Georg Baselitz: Years later is available for online reading from May 18 through August 8 as part of the From the Library series. The book documents an exhibition of new paintings and works on paper by Baselitz opening at Gagosian in Hong Kong on May 21, the first show to open to the public within our international network of galleries since the global COVID-19 lockdown. The bilingual English-Chinese publication includes a foreword by Zeng Fanzhi and essay by Lu Mingjun.
Georg Baselitz: Years later (New York: Gagosian, 2020)
Visions of the Self
Rembrandt and Now
Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London
In the interest of public health, this event has been postponed until further notice.
Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to firstname.lastname@example.org. Space is limited.
Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)
A line (a)round an idea
Selected Works on Paper
Saturday, June 22, 2019, 11am
This event has been canceled.
Join us for a tour of A line (a)round an idea at Gagosian, Geneva. The exhibition, which presents black-and-white works on paper spanning a period of seventy years, includes work by Richard Artschwager, Georg Baselitz, Bruce Conner, Willem de Kooning, Günther Förg, Sam Francis, Keith Haring, Christine Hiebert, Hans Hofmann, Franz Kline, Brice Marden, Henri Matisse, Robert Motherwell, Ad Reinhardt, Richard Serra, Cy Twombly, Andy Warhol, Tom Wesselmann, and others. Gagosian’s Johan Nauckhoff will give an overview of the exhibition, focusing on ways in which modern and contemporary artists have explored the clarity and activating power of the simple line, mark, splatter, or stroke. To attend the free event, RSVP to email@example.com. Space is limited.
Installation view, A line (a)round an idea: Selected Works on Paper, Gagosian, Geneva, May 2–July 27, 2019. Artwork, left to right: © Cy Twombly Foundation; © 2019 Richard Artschwager/Artists Rights Society (ARS), New York; © 2019 The Franz Kline Estate/Artists Rights Society (ARS), New York; © Richard Serra; © 2019 Dedalus Foundation, Inc./Licensed by VAGA at Artists Rights Society (ARS), New York
Visions of the Self: Rembrandt and Now
In partnership with English Heritage
Thursday, April 25, 2019, 6pm
Gagosian, Grosvenor Hill, London
Gagosian director and art historian Richard Calvocoressi will lead a tour of the exhibition Visions of the Self: Rembrandt and Now at Gagosian, Grosvenor Hill, London. Calvocoressi will take a look at postwar and contemporary masters of self-representation, anchoring the conversation to an important Rembrandt masterpiece included in the exhibition, Self-Portrait with Two Circles (c. 1665). The event has reached capacity. To join the wait list, contact firstname.lastname@example.org.
Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library
“Georg Baselitz: Devotion”
with Morgan Falconer
Thursday, February 14, 2019, 6:30–8pm
Gagosian, West 24th Street, New York
In conjunction with the 2019 College Art Association Annual Conference in New York, critic and art historian Morgan Falconer will lead a tour of Georg Baselitz: Devotion at Gagosian, West 24th Street, New York. Falconer will discuss Baselitz’s new paintings and works on paper and the artist’s interest in portraiture. To attend the free event, RSVP to email@example.com. Space is limited and will be granted on a first-come-first-serve basis.
Georg Baselitz, Piet M., 2018 © Georg Baselitz. Photo: Jochen Littkemann
Through March 2019
Georg Baselitz has designed the set for a new reiteration of Parsifal at the Nationaltheater. The opera, composed by Richard Wagner, was first performed in Bayreuth, Germany, in 1882. To attend the event, purchase tickets at www.staatsoper.de.
Artwork © Georg Baselitz. Photo: Wilfried Hösl
Metropolitan Museum of Art, New York
Georg Baselitz and his wife, Elke, have gifted six landmark paintings to the Metropolitan Museum of Art, New York, in honor of its 150th anniversary in 2020. These works are now on view at the museum in Georg Baselitz: Pivotal Turn through July 18, 2021. The portraits, made in 1969, are among the first that Baselitz created using the radical strategy of inversion, in which the pictorial motif is literally turned upside down, enabling the artist to focus on painting’s possibilities, rather than the image of the sitter in direct relationship to the viewer. These portraits of the artist’s friends and associates in the German art world—the journalist Martin G. Buttig, the gallerists Franz Dahlem and Michael Werner, and the collector Karl Rinn—are deeply personal and have remained in the artist’s collection for six decades.
Georg Baseltiz, Der werktätige Dresdener – Porträt M.G.B. (Working Man from Dresden - Portrait of M.G.B), 1969, Metropolitan Museum of Art, New York, Gift of the Baselitz Family, 2020 © Georg Baselitz. Photo: Jochen Littkemann
Académie des Beaux-Arts Foreign Associate Member
Georg Baselitz has been elected a foreign associate member of the prestigious Académie des Beaux-Arts, one of five institutions comprising the Institut de France. Baselitz joins ten other foreign members, taking the seat previously held by the late Polish film director Andrzej Wajda.
Dedicated to the fine arts, the Académie des Beaux-Arts encourages artistic creation and ensures the defense of France’s cultural heritage by awarding prizes to both emerging and recognized artists, organizing competitions, funding artist residencies, and granting aid to artistic projects, events, and associations. As an advisory body to the French public authorities, it is organized around the notion of multidisciplinarity, bringing together members within eight different artistic sections, foreign associate members, and corresponding members.
Georg Baselitz, Ammersee, Germany, 2018. Photo: Martin Müller
Gagosian App for iPad
Gagosian announces the release of issue 4 of the Gagosian App for iPad on July 13, 2013. Artists featured in this issue include Georg Baselitz, Piero Manzoni, Robert Rauschenberg, Nancy Rubins, Thomas Ruff, Taryn Simon, and Cy Twombly.
In issue 4 we feature an illustrated “pop-up” biography of Georg Baselitz, show Piero Manzoni’s Azimuth magazines digitized with full English translations for the first time, offer an endless “art board” of works from the exhibition The Private Collection of Robert Rauschenberg, including historical and biographical information on more than seventy-six artists. We also show a comprehensive overview of Nancy Rubins’s monumental public sculptures made from industrial objects, and give you a look at Thomas Ruff’s stereoscopic ma.r.s. photographs in 3-D. We invite you to interact with multimedia highlights from Taryn Simon’s four major bodies of work, curated by the artist, and explore Cy Twombly’s final paintings with a photographic and audio tribute to the artist by Sally Mann.
Through July 18, 2021
Metropolitan Museum of Art, New York
Georg Baselitz: Pivotal Turn displays six landmark paintings gifted by the artist to the Metropolitan Museum of Art in honor of its 150th anniversary. Made in 1969, they are among the first works in which Baselitz employed the strategy of inversion, an approach that continues to be of interest to him. The paintings mark a critical moment in the artist’s career as he sought to expunge narrative content and expression from his workin order to focus on painting itself.
Georg Baselitz, Porträt Elke I (Portrait of Elke I), 1969, Metropolitan Museum of Art, New York, Gift of the Baselitz Family, 2020 © Georg Baselitz. Photo: Jochen Littkemann
May 19, 2021–November 27, 2022
Museo di Palazzo Grimani, Venice
Archinto presents new and recent paintings and sculptures by Georg Baselitz. Installed on the piano nobile, the exhibition includes twelve paintings made expressly for the Sala del Portego, which hang on eighteenth-century stucco-framed panels where portraits of the Grimani family had been on display until the end of the nineteenth century. In this show, Baselitz pays homage to Venice and its rich artistic tradition, establishing art historical continuity while also signaling a rupture between the Renaissance portrait tradition and its contemporary equivalents. The exhibition is curated by Mario Codognato and organized by Venetian Heritage and Direzione regionale Musei Veneto, in association with Gagosian.
Georg Baselitz, Jorn, 2020 © Georg Baselitz. Photo: Jochen Littkemann
Inspiraatio—Nykytaide & Klassikot
June 18–September 20, 2020
Ateneum, Finnish National Gallery, Helsinki
This exhibition, whose title translates to Inspiration—Contemporary Art and Classics, explores contemporary art inspired by iconic masterpieces. Here, the original works are referenced through replicas, prints, plaster casts, and an abundance of archival materials. This exhibition has traveled from the Nationalmuseum, Stockholm, under the title Inspiration: Iconic Works. Work by Georg Baselitz, Glenn Brown, Jeff Koons, and Jenny Saville is included.
Installation view, Inspiraatio—Nykytaide & Klassikot, Ateneum, Finnish National Gallery, Helsinki, June 18–September 20, 2020. Artwork, left to right: © Glenn Brown, © Wolfe von Lenkiewicz. Photo: Hannu Pakarinen
October 26, 2019–May 4, 2020
Museum of Fine Arts, Boston
Through five thematic groupings, this exhibition seeks to rethink the stories that can be told with the Museum of Fine Arts, Boston’s collection of contemporary art. The groupings address a range of topics, including artistic process and complex relationships between humans and the natural world, the body, materials, identity, and notions of utopia. Work by Georg Baselitz, Helen Frankenthaler, and Andy Warhol is included.
Installation view, Contemporary Art: Five Propositions, Museum of Fine Art, Boston, October 26, 2019–May 4, 2020
Die jungen Jahre der Alten Meister
September 13, 2019–January 5, 2020
Deichtorhallen Hamburg, Germany
Anselm Kiefer, Wege, 1977–80 © Anselm Kiefer. Photo: Charles Duprat
Emilio Vedova di/by Georg Baselitz
April 18–November 3, 2019
Fondazione Emilio e Annabianca Vedova, Venice
To celebrate the centenary of the birth of Emilio Vedova, Georg Baselitz has curated an exhibition of works by the Italian artist. The show presents two series of black-and-white works on canvas that mark significant moments in Vedova’s long and complex artistic career.
Emilio Vedova and Georg Baselitz at documenta 7, Kassel, Germany, 1982. Photo: Benjamin Katz
Baselitz – Academy
May 8–October 6, 2019
Gallerie dell’Accademia, Venice
Baselitz – Academy, a major retrospective of works by Georg Baselitz curated by Kosme de Barañano, is the first exhibition by a living artist at the Gallerie dell’Accademia in Venice. The exhibition traces the critical junctures in the artist’s extraordinary sixty-year career through paintings, drawings, prints, and sculptures, including rarely seen works exploring the artist’s relationship with Italy and the academic tradition. Two monumental works created specifically for this show are also on view. This is a Collateral Event of the 58th International Art Exhibition La Biennale di Venezia, organized with support from Gagosian.
Georg Baselitz, Schlafzimmer (Bedroom), 1975 © Georg Baselitz. Photo: Jochen Littkemann
June 10–November 4, 2018
Musée Unterlinden, Colmar, France
Corpus Baselitz marks the first exhibition in a French museum of a new and significant body of work by Georg Baselitz. The show consists of paintings, drawings, and sculptures, all created between 2014 and 2017, in which the artist examines his own body, and through it, his place in the history of art.
Georg Baselitz, Ach rosa, ach rosa, 2015 © Georg Baselitz 2018. Photo: Jochen Littkemann, Berlin
Selections from the Peter Marino Collection
July 28–September 23, 2018
Southampton Arts Center, New York
In 1978 Peter Marino acquired an artwork from Andy Warhol. Since then, the Peter Marino Collection has grown to encompass hundreds of paintings and mixed-media pieces representing some of the most notable artists of today. Work by Georg Baselitz, Glenn Brown, Damien Hirst, Anselm Kiefer, Richard Prince, and Andy Warhol is included.
Georg Baselitz, Lehr nich ratte much wilm (Lelf bal wile), 2013 © Georg Baselitz 2018
June 21–September 16, 2018
Hirshhorn Museum and Sculpture Garden, Washington, DC
The Hirshhorn Museum brings together more than eighty paintings and ten sculptures from the years 1959 to 2017 to mark Georg Baselitz’s eightieth birthday. These powerful works from every phase of the artist’s career form a focused retrospective. This exhibition has traveled from the Fondation Beyeler, Riehen/Basel.
Georg Baselitz, Mann im Mond–Franz Pforr (Man in the Moon–Franz Pforr), 1965 © Georg Baselitz 2018. Photo: Jochen Littkemann
Nonconformism as a Source of Imagination
March 3–May 27, 2018
Staatliche Kunstsammlungen Dresden, Germany
This exhibition brings graphics by Georg Baselitz into an exciting dialogue with significant Mannerist pieces. In the 1960s, a new era began in reproductive graphics—with silkscreen and offset printing—but Baselitz turned his back on such forms of mass production because of their lack of originality. Instead, he experimented with state proofs, producing small series of works, some of which he altered individually after the impression was taken.
Georg Baselitz, Untitled, 1966 © Georg Baselitz 2018
January 21–April 29, 2018
Fondation Beyeler, Riehen/Basel
The Fondation Beyeler brings together more than eighty paintings and ten sculptures from the years 1959 to 2017 to mark Georg Baselitz’s eightieth birthday. These powerful works from every phase of the artist’s career form a focused retrospective.
Installation view, Georg Baselitz, Fondation Beyeler, Riehen/Basel, January 21–April 29, 2018. Artwork © Georg Baselitz 2018