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Left: Glenn Brown. Right: Jan Dalley

In Conversation

FT Weekend Festival 2023
Glenn Brown and Jan Dalley

Saturday, September 2, 2023, 2–2:45pm
Kenwood House, London
ukftweekendfestival.live.ft.com

As part of this year’s FT Weekend Festival in London, Glenn Brown will be in conversation with Financial Times arts editor Jan Dalley on the Arts Stage to discuss his recent paintings and layered portraits, as well as the opening of the Brown Collection last year, which is home to his art collection and archive as well as four floors of exhibition space. After the talk, Brown will sign copies of his new book, We’ll Keep On Dancing Till We Pay the Rent, in the Gagosian tent. The exhibition catalogue and other new Gagosian titles will be available for purchase with a 25% discount, and a selection of historical gallery publications will be offered for £10 each in conjunction with the Six Hundred Books display at the Gagosian Shop in Burlington Arcade.

Gagosian is partnering with the Financial Times to host the Arts Stage at the one-day festival where leading experts discuss the arts, music, literature, food, business, and technology, with recent Gagosian Quarterly films screened between sessions on the stage throughout the day.

Left: Glenn Brown. Right: Jan Dalley

Photo: Edgar Laguinia

Performance

Glass Handel
With Glenn Brown

Saturday, September 3, 2022, 3pm & 8pm
Printworks, London
www.bbc.co.uk

Glass Handel combines music by Philip Glass and George Frideric Handel to create a unique operatic experience featuring dance, live painting, fashion, film, and soundscapes in the vast space of Printworks London. Glenn Brown will be painting live during the performance, which is organized by the BBC Proms classical music festival and the English National Opera. The production was conceived by Cath Brittan, Anthony Roth Costanzo, and Visionaire.

Purchase Tickets

Photo: Edgar Laguinia

Glenn Brown: Come to Dust (New York: Gagosian, 2018)

Online Reading

Glenn Brown
Come to Dust

Glenn Brown: Come to Dust is available for online reading from April 28 through May 27 as part of Artist Spotlight: Glenn Brown. The book documents a 2018 exhibition at Gagosian, Grosvenor Hill, London, which featured oil paintings, drawings in period frames, grisaille panel works, etchings, and sculptures that attest to the ever-intensifying dexterity with which Brown employs paint, content, and form. A text by author Hari Kunzru and a conversation between Brown and curator Xavier Bray offer insight into the artist’s work.

Glenn Brown: Come to Dust (New York: Gagosian, 2018)

Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)

Book Launch

Visions of the Self
Rembrandt and Now

Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London
www.english-heritage.org.uk

In the interest of public health, this event has been postponed until further notice.

Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to londonevents@gagosian.com. Space is limited.

Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)

Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library

Tour

Visions of the Self: Rembrandt and Now
In partnership with English Heritage

Thursday, April 25, 2019, 6pm
Gagosian, Grosvenor Hill, London

Gagosian director and art historian Richard Calvocoressi will lead a tour of the exhibition Visions of the Self: Rembrandt and Now at Gagosian, Grosvenor Hill, London. Calvocoressi will take a look at postwar and contemporary masters of self-representation, anchoring the conversation to an important Rembrandt masterpiece included in the exhibition, Self-Portrait with Two Circles (c. 1665). The event has reached capacity. To join the wait list, contact londontours@gagosian.com.

Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library

Installation view, Glenn Brown: Come to Dust, Gagosian Grosvenor Hill, London, January 24–March 17, 2018 © Glenn Brown

In Conversation

Glenn Brown
Xavier Bray

Wednesday, February 28, 2018, 5pm
Gagosian Grosvenor Hill, London
www.gagosian.com

As part of Gagosian Quarterly Talks, Xavier Bray, director of the Wallace Collection, will speak with Glenn Brown on the occasion of his exhibition, Come to Dust. To attend this free event, RSVP to rsvplondon@gagosian.com. Space is limited and will be granted on a first-come-first-serve basis.

Installation view, Glenn Brown: Come to Dust, Gagosian Grosvenor Hill, London, January 24–March 17, 2018 © Glenn Brown

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Announcements

Interior of the Brown Collection, London. Artwork © Glenn Brown

Visit

The Brown Collection
Glenn Brown

On October 11, 2022, Glenn Brown is opening the Brown Collection, home to the artist’s art collection and administrative offices, as well as three floors of exhibition space, in an exactingly renovated warehouse building in the Marylebone district of LondonThe inaugural exhibition reveals the breadth of Brown’s oeuvre through a selection of his paintings, drawings, and sculptures, ranging from early appropriations of Frank Auerbach and Jean-Honoré Fragonard to recent layered portraits. In time, works by other historical and contemporary artists that have inspired or that comment on works in the Collection will be exhibited.

During Frieze week, the Collection will be open from Tuesday, October 11, to Sunday, October 16, from 11am to 6pm. The regular hours are Thursdays, Fridays, and Saturdays from 11am to 6pm. 

Interior of the Brown Collection, London. Artwork © Glenn Brown

Still from “Une oeuvre / Un regard: Glenn Brown.”

Video

Une oeuvre, un regard
Glenn Brown

Every week, in a series called Une oeuvre, un regard, the Musée d’Orsay and the Musée de l’Orangerie in Paris invite a contemporary figure, such as an artist, to select and discuss an artwork from their collection. In this video, Glenn Brown reflects on Odilon Redon’s painting Les yeux clos (Closed Eyes) (1890), which he describes as a very enigmatic work that “draws you in . . . to think about it, not just look at it.”

Still from “Une oeuvre / Un regard: Glenn Brown.”

Glenn Brown at his CBE investiture ceremony, 2019

Honor

Glenn Brown

Glenn Brown was appointed a Commander of the Order of the British Empire (CBE) in Queen Elizabeth II’s 2019 birthday honors list for his service to the arts on November 5. The title CBE is bestowed to individuals who have made distinct and innovative contributions to the United Kingdom.

Glenn Brown at his CBE investiture ceremony, 2019

Still from “Glenn Brown: Fantasy Landscapes, Portraits and Beasts.”

Video

Glenn Brown
Fantasy Landscapes, Portraits and Beasts

In this video Glenn Brown discusses the thought process behind his exhibition Fantasy Landscapes, Portraits and Beasts, which was on view at the Laing Art Gallery in Newcastle upon Tyne, England, in 2018. Curated by the artist, together with Laing chief curator Julie Milne, the show featured new works by Brown exhibited alongside paintings and sculptures from the museum’s collection.

Still from “Glenn Brown: Fantasy Landscapes, Portraits and Beasts.”

Still from “Glenn Brown at Museo Stefano Bardini”

Video

Glenn Brown at Museo Stefano Bardini

On the occasion of his exhibition Glenn Brown: Piaceri Sconosciuti in 2017, the artist talks about his reverence of Florentine art and his decision to have a show at the Museo Stefano Bardini in Florence, Italy.

Still from “Glenn Brown at Museo Stefano Bardini”

Still from “Glenn Brown: Artist Talk at the Aspen Art Museum”

Video

Glenn Brown
Artist Talk at the Aspen Art Museum

As part of the Questrom Lecture Series, Glenn Brown speaks about his artistic practice, sharing source materials, which he combines, appropriates, and desconstructs, to create his complex and sensuous works. The presentation is followed by a question-and-answer session with Heidi Zuckerman, director of the Aspen Art Museum, in which the pair discuss how Brown develops his ideas.

Still from “Glenn Brown: Artist Talk at the Aspen Art Museum”

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Museum Exhibitions

Glenn Brown, The Holy Bible, 2022 © Glenn Brown

On View

Dix und die Gegenwart

Through April 1, 2024
Deichtorhallen Hamburg, Germany
www.deichtorhallen.de

This exhibition, whose title translates to Dix and the Present, explores the work of Otto Dix (1891–1969) and the artist’s enduring influence. It focuses on the ostensibly apolitical work Dix created beginning in 1933, which was less aggressive than his radical and provocative paintings of the 1920s. His Nazi-era landscapes, commissioned portraits, and Christian allegories were instead subtle and subversive forms of contemporary social critique. The exhibition aims to reveal the shifting cultural and social parameters in the reception of Dix’s art, while also demonstrating how his oeuvre continues to fascinate more than forty contemporary artists. Work by Georg Baselitz, Glenn Brown, John Currin, Nan Goldin, and Anselm Kiefer is included.

Glenn Brown, The Holy Bible, 2022 © Glenn Brown

Glenn Brown, On the Way to the Leisure Centre, 2017 © Glenn Brown

On View

Glenn Brown in
The Leisure Centre

Through August 3, 2024
Brown Collection, London
glenn-brown.co.uk

In The Leisure Centre Glenn Brown asks the question: “What is the point at which relaxation and non-functional activity allows the mind to freely wander, when we can indulge in activities or thoughts simply for the pure pleasure of doing so?” This exhibition shows work by Brown alongside artists from the Brown Collection—including Cornelis van Haarlem, Gaetano Gandolfi, and Jean-Baptiste Greuze, among others—inviting the viewer to become a flaneur, traveling through time and place around the rooms.

Glenn Brown, On the Way to the Leisure Centre, 2017 © Glenn Brown

Glenn Brown, Come All Ye Rolling Minstrels, 2009 © Glenn Brown

Closed

Glenn Brown
The Real Thing

February 24–June 18, 2023
Landesmuseum Hannover, Germany
www.landesmuseum-hannover.de

This exhibition presents works from the museum’s collection, including paintings and sculptures from the Middle Ages to the twentieth century, alongside paintings and drawings by Glenn Brown. Organizing the works into six curatorial groupings—animals, landscapes and trees, the nude, portraits, still lifes, and the artist—Brown juxtaposes his art with work by Jacopo Pontormo (1494–1557), Anthony van Dyck (1599–1641), and Gustave Courbet (1819–1877), among others. Held across two major institutions in Hannover, Germany—the Sprengel Museum and Landesmuseum—the exhibition reimagines the museums’ permanent collections, inviting a consideration of the relationship between the art of the past and of the present.

Glenn Brown, Come All Ye Rolling Minstrels, 2009 © Glenn Brown

Installation view, Glenn Brown: The Real Thing, Sprengel Museum Hannover, Germany, February 24–June 18, 2023. Artwork © Glenn Brown

Closed

Glenn Brown
The Real Thing

February 24–June 18, 2023
Sprengel Museum Hannover, Germany
www.sprengel-museum.de

For this exhibition, which combines the work of old, modern, and contemporary masters across two major institutions in Hannover, Germany—the Sprengel Museum and LandesmuseumGlenn Brown reimagines the museums’ permanent collections, generating an enlightening conversation around the relationship between contemporary and historic art. The Sprengel Museum show consists of two parts: a solo presentation of formative paintings by Brown in the main room and thematic interventions within the permanent collection rooms, where Brown replaces selected works with those of his own, using categories such as color, material, realities, and faces to provide a narrative and a structure.

Installation view, Glenn Brown: The Real Thing, Sprengel Museum Hannover, Germany, February 24–June 18, 2023. Artwork © Glenn Brown

Rudolf Stingel, Untitled, Ex Unico, 2004 © Rudolf Stingel. Photo: courtesy Fondazione Sandretto Re Rebaudengo

Closed

Reaching for the Stars
From Maurizio Cattelan to Lynette Yiadom-Boakye

March 4–June 18, 2023
Fondazione Palazzo Strozzi, Florence, Italy
www.palazzostrozzi.org

Reaching for the Stars celebrates thirty years since Patrizia Sandretto Re Rebaudengo began collecting art. Presenting highlights from her collection, the exhibition includes works by leading international artists and explores the most recent trends in art, embracing painting, sculpture, installation, video, and performance. Work by Glenn Brown, Damien Hirst, and Rudolf Stingel is included.

Rudolf Stingel, Untitled, Ex Unico, 2004 © Rudolf Stingel. Photo: courtesy Fondazione Sandretto Re Rebaudengo

Installation view, Masterpieces in Miniature: The 2021 Model Art Gallery, Pallant House Gallery, Chichester, England, June 26, 2021–April 24, 2022. Artwork, left to right, top to bottom: © Lothar Gotz; © Julian Opie; © Bob and Roberta Smith; © Michael Landy; © Sean Scully; © Cecily Brown; © Glenn Brown; © Tacita Dean; © George Shaw; © Damien Hirst and Science Ltd, DACS 2021; © Gillian Wearing; © Damien Hirst and Science Ltd, DACS 2021; © Gary Hume; © Fiona Rae; © Rachel Whiteread; © Toby Ziegler

Closed

Masterpieces in Miniature
The 2021 Model Art Gallery

June 26, 2021–April 24, 2022
Pallant House Gallery, Chichester, England
pallant.org.uk

In a unique response to the coronavirus pandemic, Pallant House Gallery has commissioned the 2021 Model Art Gallery, a scaled-down space designed by Wright & Wright architects featuring specially made miniature artworks—all ranging from the size of a pound coin to no larger than 20 centimeters—by more than thirty leading contemporary British artists, including Glenn Brown, Edmund de Waal, Damien Hirst, and Rachel Whiteread. Together with the Thirty Four Gallery and the Model Gallery 2000, these miniature galleries tell the story of Modern British art from the 1930s through today.

Installation view, Masterpieces in Miniature: The 2021 Model Art Gallery, Pallant House Gallery, Chichester, England, June 26, 2021–April 24, 2022. Artwork, left to right, top to bottom: © Lothar Gotz; © Julian Opie; © Bob and Roberta Smith; © Michael Landy; © Sean Scully; © Cecily Brown; © Glenn Brown; © Tacita Dean; © George Shaw; © Damien Hirst and Science Ltd, DACS 2021; © Gillian Wearing; © Damien Hirst and Science Ltd, DACS 2021; © Gary Hume; © Fiona Rae; © Rachel Whiteread; © Toby Ziegler

Ewa Juszkiewicz, Untitled (After Elisabeth Vigée Le Brun), 2020 © Ewa Juszkiewicz

Closed

Face à Arcimboldo

May 29–November 22, 2021
Centre Pompidou-Metz, France
www.centrepompidou-metz.fr

This exhibition, whose title translates to Arcimboldo Face to Face, invites visitors to explore the timeless vocabulary of the sixteenth-century painter Giuseppe Arcimboldo (c. 1527–1593). The show demonstrates how his work has influenced art history for more than four centuries through the work of 130 artists, including work by Francis Bacon, Glenn Brown, Alex Israel, Ewa Juszkiewicz, Roy Lichtenstein, Man Ray, Pablo Picasso, Auguste Rodin, and Ed Ruscha.

Ewa Juszkiewicz, Untitled (After Elisabeth Vigée Le Brun), 2020 © Ewa Juszkiewicz

Glenn Brown, Lemon Sunshine, 2001 © Glenn Brown

Closed

00s. Collection Cranford
Les années 2000

October 24, 2020–May 30, 2021
Mo.Co. Contemporary, Montpellier, France
www.moco.art

This exhibition of work from the Cranford Collection, established by Muriel and Freddy Salem in 1999, aims to define the identity of the 2000s by creating a dialogue between one hundred artworks by a multigenerational array of artists who contributed to shaping the beginning of the millennium. Work by Glenn Brown, Damien Hirst, Mike Kelley, Albert Oehlen, Gerhard Richter, Ed Ruscha, Cindy Sherman, Jeff Wall, Franz West, and Christopher Wool is included.

Glenn Brown, Lemon Sunshine, 2001 © Glenn Brown

Installation view, Inspiraatio—Nykytaide & Klassikot, Ateneum, Finnish National Gallery, Helsinki, June 18–September 20, 2020. Artwork, left to right: © Glenn Brown, © Wolfe von Lenkiewicz. Photo: Hannu Pakarinen

Closed

Inspiraatio—Nykytaide & Klassikot

June 18–September 20, 2020
Ateneum, Finnish National Gallery, Helsinki
ateneum.fi

This exhibition, whose title translates to Inspiration—Contemporary Art and Classics, explores contemporary art inspired by iconic masterpieces. Here, the original works are referenced through replicas, prints, plaster casts, and an abundance of archival materials. This exhibition has traveled from the Nationalmuseum, Stockholm, under the title Inspiration: Iconic Works. Work by Georg Baselitz, Glenn Brown, Jeff Koons, and Jenny Saville is included.

Installation view, Inspiraatio—Nykytaide & Klassikot, Ateneum, Finnish National Gallery, Helsinki, June 18–September 20, 2020. Artwork, left to right: © Glenn Brown, © Wolfe von Lenkiewicz. Photo: Hannu Pakarinen

Glenn Brown, Layered Portrait (after Lucian Freud) 4, 2008 © Glenn Brown

Closed

(Re)Print
Five Projects

April 30–June 20, 2020
International Print Center New York
www.ipcny.org

This online exhibition, centered on works by Mark Bradford, Cecily Brown, Glenn Brown, Enrique Chagoya, and Lynette Yiadom-Boakye, opens a dialogue between contemporary prints and the source material referenced. (Re)Print examines how artists revise, recontextualize, and personalize familiar imagery to elicit new thinking. Further, the pairings express the dynamic relationship between contemporary practice and the historical role that prints have played in image reproduction and dissemination, and in the shaping of history, culture, and beliefs.

Glenn Brown, Layered Portrait (after Lucian Freud) 4, 2008 © Glenn Brown

Glenn Brown, Reproduction, 2014 © Glenn Brown

Closed

Inspiration
Iconic Works

February 20–May 17, 2020
Nationalmuseum, Stockholm
www.nationalmuseum.se

This exhibition presents contemporary art that draws inspiration from historic masterpieces. A selection of paintings, plaster sculptures, drawings, graphic prints, and applied arts from Nationalmuseum’s vast collections are displayed in dialogue with contemporary objects. Work by Glenn Brown, Jeff Koons, Jenny Saville, and Cindy Sherman is included.

Glenn Brown, Reproduction, 2014 © Glenn Brown

Glenn Brown, Children of the Revolution (after Rembrandt), 2017 © Glenn Brown

Closed

Pushing Paper
Contemporary Drawing from 1970 to Now

September 12, 2019–January 12, 2020
British Museum, London
britishmuseum.org

Celebrating drawing in its own right, rather than its historic role as preparatory to painting, this exhibition explores how contemporary artists have used drawing to examine themes including identity, place, and memory. Work by Glenn Brown, Ellen Gallagher, Anselm Kiefer, and Rachel Whiteread is included.

Glenn Brown, Children of the Revolution (after Rembrandt), 2017 © Glenn Brown

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