Menu

News / Urs Fischer

Events

Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library

Tour

Visions of the Self: Rembrandt and Now
In partnership with English Heritage

Thursday, April 25, 2019, 6pm
Gagosian, Grosvenor Hill, London

Gagosian director and art historian Richard Calvocoressi will lead a tour of the exhibition Visions of the Self: Rembrandt and Now at Gagosian, Grosvenor Hill, London. Calvocoressi will take a look at postwar and contemporary masters of self-representation, anchoring the conversation to an important Rembrandt masterpiece included in the exhibition, Self-Portrait with Two Circles (c. 1665). The event has reached capacity. To join the wait list, contact londontours@gagosian.com.

Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library

Steven Parrino, Untitled, 1988 © Steven Parrino

Exhibition

Abstract/Not Abstract

December 6–10, 2017
Moore Building, Miami

On the occasion of Art Basel Miami Beach 2017, Gagosian and Jeffrey Deitch are pleased to present Abstract/Not Abstract, their third collaboration at the Moore Building in the Miami Design District. One of the great innovations of modernism, abstract painting continues to inspire and challenge artists. To make a fresh abstraction today following all the remarkable achievements of the School of Paris and the New York School is a daunting proposition. Yet through the use of innovative approaches, techniques, and technologies, this generation of artists is creating complex and astonishing new work that revitalizes the abstract tradition. Abstract/Not Abstract will include work by contemporary artists who redefine abstraction for our time.

Steven Parrino, Untitled, 1988 © Steven Parrino

Urs Fischer, Invisible Mother, 2015. Photo: Lucy Dawkins

Public Installation

Frieze Sculpture

July 5–October 8, 2017
Regent’s Park, London
www.frieze.com

Clare Lilley, director of programs at Yorkshire Sculpture Park, has selected twenty-five new and significant sculptures by leading artists around the world to be on view in Regent’s Park. Work by John Chamberlain, Michael Craig-Martin, and Urs Fischer is included.

Urs Fischer, Invisible Mother, 2015. Photo: Lucy Dawkins

Thomas Houseago, Rainbow I (Psychedelic), 2017

Live Auction

2017 Leonardo DiCaprio Foundation Gala Auction

Live auction: July 26
Online preview: July 27–August 9
Online bidding: August 10–23
www.2017ldfauction.org

The Leonardo DiCaprio Foundation is dedicated to protecting the world’s last wild places. Since 2008 it has supported over 200 environmental projects across all five oceans and in over fifty countries. This auction helps make it possible for the Foundation to continue supporting pioneering individuals and organizations on the front lines of environmental conservation and climate advocacy, and will feature donated artworks by Urs Fischer, Frank Gehry, Damien Hirst, Thomas Houseago, Jeff Koons, Pablo Picasso, Sterling Ruby, Ed Ruscha, Rudolf Stingel, Lawrence Weiner, and Jonas Wood.

Thomas Houseago, Rainbow I (Psychedelic), 2017

Announcements

Urs Fischer

Video

Urs Fischer
YES

As part of the retrospective URS FISCHER at the Museum of Contemporary Art, Los Angeles, the artist staged the interactive artwork YES (2013) at the Geffen Contemporary at MoCA from April 21 to August 19, 2013. To create this large-scale installation, Fischer invited 1,500 California residents into the gallery space to make clay sculptures which then proceeded to harden and crumble over the duration of the show.

Museum Exhibitions

Installation view, Urs Fischer: Errors, Brant Foundation, Greenwich, Connecticut, May 13–October 14, 2019 © Urs Fischer. Photo: Stefan Altenburger

On View

Urs Fischer
Error

May 13–October 2019
Brant Foundation, Greenwich, Connecticut
brantfoundation.org

The Brant Foundation celebrates its tenth anniversary at its Greenwich, Connecticut, space with an exhibition by Urs Fischer, the first artist to have had a solo show at the center in 2010. This exhibition features some of the artist’s most notable large-scale sculptures alongside paintings and other highlights from the Brant Collections.

Installation view, Urs Fischer: Errors, Brant Foundation, Greenwich, Connecticut, May 13–October 14, 2019 © Urs Fischer. Photo: Stefan Altenburger

Urs Fischer, Mr. Flosky, 2001–02 © Urs Fischer

Closed

How to See [What Isn’t There]

September 9, 2018–March 17, 2019
Langen Foundation, Neuss, Germany
www.langenfoundation.de

How to See [What Isn’t There] brings together works from the Burger Collection Hong Kong by thirty-two artists from around the world. The exhibition features forty-five works including sculpture, installation, painting, photography, video, VR, and performance. The artists and works that have been selected for this exhibition highlight and blur the lines between presence and absence. Work by Urs Fischer and Douglas Gordon is included.

Urs Fischer, Mr. Flosky, 2001–02 © Urs Fischer

Urs Fischer, Green Solace, 16 Handles, Red Solace, 2017 © Urs Fischer. Photo: Mats Nordman

Closed

Mad World

August 18, 2018–January 14, 2019
Marciano Foundation, Los Angeles
marcianoartfoundation.org

Mad World brings together works from the Marciano collection that reflect the rampant absurdities of contemporary life. Many works address the overwhelming accumulation of information, images, and ideas emanating from our phones, computers, billboards, televisions, and radios. Work by Roe Ethridge, Urs Fischer, and Nate Lowman is included.

Urs Fischer, Green Solace, 16 Handles, Red Solace, 2017 © Urs Fischer. Photo: Mats Nordman

Installation view, Black Hole: Arte e matericità tra informe et invisibile, GAMeC—Galleria d’Arte Moderna et Contemporanea di Bergamo, Italy, October 4, 2018–January 6, 2019. Artwork, left to right: Fondazione Palazzo Albizzini-Collezione Burri, Città di Castello © 2018 SIAE; © Piero Manzoni/2018 SIAE. Photo: Antonio Maniscalco

Closed

Black Hole
Arte e matericità tra informe et invisibile

October 4, 2018–January 6, 2019
GAMeC—Galleria d’Arte Moderna et Contemporanea di Bergamo, Italy
gamec.it

Black Hole: Arte e matericità tra informe et invisibile is the first exhibition in an ambitious three-year research program dedicated to the theme of matter. Activating a dialogue with the history of scientific and technological discoveries, and investigating the development of aesthetics theories, Black Hole showcases the work of artists who have explored the material element’s most intrinsic significance, where the actual concept of matter shatters to open up a more profound idea of matter as an original element, as the primordial substance that constitutes everything. Work by Urs Fischer, Lucio Fontana, Alberto Giacometti, Anselm Kiefer, and Piero Manzoni is included.

Installation view, Black Hole: Arte e matericità tra informe et invisibile, GAMeC—Galleria d’Arte Moderna et Contemporanea di Bergamo, Italy, October 4, 2018–January 6, 2019. Artwork, left to right: Fondazione Palazzo Albizzini-Collezione Burri, Città di Castello © 2018 SIAE; © Piero Manzoni/2018 SIAE. Photo: Antonio Maniscalco

Rudolf Stingel, Untitled (Alpino, 1976), 2006, Pinault Collection © Rudolf Stingel. Photo by Stefan Altenburger

Closed

Dancing with Myself

April 8–December 16, 2018
Punta della Dogana, Venice
www.palazzograssi.it

Dancing with Myself explores the importance of the artist’s role as an actor in and subject of his own creations, from the 1970s to today. The exhibition brings together a great range of artistic practices, languages, cultures, geographic origins, generations, and experiences, establishing a tension between different artistic approaches. Work by Urs Fischer, Cindy Sherman, and Rudolf Stingel is included.

Rudolf Stingel, Untitled (Alpino, 1976), 2006, Pinault Collection © Rudolf Stingel. Photo by Stefan Altenburger

Artwork © Urs Fischer. Photo courtesy the artist

Closed

Urs Fischer in
Glasgow International

April 20–May 7, 2018
Modern Institute, Glasgow
glasgowinternational.org

Glasgow International draws on the city’s strengths as a vibrant and distinctive center of artistic production and display. The festival combines commissions and exhibitions by artists living both locally and internationally, in large-scale and familiar public venues as well as smaller, less conventional sites. Work by Urs Fischer will be included.

Artwork © Urs Fischer. Photo courtesy the artist

Installation view, Wild West, Austrian Cultural Forum, New York, September 20, 2017–January 22, 2018. Artwork © Urs Fischer and © Rudolf Stingel. Photo by David Plakke/ACFNY

Closed

Wild West

September 19, 2017–January 22, 2018
Austrian Cultural Forum, New York
www.acfny.org

Wild West is a group exhibition commemorating the dynamic legacy of the late Austrian artist Franz West. Curated by former West collaborator Andreas Reiter Raabe, the show consists of works by Franz West, his New York–based contemporaries, including Urs Fischer and Rudolf Stingel, and commissioned works by emerging artists from both New York and Austria.

Installation view, Wild West, Austrian Cultural Forum, New York, September 20, 2017–January 22, 2018. Artwork © Urs Fischer and © Rudolf Stingel. Photo by David Plakke/ACFNY

Urs Fischer’s Big Clay #4 (2013–14) installed in Piazza della Signoria, Florence, Italy, September 22, 2017–January 21, 2018

Closed

Urs Fischer

September 22, 2017–January 21, 2018
Piazza della Signoria, Florence, Italy
musefirenze.it

Urs Fischer’s monumental sculpture Big Clay #4 (2013–14) and two new candle sculptures have been installed in the Piazza della Signoria and the Arengario in Florence.

Urs Fischer’s Big Clay #4 (2013–14) installed in Piazza della Signoria, Florence, Italy, September 22, 2017–January 21, 2018

Urs Fischer, Untitled, 2011 © Urs Fischer. Photo by Stefan Altenburger

Closed

Fragile State

June 17, 2017–January 7, 2018
Pinchuk Art Centre, Kiev, Ukraine
pinchukartcentre.org

This exhibition’s title and theme, Fragile State, has a double meaning. It refers to a delicate moment of vulnerability both in a physical and psychological sense and, at the same time, it refers to political terminology. Work by Urs Fischer, Douglas Gordon, and Damien Hirst will be included.

Urs Fischer, Untitled, 2011 © Urs Fischer. Photo by Stefan Altenburger

Urs Fischer, Bliss, 2017 © Urs Fischer

Closed

Urs Fischer × Katy Perry
Bliss

November 17–December 31, 2017
39 Spring Steet, New York
www.ursfischer.com

 Bliss (2017), a larger-than-life sculpture of Katy Perry by Urs Fischer, is the result of a collaboration between the two artists, after Perry asked Fischer to create an artwork for her most recent album release. The sculpture will be in continual flux over the coming weeks, subject to reconfiguration through the intervention of visitors, who are free to add and subtract from the work as they wish.

Urs Fischer, Bliss, 2017 © Urs Fischer

Urs Fischer, Untitled, 2015. Photo by Mats Nordman

Closed

The Transported Man

April 29–October 22, 2017
Eli and Edythe Broad Art Museum, Michigan State University, East Lansing
broadmuseum.msu.edu

The Eli and Edythe Broad Art Museum at Michigan State University is pleased to announce its debut exhibition curated by director Marc-Olivier Wahler. The Transported Man spans the entire museum and features more than fifty renowned and emerging artists whose work relies on the notion of belief. Work by Walter De Maria, Urs Fischer, and Adam McEwen is included.

Urs Fischer, Untitled, 2015. Photo by Mats Nordman

Bruce Nauman, Room with My Soul Left Out, Room That Does Not Care, 1984, installation view at Staatliche Museen zu Berlin, Nationalgalerie, 2010 © bpk / Nationalgalerie im Hamburger Bahnhof, SMB, Schenkung der Friedrich Christian Flick Collection / Roman März und VG Bild-Kunst, Bonn 2017. Schenkung der Friedrich Christian Flick Collection.

Closed

Moving Is in Every Direction
Environments, Installations, Narrative Spaces

March 17–September 24, 2017
Hamburger Bahnhof—Museum für Gegenwart, Berlin
www.smb.museum

This exhibition has a nonlinear narrative structure that traces the history of installation art from the 1960s to the present and features expansive walk-in environments, along with video and sound installations. Work by Urs Fischer and Bruce Nauman is included.

Bruce Nauman, Room with My Soul Left Out, Room That Does Not Care, 1984, installation view at Staatliche Museen zu Berlin, Nationalgalerie, 2010 © bpk / Nationalgalerie im Hamburger Bahnhof, SMB, Schenkung der Friedrich Christian Flick Collection / Roman März und VG Bild-Kunst, Bonn 2017. Schenkung der Friedrich Christian Flick Collection.

See all Museum Exhibitions for Urs Fischer