abandoned building at Fort Tilden in the Rockaways, New York, into an artwork using her technique of spraying brightly colored paint directly onto the structure. In this video, produced by the museum and featuring footage of the work being made, Grosse explains the concepts and process behind the project, and her interest in color and scale.

Still from “Katharina Grosse: Rockaway!”

Museum Exhibitions

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1–June 28, 2020. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Mitro Hood, courtesy Baltimore Museum of Art

On View

Katharina Grosse
Is It You?

Through January 3, 2021
Baltimore Museum of Art
artbma.org

For this exhibition Katharina Grosse presents five recent paintings and a new site-related environment. The central gallery is transformed with an expansive, immersive fabric installation that is partially suspended from the ceiling, creating a cloth “room” with vibrantly painted undulating walls.

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1–June 28, 2020. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Mitro Hood, courtesy Baltimore Museum of Art

Katharina Grosse, I Think This Is a Pine Tree, 2013, installation view, Hamburger Bahnhof–Museum für Gegenwart, Berlin © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Thomas Bruns

On View

Katharina Grosse
It Wasn’t Us

Through January 10, 2021
Hamburger Bahnhof–Museum für Gegenwart, Berlin
www.smb.museum

Katharina Grosse will use the historical hall of the Hamburger Bahnhof and the outdoor area behind the building as the site for a new work that radically destabilizes and renegotiates the existing order of the space of the museum. Incorporating the floor of the hall and Styrofoam sculptural elements as a pictorial ground, her painting will extend beyond the building’s walls and into public space, inviting us to reconsider our habits of seeing, thinking, and perceiving.

Katharina Grosse, I Think This Is a Pine Tree, 2013, installation view, Hamburger Bahnhof–Museum für Gegenwart, Berlin © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Thomas Bruns

Katharina Grosse, Ingres Wood Seven, 2017 © Katharina Grosse and VG Bild-Kunst Bonn, 2019 Photo: Jens Ziehe

On View

Katharina Grosse in
Collezione MAXXI. Lo spazio dell’immagine

Opened November 21, 2018
Museo nazionale delle arti del XXI secolo, Rome
www.maxxi.art

The spirit and the identity of the museum are being renewed with a display of more than thirty works by twenty-six artists. Dedicated to the museum’s new acquisitions, this group show aims to create a counterpoint between the abstract and the figurative. Work by Katharina Grosse is included.

Katharina Grosse, Ingres Wood Seven, 2017 © Katharina Grosse and VG Bild-Kunst Bonn, 2019 Photo: Jens Ziehe

Katharina Grosse, Stage 2—The Profit, 2019 © VG Bild-Kunst Bonn, 2020

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Katharina Grosse in
Alexander Kluge: The Power of Music / The Opera: Temple of Seriousness

October 20, 2019–April 19, 2020
Kunsthalle Weishaupt and Museum Ulm, Germany
museumulm.de

At the core of this exhibition was the power of music, which reaches special levels of expression in opera. The emotional power of socially relevant themes was explored through film, science, literature, and art, including work by Katharina Grosse.

Katharina Grosse, Stage 2—The Profit, 2019 © VG Bild-Kunst Bonn, 2020

Installation view, Mural: Jackson Pollock | Katharina Grosse, Museum of Fine Arts, Boston, July 1, 2019–February 23, 2020. Artwork, left to right: © 2020 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York; © Katharina Grosse and VG Bild-Kunst Bonn, 2020

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Mural
Jackson Pollock | Katharina Grosse

July 1, 2019–February 23, 2020
Museum of Fine Arts, Boston
www.mfa.org

Jackson Pollock’s Mural (1943) is recognized as one of the pivotal achievements of the artist’s career, the moment when he left figuration behind, expanded the scale of his work, and started to develop his signature drip technique. The MFA has commissioned German artist Katharina Grosse to respond to this work, in an effort to demonstrate how the two artists have respectively transformed painting through their innovative techniques and approaches to massive scale.

Installation view, Mural: Jackson Pollock | Katharina Grosse, Museum of Fine Arts, Boston, July 1, 2019–February 23, 2020. Artwork, left to right: © 2020 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York; © Katharina Grosse and VG Bild-Kunst Bonn, 2020

Katharina Grosse, Untitled, 2018 © Katharina Grosse and VG Bild-Kunst, Bonn 2019

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Farbe absolut
Katharina Grosse × Gotthard Graubner

November 1, 2019–January 26, 2020
MKM Museum Küppersmühle für Moderne Kunst, Duisburg, Germany
www.museum-kueppersmuehle.de

Work by Katharina Grosse is juxtaposed with work by Gotthard Graubner (1930–2013) to show how the two abstract artists from different generations adopted varied artistic approaches to color. Both artists spent time at the Düsseldorf Academy of the Arts during the 1980s.

Katharina Grosse, Untitled, 2018 © Katharina Grosse and VG Bild-Kunst, Bonn 2019

Katharina Grosse, Untitled, 2011 © Katharina Grosse and VG Bild-Kunst Bonn, 2019

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Frozen Gesture
Gesten in der Malerei

May 18–August 18, 2019
Kunst Museum Winterthur, Switzerland
www.kmw.ch

In 1965 Roy Lichtenstein created his famous Brushstrokes and in doing so highlighted the fundamental elements of the image, such as the appearance of the colors and the pigment, the color fields and their limits, and not least the application of paint in the form of a gesture. This exhibition aims to explore the sheer range of gestures in contemporary painting. Work by Katharina Grosse, Roy Lichtenstein, and David Reed is included.

Katharina Grosse, Untitled, 2011 © Katharina Grosse and VG Bild-Kunst Bonn, 2019

Katharina Grosse, Untitled, 2014 © VG Bild-Kunst, Bonn 2019

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Katharina Grosse in
In Bester Gesellschaft

April 13–August 4, 2019
Preußischer Kulturbesitz, Berlin
www.smb.museum

In bester Gesellschaft, which translates to In Good Company, presents a selection of the Berlin Kupferstichkabinett’s most important acquisitions from the past ten years, ranging from those dating to the late Middle Ages to recent works. Work by Katharina Grosse is included.

Katharina Grosse, Untitled, 2014 © VG Bild-Kunst, Bonn 2019

Katharina Grosse, Untitled, 2015 © Katharina Grosse and VG Bild-Kunst Bonn, 2019

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Katharina Grosse in
German Forest

May 23, 2017–June 12, 2019
Staatliche Kunstsammlungen Dresden, Germany
albertinum.skd.museum

This exhibition of works from the first half of the nineteenth century brings together works from the collection of Staatliche Kunstsammlungen Dresden related to themes of forests, trees, and hunting. A monumental work by Katharina Grosse appears alongside these Romantic and early Realist paintings, acting as both a corrective to and shift away from the earlier work.

Katharina Grosse, Untitled, 2015 © Katharina Grosse and VG Bild-Kunst Bonn, 2019

Installation view, Katharina Grosse: Mumbling Mud, chi K11 art museum, Shanghai, November 10, 2018–February 24, 2019. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: JJYPHOTO, courtesy K11 Art Foundation and Galerie nächst St. Stephan, Vienna

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Katharina Grosse
Mumbling Mud

March 30–June 2, 2019
Guangzhou K11 Art Mall, China
www.k11artfoundation.org

Guangzhou’s K11 Art Mall hosts a major exhibition originally created by Katharina Grosse for Shanghai’s chi K11 art museum.

Installation view, Katharina Grosse: Mumbling Mud, chi K11 art museum, Shanghai, November 10, 2018–February 24, 2019. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: JJYPHOTO, courtesy K11 Art Foundation and Galerie nächst St. Stephan, Vienna

Katharina Grosse, Untitled, 2017, installation view, Amulet or He calls it chaos, 500 Capp Street Foundation, San Francisco, March 9–June 1, 2019. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: Preston/Kalogiros 

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Amulet or He calls it chaos

March 9–June 1, 2019
500 Capp Street Foundation, San Francisco
500cappstreet.org

This two-part exhibition uses sculpture, video, and painting as a way to restructure the narrative. Amulet or He calls it chaos chooses the illogical, philosophical, yet recognizable material world of magical realism, while also addressing the power and sensitivity of architecture, gender, politics, and mortality. Work by Katharina Grosse and Cindy Sherman is included.

Katharina Grosse, Untitled, 2017, installation view, Amulet or He calls it chaos, 500 Capp Street Foundation, San Francisco, March 9–June 1, 2019. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: Preston/Kalogiros 

Installation view, Katharina Grosse: Wunderbild, National Gallery, Prague, February 16, 2018–March 31, 2019, commissioned by National Gallery Prague © Katharina Grosse and VG Bild-Kunst Bonn. Photo: Nic Tenwiggenhorn, courtesy Galerie nächst St. Stephan, Gagosian, and König Gallery

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Katharina Grosse
Wunderbild

February 16, 2018–March 31, 2019
National Gallery, Prague
www.ngprague.cz

Katharina Grosse has been invited to develop a site-responsive work for the main hall of the Trade Fair Palace in the National Gallery, Prague. Wunderbild, which consists of two outsize paintings on cloth, hangs from the wall.

Installation view, Katharina Grosse: Wunderbild, National Gallery, Prague, February 16, 2018–March 31, 2019, commissioned by National Gallery Prague © Katharina Grosse and VG Bild-Kunst Bonn. Photo: Nic Tenwiggenhorn, courtesy Galerie nächst St. Stephan, Gagosian, and König Gallery

See all Museum Exhibitions for Katharina Grosse