Visions of the Self
Rembrandt and Now
Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London
In the interest of public health, this event has been postponed until further notice.
Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to email@example.com. Space is limited.
Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)
Visions of the Self: Rembrandt and Now
In partnership with English Heritage
Thursday, April 25, 2019, 6pm
Gagosian, Grosvenor Hill, London
Gagosian director and art historian Richard Calvocoressi will lead a tour of the exhibition Visions of the Self: Rembrandt and Now at Gagosian, Grosvenor Hill, London. Calvocoressi will take a look at postwar and contemporary masters of self-representation, anchoring the conversation to an important Rembrandt masterpiece included in the exhibition, Self-Portrait with Two Circles (c. 1665). The event has reached capacity. To join the wait list, contact firstname.lastname@example.org.
Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library
Wednesday, February 28, 2018, 5pm
Gagosian Grosvenor Hill, London
As part of Gagosian Quarterly Talks, Xavier Bray, director of the Wallace Collection, will speak with Glenn Brown on the occasion of his exhibition, Come to Dust. To attend this free event, RSVP to email@example.com. Space is limited and will be granted on a first-come-first-serve basis.
Installation view, Glenn Brown: Come to Dust, Gagosian Grosvenor Hill, London, January 24–March 17, 2018 © Glenn Brown
Glenn Brown and
Pablo Bronstein with Amy Sherlock
Friday, October 6, 2017, 10am–4:30pm
The Royal Institution, London
As part of a daylong Art and Architecture Conference, artists Pablo Bronstein and Glenn Brown talk to Frieze deputy editor Amy Sherlock about their renovations of historical homes: a sixteenth-century seaside town house and a seventeenth-century country manor. To attend the event, purchase tickets at www.frieze.com.
Photo: Edgar Laguinia
Art and Architecture Conference
Friday, October 6, 2017, 10am–4:30pm
The Royal Institution, London
Glenn Brown will be participating in the second annual Frieze Academy Art and Architecture Conference. He and fellow artist Pablo Bronstein will talk to Frieze deputy editor Amy Sherlock about their renovations of historical homes—a seventeenth century country manor and a sixteenth century seaside townhouse. To attend the event, purchase tickets at www.frieze.com.
Photo: Edgar Laguinia
Glenn Brown was appointed a Commander of the Order of the British Empire (CBE) in Queen Elizabeth II’s 2019 birthday honors list for his service to the arts on November 5. The title CBE is bestowed to individuals who have made distinct and innovative contributions to the United Kingdom.
Glenn Brown at his CBE investiture ceremony, 2019
Glenn Brown, Bice Curiger, and Ger Luijten
Glenn Brown sits down with Bice Curiger, director of Fondation Vincent van Gogh Arles, France, and Ger Luijten, director of Fondation Custodia, Paris, to discuss his exhibition Suffer Well, which was on view at Fondation Vincent van Gogh in 2016.
Rennie Collection Speaker Series
Glenn Brown gives a talk at Emily Carr University, Vancouver, on the occasion of his first exhibition in Canada, held at the city’s Rennie Museum, Glenn Brown and Rebecca Brown Collected Works, on view at the institution in 2013–14.
For this episode of weekly web series TateShots, world renowned forger John Myatt visits the Glenn Brown retrospective at Tate Liverpool. This 2009 video follows Myatt as he discusses Brown’s paintings in the context of the art of appropriation.
00s. Collection Cranford
Les années 2000
Through May 30, 2021
Mo.Co. Contemporary, Montpellier, France
This exhibition of work from the Cranford Collection, established by Muriel and Freddy Salem in 1999, aims to define the identity of the 2000s by creating a dialogue between one hundred artworks by a multigenerational array of artists who contributed to shaping the beginning of the millennium. Work by Glenn Brown, Damien Hirst, Mike Kelley, Albert Oehlen, Gerhard Richter, Ed Ruscha, Cindy Sherman, Jeff Wall, Franz West, and Christopher Wool is included.
Glenn Brown, Lemon Sunshine, 2001 © Glenn Brown
Inspiraatio—Nykytaide & Klassikot
June 18–September 20, 2020
Ateneum, Finnish National Gallery, Helsinki
This exhibition, whose title translates to Inspiration—Contemporary Art and Classics, explores contemporary art inspired by iconic masterpieces. Here, the original works are referenced through replicas, prints, plaster casts, and an abundance of archival materials. This exhibition has traveled from the Nationalmuseum, Stockholm, under the title Inspiration: Iconic Works. Work by Georg Baselitz, Glenn Brown, Jeff Koons, and Jenny Saville is included.
Installation view, Inspiraatio—Nykytaide & Klassikot, Ateneum, Finnish National Gallery, Helsinki, June 18–September 20, 2020. Artwork, left to right: © Glenn Brown, © Wolfe von Lenkiewicz. Photo: Hannu Pakarinen
April 30–June 20, 2020
International Print Center New York
This online exhibition, centered on works by Mark Bradford, Cecily Brown, Glenn Brown, Enrique Chagoya, and Lynette Yiadom-Boakye, opens a dialogue between contemporary prints and the source material referenced. (Re)Print examines how artists revise, recontextualize, and personalize familiar imagery to elicit new thinking. Further, the pairings express the dynamic relationship between contemporary practice and the historical role that prints have played in image reproduction and dissemination, and in the shaping of history, culture, and beliefs.
Glenn Brown, Layered Portrait (after Lucian Freud) 4, 2008 © Glenn Brown
February 20–May 17, 2020
This exhibition presents contemporary art that draws inspiration from historic masterpieces. A selection of paintings, plaster sculptures, drawings, graphic prints, and applied arts from Nationalmuseum’s vast collections are displayed in dialogue with contemporary objects. Work by Glenn Brown, Jeff Koons, Jenny Saville, and Cindy Sherman is included.
Glenn Brown, Reproduction, 2014 © Glenn Brown
Contemporary Drawing from 1970 to Now
September 12, 2019–January 12, 2020
British Museum, London
Celebrating drawing in its own right, rather than its historic role as preparatory to painting, this exhibition explores how contemporary artists have used drawing to examine themes including identity, place, and memory. Work by Glenn Brown, Ellen Gallagher, Anselm Kiefer, and Rachel Whiteread is included.
Glenn Brown, Children of the Revolution (after Rembrandt), 2017 © Glenn Brown
October 10–December 9, 2019
Musée national Eugène-Delacroix, Paris
Glenn Brown’s work transcends time and pictorial conventions, disarming common distinctions between good and bad taste, beauty and abjection, and heightening the emotive tension present within. In this exhibition at the Musée national Eugène-Delacroix, which is an affiliate of the Musée du Louvre, Brown presents new works, with an emphasis on drawing, as well as a large sculpture inspired by Delacroix, among other artists, in association with FIAC 2019.
Glenn Brown, Passchendaele, 2017 © Glenn Brown
Glenn Brown in
Comeback: Kunsthistorische Renaissancen
July 20–November 10, 2019
Kunsthalle Tübingen, Germany
Comeback: Art Historical Renaissances features the work of contemporary artists who are inspired by paintings from bygone eras, and who respond more freely and playfully to the “mnemic energies” stored in ancient works. Work by Glenn Brown is included.
Glenn Brown, New Plastic Experiences, 2016 © Glenn Brown
Inspired by Rembrandt
100 jaar verzamelen door het Rembrandthuis
June 7–September 1, 2019
Museum het Rembrandthuis, Amsterdam
To mark one hundred years of its collection, Museum het Rembrandthuis celebrates the famous artist with a special program in his own house. This exhibition features works from the museum’s collection by Rembrandt as well as by contemporary artists who were inspired by him. Work by Glenn Brown and Pablo Picasso is included.
Glenn Brown, Half-Life (after Rembrandt) 6, 2016 © Glenn Brown. Photo: courtesy Rembrandt House Museum, Amsterdam
Bacon, Freud, and the School of London Painters
October 9, 2018–January 13, 2019
Hungarian National Gallery, Budapest, Hungary
In the decades following World War II, Bacon, Freud, and their British contemporaries engaged with subjects that felt immediate and intensely personal. This exhibition retraces their artistic developments via works, including paintings and drawings, spanning seven decades. Despite the sheer diversity of approaches and techniques that embodied their practices, the members of this group were constantly renewing their individual appraisals of the artist’s personal position in the world, focusing on individuals, locations, and narratives close and dear to them. The exhibition was initially produced under the title Bacon, Freud, and the London Painters by ARoS Aarhus Kunstmuseum, Denmark. Work by Michael Andrews, Francis Bacon, Glenn Brown, Alberto Giacometti, and Jenny Saville is included.
Jenny Saville, Untitled (Stare Study III), 2005–06 © Jenny Saville
The Flexible Plan
The Rococo in Contemporary Art
September 23, 2018–January 6, 2019
Museum Morsbroich, Leverkusen, Germany
The Flexible Plan: The Rococo in Contemporary Art examines the survival of European grandeur in contemporary art. The exhibition presents a varied panorama of works against the backdrop of the Rococo castle that houses the museum. Work by Glenn Brown and Katharina Grosse is included.
Glenn Brown, The Life Hereafter, 2011, Scharpff Collection © Glenn Brown
Fantasy Landscapes, Portraits and Beasts
June 16–October 21, 2018
Laing Art Gallery, Newcastle upon Tyne, England
In 2017, the Laing Art Gallery acquired a work by Glenn Brown through the Contemporary Arts Society’s Great Works program; this exhibition continues to build on the institution’s relationship with the artist. The show features new works by Brown, in the context of his own rehang of the Laing’s painting collection and is curated by the artist, together with Julie Milne, chief curator.
Glenn Brown, On the Way to the Leisure Centre, 2017 © Glenn Brown. Photo: Mike Bruce
Glenn Brown in
Rembrandt | Britain’s Discovery of the Master
July 7–October 14, 2018
Scottish National Gallery
This exhibition reveals how the taste for Rembrandt’s work in Britain evolved over the past four hundred years. Since around 1630, it grew into a mania that gripped collectors and art lovers across the country, reaching a fever pitch in the late eighteenth century. The exhibition also unveils the profound impact of Rembrandt’s art on the British imagination, by exploring the wide range of native artists whose work has been inspired by the Dutch master, over four centuries, right up to the present day. Work by Glenn Brown is included.
Glenn Brown, Unknown Pleasures, 2016 © 2018 Glenn Brown. Photo: Mike Bruce