Gagosian at Galeries Lafayette Champs-Élysées
Opening reception: Saturday, October 12, 6:30–8pm
October 12–20, 2019
Galeries Lafayette Champs-Élysées, Paris
In celebration of FIAC in Paris, Gagosian is pleased to collaborate with Galeries Lafayette Champs-Élysées on a two-floor pop-up takeover featuring products related to Gagosian artists. On the first floor, the Coin Culture section will feature catalogues, posters, apparel, and audio productions. The second floor, the Library, will house an additional selection of limited-edition books, publications, and catalogues raisonnés.
Gagosian at Galeries Lafayette Champs-Élysées, Paris
Albert Oehlen Invites Steamboat Switzerland and Lorenzo Senni
Wednesday, October 2, 2019, 7pm
Serpentine Pavilion, London
To celebrate the opening of his major solo exhibition at Serpentine Gallery in London, Albert Oehlen has invited the ensemble Steamboat Switzerland and experimental musician Lorenzo Senni to create an evening of music inside the Serpentine Pavilion. To attend the event, purchase tickets at www.serpentinegalleries.org.
Albert Oehlen, Untitled, 1993 © Albert Oehlen
Thursday, October 10, 2019, 6pm
Gagosian, Hong Kong
Gagosian senior director Han-I Wang will lead a tour of Albert Oehlen’s first exhibition in Asia, a series of new paintings in watercolor on canvas. In these works, Oehlen emphasizes the importance of spontaneity within his artistic method. Oehlen’s use of watercolor in this series diverges from his recent works created with oil or lacquer on aluminum or the aluminum composite Dibond, and marks a stylistic return to his hazy, blended, almost impressionistic oil paintings dating from 2016 and earlier. To attend the free event, RSVP to firstname.lastname@example.org. Space is limited.
Albert Oehlen, Untitled, 2019 © Albert Oehlen. Photo: Jeff McLane
February 8–March 9, 2019
420a North Camden Drive, Beverly Hills
Hours: Monday–Saturday, 10am–6pm
For this pop-up exhibition presented by Gagosian, Albert Oehlen will create a large-scale, site-specific wall drawing—his sprawling, erratic lines activating the space, which can be entered or viewed from the street. The exhibition will also be open Sunday, February 17, 11am–5pm, to coincide with the gallery’s presentation at Frieze Los Angeles.
Installation view, Albert Oehlen: Wall Drawing, Beverly Hills, February 8–March 2, 2019. Artwork © Albert Oehlen. Photo: Jeff McLane
December 6–10, 2017
Moore Building, Miami
On the occasion of Art Basel Miami Beach 2017, Gagosian and Jeffrey Deitch are pleased to present Abstract/Not Abstract, their third collaboration at the Moore Building in the Miami Design District. One of the great innovations of modernism, abstract painting continues to inspire and challenge artists. To make a fresh abstraction today following all the remarkable achievements of the School of Paris and the New York School is a daunting proposition. Yet through the use of innovative approaches, techniques, and technologies, this generation of artists is creating complex and astonishing new work that revitalizes the abstract tradition. Abstract/Not Abstract will include work by contemporary artists who redefine abstraction for our time.
Steven Parrino, Untitled, 1988 © Steven Parrino
Albert Oehlen: The History
Art Basel Hong Kong 2019 Online Viewing Room
We can now see that this painting marks the exact point where all of Oehlen’s influences—de Kooning, Rauschenberg, Richter, Polke—come to a head, and how it acts as a departure point for what he will do over the next thirty years.
Learn more about Albert Oehlen and the history behind this monumental 1988 painting with Gagosian directors Andrew Fabricant and Sam Orlofsky.
Albert Oehlen: The Market
Art Basel Hong Kong 2019 Online Viewing Room
We have long followed Oehlen’s work and watched it develop over time. It’s clear that we are on the verge of an upward trajectory. It’s just a perfect moment for him and this painting.
Gagosian directors Andrew Fabricant and Sam Orlofsky discuss the recent sales trends for Albert Oehlen and where they see his market heading.
Through November 10, 2019
Lokremise, St. Gallen, Switzerland
This exhibition, whose title translates to Unfinished, features a range of works by Albert Oehlen from the 1980s to the present day, including paintings and video. Additionally, Oehlen has created a new site-specific installation, based on an earlier work, for the show.
Installation view, Albert Oehlen: Unfertig, Lokremise, St. Gallen, Switzerland, July 6–November 10, 2019. Artwork © Albert Oehlen
The Foundation of the Museum
Through January 19, 2020
Geffen Contemporary at MOCA, Los Angeles
To mark the museum’s fortieth anniversary, this exhibition presents a selected topography of artworks that speak to the diversity of MOCA’s collecting over the past four decades. With special emphasis on works associated with the museum’s remarkable history of exhibitions, The Foundation of the Museum: MOCA’s Collection shows the institution’s holdings as shaped by a changing landscape of developments in contemporary art and curatorial focus, as well by as the social and cultural backdrops that inform them. Work by Chris Burden, Mike Kelley, Bruce Nauman, Albert Oehlen, Nancy Rubins, and Ed Ruscha is included.
Chris Burden, Exposing the Foundation of the Museum, 1986 © 2019 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: Squidds and Nunns
Through February 2, 2020
Serpentine Gallery, London
At the center of this exhibition is an installation that marks the beginning of Albert Oehlen’s process of interpreting the Rothko Chapel in Houston. Oehlen has made four new paintings—of the same scale and size as the four horizontal canvases by Mark Rothko found in the chapel—specifically for the exhibition. A selection of paintings by the artist from the past two decades and a newly configured soundtrack by Steamboat Switzerland are also included.
Albert Oehlen, Sohn von Hundescheisse, 1999 © Albert Oehlen. Photo: Archive Galerie Max Hetzler, Berlin|Paris
Through September 2019
Aïshti Foundation, Jal el Dib, Lebanon
Trance is a solo exhibition by Albert Oehlen. Oehlen is also curating a group show drawn from both the Aïshti Foundation’s collection and from his personal collection.
Albert Oehlen, Paravent 3, 2015 © Albert Oehlen
Albert Oehlen in
La Collection de la Fondation: Le parti de la peinture
February 20–August 26, 2019
Fondation Louis Vuitton, Paris
Seventy-five paintings by twenty-three international artists from the Fondation Louis Vuitton’s collection, dating from the 1960s to today, are on view. Work by Albert Oehlen is included.
Albert Oehlen, Untitled, 1992–2005, Collection Fondation Louis Vuitton, Paris © Albert Oehlen. Photo © Primae/David Bordes
Cows by the Water
April 8, 2018–January 6, 2019
Palazzo Grassi, Venice
Presenting eighty-five works created between the 1980s and today, Cows by the Water reveals a syncopated rhythm between various genres and periods in Albert Oehlen’s complex oeuvre. Music emerges as metaphor of Oehlen’s working methods, where contamination and rhythm, improvisation and repetition, density and harmony become pictorial gestures.
Installation view, Albert Oehlen: Cows by the Water, Palazzo Grassi, Venice, April 8, 2018–January 6, 2019. Artwork © Albert Oehlen. Photo: Matteo De Fina © Palazzo Grassi
Albert Oehlen and Peppi Bottrop
March 1–August 12, 2018
Marciano Art Foundation, Los Angeles
Line Packers” features Albert Oehlen’s computer paintings, a series that the artist began in the early 1990s, alongside Peppi Bottrop’s line-drawing paintings, which respond to the architecture of the foundation’s Lounge Gallery.
Albert Oehlen, Untitled, 1992/2008 © Albert Oehlen. Photo by Simon Vogel
September 16–October 31, 2017
Eight exhibition venues in Beijing, China
Deutschland 8 is the continuation of the intercultural dialogue between China and Germany that successfully started with the exhibition China 8 in 2015. New works by German artists will be on view at eight different museums throughout Beijing. The works selected will highlight the historical context and developments in German art from 1945 to the present day. Work by Georg Baselitz, Katharina Grosse, Andreas Gursky, Anselm Kiefer, Albert Oehlen, and Thomas Ruff is included.
Anselm Kiefer, The Door, 1973 © Anselm Kiefer
The Marciano Collection
May 25–September 16, 2017
Marciano Art Foundation, Los Angeles
Unpacking: The Marciano Collection is the debut presentation of the collection’s holdings organized by Philipp Kaiser. The title and theme of the show are derived from Walter Benjamin’s essay “Unpacking My Library,” in which he discusses the chaotic potentiality inherent in unpacking and recontextualizing one’s collection. Work by Mark Grotjahn, Thomas Houseago, Alex Israel, Takashi Murakami, Albert Oehlen, Sterling Ruby, Cindy Sherman, Franz West, Jonas Wood, and Christopher Wool is included.
Photo by Robert Wedemeyer
July 7–September 10, 2017
Museo Nacional de Bellas Artes, Havana, Cuba
For his first exhibition in Cuba, Albert Oehlen presents new large-scale paintings, alongside earlier paintings and collages, at the Museo Nacional de Bellas Artes in Old Havana.
Albert Oehlen, Untitled, 2017 © Albert Oehlen
April 29, 2018–September 3, 2017
The Broad, Los Angeles
From everyday experiences to protest movements as monumental as the Arab Spring uprisings across the Middle East, to themes that probe systems of social control or examine global commerce, artworks in Oracle tackle the effects of organizational frameworks on global events and private individuals. Some works in the exhibition symbolize marketplace machinations, both official and unofficial, while others are meditations on games, surveillance, vast data sets, mathematical and biological patterns, and even the logic of art itself. Work by Andreas Gursky, Albert Oehlen, Sterling Ruby, and Jeff Wall is included.
Jeff Wall, Search of Premises, 2009 © Jeff Wall
December 14, 2016–April 23, 2017
Curated by Harald Krejci, this window into Franz West’s collaborative art practice examines a selection of work the artist made with fellow artists such as Urs Fischer, Douglas Gordon, and Albert Oehlen.
Photo © Belvedere, Vienna