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Creative direction: Sable Elyse Smith. Graphic: Nicole Killian

Benefit

MoMA PS1 Benefit
Online AF

Wednesday, May 27, 2020, 8:30–10pm EDT

MoMA PS1 is hosting an internet variety show to honor Dr. Nicole R. Fleetwood and Taryn Simon for their support of the museum. Fleetwood curated the exhibition Marking Time: Art in the Age of Mass Incarceration, and Simon recently joined the museum’s board of directors. The online party will feature live performances, music, and more. The event is free, but donations are encouraged. To join, register at moma.org.

Creative direction: Sable Elyse Smith. Graphic: Nicole Killian

Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen

Online Exhibition

Broadcast
Alternate Meanings in Film and Video

You’re only as young as the last time you changed your mind.
—Timothy Leary

Gagosian is pleased to present Broadcast: Alternate Meanings in Film and Video, an online exhibition of artists’ films and videos viewable exclusively on gagosian.com. The exhibition will be organized into a series of “chapters,” each lasting two weeks. The first chapter begins on Tuesday, May 19, 2020.

Broadcast: Alternate Meanings in Film and Video employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point. 

Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen

Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins

Tour

American Pastoral

Thursday, March 5, 2020, 6:30pm
Gagosian, Britannia Street, London

Join Gagosian for a tour of the group exhibition American Pastoral. The show juxtaposes modern and contemporary works with historical American landscapes ranging from Albert Bierstadt’s depiction of the sublime in Sunset over the River (1877) to Edward Hopper’s tranquil seaside scene, Gloucester Harbor (1926). Gagosian’s Alice Godwin will focus on a select grouping of exhibited works that seek to challenge the idealized vision of the American Dream that has long been a rich topic of inquiry for artists in the United States. To attend the free event, RSVP to londontours@gagosian.com. Space is limited.

Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins

The Extreme Present

Exhibition

The Extreme Present

Opening reception: Tuesday, December 3, 5–8pm
December 4–8, 2019
Moore Building, Miami

Gagosian is pleased to announce The Extreme Present, the fifth in a series of annual exhibitions at the Moore Building in the Miami Design District during Art Basel Miami Beach, presented by Gagosian and Jeffrey Deitch. The Extreme Present will explore artists’ reactions to the conditions of our accelerating and increasingly complex world. The title is inspired by The Age of Earthquakes: A Guide to the Extreme Present, a book by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, published in 2015. Their provocative thesis addresses the rapidly evolving digital era, half a century after Marshall McLuhan’s groundbreaking study on technology’s influence on culture, Understanding Media: The Extensions of Man, in which he coined the phrase “the medium is the message.” Works in this exhibition explore concepts of media, communication, togetherness, and isolation.

Download the full press release (PDF)

The Extreme Present

Taryn Simon, A Cold Hole, 2018, installation view, MASS MoCA, North Adams, Massachusetts, May 26, 2018–March 24, 2019. Artwork © Taryn Simon

In Conversation

Taryn Simon
Kate Fowle

Thursday, July 25, 2019, 12:30pm
Anderson Ranch Arts Center, Snowmass Village, Colorado
www.andersonranch.org

Taryn Simon will discuss the way she directs our attention to familiar systems of organization—bloodlines, criminal investigations, mourning, flower arrangements—and makes visible the hidden contours of power and authority with curator Kate Fowle. To attend the event, register at www.andersonranch.org.

Taryn Simon, A Cold Hole, 2018, installation view, MASS MoCA, North Adams, Massachusetts, May 26, 2018–March 24, 2019. Artwork © Taryn Simon

Taryn Simon, Bird corpse, labeled as home décor, Indonesia to Miami, Florida (prohibited) from Animal Corpses (Prohibited), Animal Parts (Prohibited), Animal Skeletons (Prohibited), Animal Specimens (Prohibited), Snails (Prohibited), Butterflies (Prohibited) from the series Contraband, 2010 © Taryn Simon

In Conversation

Taryn Simon
Louise Neri

Tuesday, May 28, 2019, 6–7pm
National Gallery of Victoria, Melbourne, Australia
www.ngv.vic.gov.au

Taryn Simon will be in conversation with Gagosian director Louise Neri at the National Gallery of Victoria in Melbourne, Australia. The evening will include reflections on key bodies of work including An American Index of the Hidden and Unfamiliar, Contraband, A Living Man Declared Dead and Other Chapters I–XVIII, A Polite Fiction, Paperwork and the Will of Capital, and her recent performance works An Occupation of Loss and A Cold Hole. The pair will be introduced by Dr. Simon Maidment, senior curator of contemporary art at NGV. The free event has reached capacity. To join the wait list, contact programs@ngv.vic.gov.au.

Taryn Simon, Bird corpse, labeled as home décor, Indonesia to Miami, Florida (prohibited) from Animal Corpses (Prohibited), Animal Parts (Prohibited), Animal Skeletons (Prohibited), Animal Specimens (Prohibited), Snails (Prohibited), Butterflies (Prohibited) from the series Contraband, 2010 © Taryn Simon

See all Events for Taryn Simon

Announcements

Taryn Simon and Aaron Swartz, Border, 9/30/16, 12:19pm (Eastern Standard Time), Image Atlas, 2012, website view

Award and Talk

Taryn Simon

May 18–21, 2017
Photo London, Somerset House
www.photolondon.org

Photo London has selected Taryn Simon as its Master of Photography 2017. Simon will present Image Atlas, a live online digital archive that she developed in collaboration with programmer Aaron Swartz. Simon will be in conversation with James Lingwood, codirector of Artangel, at Photo London’s Talks Program on Thursday, May 18, 1:00–2:20pm, Somerset House. 

Concurrently, Gagosian Britannia Street will present selected works by Simon. Works from An American Index of the Hidden and Unfamiliar in the Tate’s permanent collection remain on view at Tate Modern through December 1, 2017.

Taryn Simon and Aaron Swartz, Border, 9/30/16, 12:19pm (Eastern Standard Time), Image Atlas, 2012, website view

Photo: David Pinzer

Award

Taryn Simon

Free Arts NYC honors Taryn Simon at the eighteenth annual art auction on April 26, 2017. Simon will be working with Free Arts youth on a project related to her body of work, The Picture Collection. Free Arts NYC is a non-profit organization dedicated to empowering underserved youth through art and mentoring programs that develop their creativity, confidence, and skills to succeed.

Photo: David Pinzer

Gagosian App for iPad

New Release

Gagosian App for iPad
Issue 4

Gagosian announces the release of issue 4 of the Gagosian App for iPad on July 13, 2013. Artists featured in this issue include Georg Baselitz, Piero Manzoni, Robert Rauschenberg, Nancy Rubins, Thomas Ruff, Taryn Simon, and Cy Twombly.

In issue 4 we feature an illustrated “pop-up” biography of Georg Baselitz, show Piero Manzoni’s Azimuth magazines digitized with full English translations for the first time, offer an endless “art board” of works from the exhibition The Private Collection of Robert Rauschenberg, including historical and biographical information on more than seventy-six artists. We also show a comprehensive overview of Nancy Rubins’s monumental public sculptures made from industrial objects, and give you a look at Thomas Ruff’s stereoscopic ma.r.s. photographs in 3-D. We invite you to interact with multimedia highlights from Taryn Simon’s four major bodies of work, curated by the artist, and explore Cy Twombly’s final paintings with a photographic and audio tribute to the artist by Sally Mann.

Museum Exhibitions

Taryn Simon, White Tiger (Kenny), Selective Inbreeding, Turpentine Creek Wildlife Refuge and Foundation, Eureka Springs, Arkansas, 2006–07, from the series An American Index of the Hidden and Unfamiliar, 2007 © Taryn Simon

On View

Taryn Simon in
The World to Come: Art in the Age of the Anthropocene

Through August 16, 2020
DePaul Art Museum, Chicago
resources.depaul.edu

The World to Come: Art in the Age of the Anthropocene chronicles an era of rapid, radical, and irrevocable ecological change through works of art by more than forty-five international artists. Our age, a new geological epoch defined by human impact, has controversially been termed the Anthropocene. Despite the challenges of disaster and denial, artists in the exhibition respond with resistance, imagination, and new ways of seeing and thinking about the world to come. This exhibition originated at the Harn Museum of Art, University of Florida, in Gainesville. Work by Taryn Simon is included.

Taryn Simon, White Tiger (Kenny), Selective Inbreeding, Turpentine Creek Wildlife Refuge and Foundation, Eureka Springs, Arkansas, 2006–07, from the series An American Index of the Hidden and Unfamiliar, 2007 © Taryn Simon

Taryn Simon, Finding Pursuant to Section 662 of the Foreign Assistance Act of 1961, as Amended, Concerning Operations in Foreign Countries Other than Those Intended Solely for the Purpose of Intelligence Collection. White House, Washington, D.C., United States, 1981, from the series Paperwork and the Will of Capital, 2015 © Taryn Simon

On View

Taryn Simon in
Pine’s Eye

Through August 30, 2020
Talbot Rice Gallery, University of Edinburgh, Scotland
www.trg.ed.ac.uk

Taking its name from that of Pinocchio (the word means “pine eye” in Italian), Pine’s Eye explores what it means to be human in times of ecological change. The exhibition offers alternative perspectives for how we understand ourselves in the face of environmental crisis. Work by Taryn Simon is included.

Taryn Simon, Finding Pursuant to Section 662 of the Foreign Assistance Act of 1961, as Amended, Concerning Operations in Foreign Countries Other than Those Intended Solely for the Purpose of Intelligence Collection. White House, Washington, D.C., United States, 1981, from the series Paperwork and the Will of Capital, 2015 © Taryn Simon

Taryn Simon, Oxalis tuberosa, Peru (7CFR) (prohibited), 2010, from the series Contraband, 2010 © Taryn Simon

On View

Civilisation, Photography, Now

Through October 18, 2020
Auckland Art Gallery Toi o Tāmaki, New Zealand
www.aucklandartgallery.com

Civilisation, Photography, Now features more than two hundred works from one hundred international photographers. The exhibition considers patterns of mass behavior and the complexities of life in twenty-first-century urban environments. This show originated at the National Museum of Modern and Contemporary Art, Seoul, as Civilization: The Way We Live Now. Work by Mike Kelley, Vera Lutter, and Taryn Simon is included.

Taryn Simon, Oxalis tuberosa, Peru (7CFR) (prohibited), 2010, from the series Contraband, 2010 © Taryn Simon

Taryn Simon, Chapter XIV, 2011, from the series A Living Man Declared Dead and Other Chapters I–XVIII, 2008–2011 © Taryn Simon

On View

Taryn Simon in
Measure Your Existence

Through January 25, 2021
Rubin Museum of Art, New York
rubinmuseum.org

Measure Your Existence questions and expands the Buddhist concept of impermanence through artworks by six contemporary artists who explore duration, survival, memory, fate, history, loss, disappearance, and reappearance. Work by Taryn Simon is included.

Taryn Simon, Chapter XIV, 2011, from the series A Living Man Declared Dead and Other Chapters I–XVIII, 2008–2011 © Taryn Simon

On View

Taryn Simon in
Future Food. Food for Tomorrow’s World

Through February 21, 2021
Deutsches Hygiene-Museum, Dresden, Germany
www.dhmd.de

Investigating the political, ethical, and cultural significance of eating, this interdisciplinary exhibition features works of contemporary art that address one of the most urgent questions of our time: “How will we—and can we—feed ourselves in the future?” Work by Taryn Simon is included.

Taryn Simon, New York Times, Friday, November 11, 2016, 2017 © Taryn Simon

Closed

Taryn Simon in
Leonard Cohen: A Crack in Everything

October 24, 2019–April 13, 2020
Nikolaj Kunsthal, Copenhagen
www.nikolajkunsthal.dk

This multidisciplinary exhibition combining visual art, virtual reality, installations, performances, music, and writing offers the public a collection of new work commissioned from and created by local and international artists who have been inspired by Leonard Cohen’s style and recurring themes. This exhibition originated at the Musée d’art contemporain de Montréal. Work by Taryn Simon is included.

Taryn Simon, New York Times, Friday, November 11, 2016, 2017 © Taryn Simon

Gregory Crewdson, Untitled, 2006 © Gregory Crewdson

Closed

Unseen
35 Years of Collecting Photographs

December 17, 2019–March 8, 2020
J. Paul Getty Museum, Los Angeles
www.getty.edu

Commemorating the thirty-fifth anniversary of the J. Paul Getty Museum’s collection of photographs, this exhibition reveals the breadth and depth of the Getty’s acquisitions through an array of its hidden treasures, none of which have been exhibited at the museum before. Spanning the history of the medium from its early years to the present day, Unseen highlights visual associations between photographs from different times and places to encourage fresh discoveries and underscore a sense of continuity and change within the history of the medium. Work by Gregory Crewdson and Taryn Simon is included.

Gregory Crewdson, Untitled, 2006 © Gregory Crewdson

Vera Lutter, Clock Tower, Brooklyn, XXXVI: June 16, 2009, 2009 © Vera Lutter

Closed

Civilization
The Way We Live Now

September 13, 2019–February 2, 2020
National Gallery of Victoria, Melbourne, Australia
www.ngv.vic.gov.au

Civilization: The Way We Live Now features more than two hundred works from one hundred international photographers. The exhibition considers patterns of mass behavior and the complexities of life in twenty-first-century urban environments. This show originated at the National Museum of Modern and Contemporary Art, Seoul. Work by Mike Kelley, Vera Lutter, and Taryn Simon is included. 

Vera Lutter, Clock Tower, Brooklyn, XXXVI: June 16, 2009, 2009 © Vera Lutter

Installation view, Reflections: Matt Black × Gana Art, Gana Art Center and Gana Art Hannam, Seoul, November 1, 2019–January 5, 2020. Artwork © Sterling Ruby

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Reflections
Matt Black × Gana Art

November 1, 2019–January 5, 2020
Gana Art Center and Gana Art Hannam, Seoul
ganaart.com

In collaboration with filmmaker Matt Black, this exhibition is centered around his short film series titled Reflections, which features conversations with contemporary artists. Through his interviews, Black paints a picture of the rapidly changing contemporary art scene, revealing the stories behind the artworks. Following the film’s theme, Gana Art has curated this exhibition to feature works by these artists, which include Dan Colen, Rachel Feinstein, Jeff Koons, Harmony KorineSterling Ruby, Taryn Simon, and Blair Thurman, among others.

Installation view, Reflections: Matt Black × Gana Art, Gana Art Center and Gana Art Hannam, Seoul, November 1, 2019–January 5, 2020. Artwork © Sterling Ruby

Taryn Simon, Exploding Warhead, Test Area C-80C, Eglin Air Force Base, Florida, 2007 (detail) © Taryn Simon

Closed

Taryn Simon in
Aichi Triennale

August 1–October 14, 2019
Various locations in Japan
aichitriennale.jp

The fourth iteration of the Aichi Triennale features an international contemporary art exhibition alongside film, performing arts, and music programs, bringing together more than eighty individual artists and artist groups across a range of expressive domains to showcase their cutting-edge works. Work by Taryn Simon is included.

Taryn Simon, Exploding Warhead, Test Area C-80C, Eglin Air Force Base, Florida, 2007 (detail) © Taryn Simon

Taryn Simon, New York Times, Friday, November 11, 2016, 2017 © Taryn Simon

Closed

Taryn Simon in
Leonard Cohen: A Crack in Everything

April 12–September 8, 2019
Jewish Museum, New York
thejewishmuseum.org

This multidisciplinary exhibition combining visual art, virtual reality, installations, performances, music, and writing offers the public a collection of new work commissioned from and created by local and international artists who have been inspired by Leonard Cohen’s style and recurring themes. This exhibition originated at the Musée d’art contemporain de Montréal. Work by Taryn Simon is included.

Taryn Simon, New York Times, Friday, November 11, 2016, 2017 © Taryn Simon

Installation view, What is an edition, anyway?, McEvoy Foundation for the Arts, San Francisco, May 24–September 7, 2019. Photo: Henrik Kam

Closed

What is an edition, anyway?

May 24–September 7, 2019
McEvoy Foundation for the Arts, San Francisco
www.mcevoyarts.org

What is an edition, anyway? explores the traditions, conditions, and inventive expressions of the contemporary artist’s multiple. Photography, performance, illustration, technology, and installation further explore the notion of the edition as an idea reproduced in limited quantities. Work by Richard Prince and Taryn Simon is included.

Installation view, What is an edition, anyway?, McEvoy Foundation for the Arts, San Francisco, May 24–September 7, 2019. Photo: Henrik Kam

See all Museum Exhibitions for Taryn Simon