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Adriana Varejão, Azulejão (Neo-concrete), 2016 © Adriana Varejão

In Conversation

Adriana Varejão, Luisa Duarte, Ayrson Heráclito, Lilia Moritz Schwarcz

Tuesday, April 16, 2019, 4pm
Museu de Arte Moderna da Bahia, Salvador, Brazil
www.ipac.ba.gov.br

On the occasion of the opening of Adriana Varejão–Por uma retórica cannibal at the Museu de Arte Moderna da Bahia, Adriana Varejão will speak with curator Luisa Duarte, artist Ayrson Heráclito, and anthropologist Lilia Moritz Schwarcz about Afro-Brazilian history and culture. The event is free and open to the public.

Adriana Varejão, Azulejão (Neo-concrete), 2016 © Adriana Varejão

Photo: Matteo D’Eletto

In Conversation

Adriana Varejão, Lilia Moritz Schwarcz, João Biehl

Friday, March 8, 2019, 12–1:30pm
Louis A. Simpson Building, Princeton University, New Jersey
brazillab.princeton.edu

Adriana Varejão has been invited to be  the first artist-in-residence at Brazil LAB at Princeton Institute for International and Regional Studies. The multidisciplinary research and teaching hub explores Brazil’s history, politics, and culture. To mark the start of the residency, Varejão will speak with anthropologists Lilia Moritz Schwarcz and João Biehl in a discussion titled “Decolonizing Art.” The event is free and open to the public.

Photo: Matteo D’Eletto

Adriana Varejão, Transbarroco, 2014 (detail)© Adriana Varejão. Photo: Mauro Pinheiro

Installation

Adriana Varejão
Transbarroco

October 19–21, 2017, 7–9pm
The Sowden House, Los Angeles
www.sowdenhouse.com

Adriana Varejão’s four-channel video installation Transbarroco (2014) will play across the facade and in the central courtyard of this extraordinary heritage building. This US premiere coincides with her first-ever West Coast exhibition, Interiors, at Gagosian Beverly Hills. To attend the free event, reserve tickets at www.gagosian.com. Space is limited and will be granted on a first-come-first-serve basis.

Adriana Varejão, Transbarroco, 2014 (detail)
© Adriana Varejão. Photo: Mauro Pinheiro

Museum Exhibitions

Adriana Varejão, Proposal for a Catechesis—Part I Diptych: Death and Dismemberment, 1993 © Adriana Varejão. Photo: Eduardo Ortega

On View

Adriana Varejão
Por uma retórica canibal

Through June 15, 2019
Museu de Arte Moderna da Bahia, Salvador, Brazil
www.ipac.ba.gov.br

The exhibition seeks to emphasize that Adriana Varejão was already developing research on a historical revision of colonialism long before postcolonial studies were at the center of the contemporary art debate. The show features some twenty works, made between 1992 and 2016, that refer to Salvador, Bahia, the city with the largest African heritage in Brazil and the municipality that inspired much of Varejão’s poetics.

Adriana Varejão, Proposal for a Catechesis—Part I Diptych: Death and Dismemberment, 1993 © Adriana Varejão. Photo: Eduardo Ortega

Adriana Varejão, Big Polvo Color Wheel V, 2018 © Adriana Varejão. Photo: Jaime Acioli

On View

Adriana Varejão in
Hinge Pictures: Eight Women Artists Occupy the Third Dimension

Through June 16, 2019
Contemporary Arts Center New Orleans
cacno.org

Hinge Pictures: Eight Women Artists Occupy the Third Dimension takes its name from the writings of Marcel Duchamp in his La boite verte (1934). The artists in the exhibition use formal constraint—a commitment to abstraction—to demonstrate social liberation and to confront the patrimony of European modernism. Work by Adriana Varejão is included.

Adriana Varejão, Big Polvo Color Wheel V, 2018 © Adriana Varejão. Photo: Jaime Acioli

Adriana Varejão, Parede com Incisões à la Fontana—Horizontal (Wall with Incisions à la Fontana—Horizontal), 2009–11 © Adriana Varejão. Photo: Jaime Acioli

On View

Adriana Varejão in
Home Is a Foreign Place

Through June 21, 2020
Met Breuer, New York
www.metmuseum.org

This exhibition features a diverse group of paintings, sculptures, installations, and videos made between 1944 and 2016 that explore artistic engagements with language, architecture, space, politics, and media. The thematic installation asks viewers to reconsider what it means to make a home in the world, whether by chance, necessity, or choice. Work by Adriana Varejão is included.

Adriana Varejão, Parede com Incisões à la Fontana—Horizontal (Wall with Incisions à la Fontana—Horizontal), 2009–11 © Adriana Varejão. Photo: Jaime Acioli

See all Museum Exhibitions for Adriana Varejão