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Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1–June 28, 2020. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Mitro Hood, courtesy Baltimore Museum of Art

On View

Katharina Grosse
Is It You?

Through January 3, 2021
Baltimore Museum of Art
artbma.org

For this exhibition Katharina Grosse presents five recent paintings and a new site-related environment. The central gallery is transformed with an expansive, immersive fabric installation that is partially suspended from the ceiling, creating a cloth “room” with vibrantly painted undulating walls.

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1–June 28, 2020. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Mitro Hood, courtesy Baltimore Museum of Art

Katharina Grosse, I Think This Is a Pine Tree, 2013, installation view, Hamburger Bahnhof–Museum für Gegenwart, Berlin © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Thomas Bruns

On View

Katharina Grosse
It Wasn’t Us

Through January 10, 2021
Hamburger Bahnhof–Museum für Gegenwart, Berlin
www.smb.museum

Katharina Grosse will use the historical hall of the Hamburger Bahnhof and the outdoor area behind the building as the site for a new work that radically destabilizes and renegotiates the existing order of the space of the museum. Incorporating the floor of the hall and Styrofoam sculptural elements as a pictorial ground, her painting will extend beyond the building’s walls and into public space, inviting us to reconsider our habits of seeing, thinking, and perceiving.

Katharina Grosse, I Think This Is a Pine Tree, 2013, installation view, Hamburger Bahnhof–Museum für Gegenwart, Berlin © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Thomas Bruns

Katharina Grosse, Ingres Wood Seven, 2017 © Katharina Grosse and VG Bild-Kunst Bonn, 2019 Photo: Jens Ziehe

On View

Katharina Grosse in
Collezione MAXXI. Lo spazio dell’immagine

Opened November 21, 2018
Museo nazionale delle arti del XXI secolo, Rome
www.maxxi.art

The spirit and the identity of the museum are being renewed with a display of more than thirty works by twenty-six artists. Dedicated to the museum’s new acquisitions, this group show aims to create a counterpoint between the abstract and the figurative. Work by Katharina Grosse is included.

Katharina Grosse, Ingres Wood Seven, 2017 © Katharina Grosse and VG Bild-Kunst Bonn, 2019 Photo: Jens Ziehe

Katharina Grosse, Stage 2—The Profit, 2019 © VG Bild-Kunst Bonn, 2020

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Katharina Grosse in
Alexander Kluge: The Power of Music / The Opera: Temple of Seriousness

October 20, 2019–April 19, 2020
Kunsthalle Weishaupt and Museum Ulm, Germany
museumulm.de

At the core of this exhibition was the power of music, which reaches special levels of expression in opera. The emotional power of socially relevant themes was explored through film, science, literature, and art, including work by Katharina Grosse.

Katharina Grosse, Stage 2—The Profit, 2019 © VG Bild-Kunst Bonn, 2020

Installation view, Mural: Jackson Pollock | Katharina Grosse, Museum of Fine Arts, Boston, July 1, 2019–February 23, 2020. Artwork, left to right: © 2020 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York; © Katharina Grosse and VG Bild-Kunst Bonn, 2020

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Mural
Jackson Pollock | Katharina Grosse

July 1, 2019–February 23, 2020
Museum of Fine Arts, Boston
www.mfa.org

Jackson Pollock’s Mural (1943) is recognized as one of the pivotal achievements of the artist’s career, the moment when he left figuration behind, expanded the scale of his work, and started to develop his signature drip technique. The MFA has commissioned German artist Katharina Grosse to respond to this work, in an effort to demonstrate how the two artists have respectively transformed painting through their innovative techniques and approaches to massive scale.

Installation view, Mural: Jackson Pollock | Katharina Grosse, Museum of Fine Arts, Boston, July 1, 2019–February 23, 2020. Artwork, left to right: © 2020 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York; © Katharina Grosse and VG Bild-Kunst Bonn, 2020

Katharina Grosse, Untitled, 2018 © Katharina Grosse and VG Bild-Kunst, Bonn 2019

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Farbe absolut
Katharina Grosse × Gotthard Graubner

November 1, 2019–January 26, 2020
MKM Museum Küppersmühle für Moderne Kunst, Duisburg, Germany
www.museum-kueppersmuehle.de

Work by Katharina Grosse is juxtaposed with work by Gotthard Graubner (1930–2013) to show how the two abstract artists from different generations adopted varied artistic approaches to color. Both artists spent time at the Düsseldorf Academy of the Arts during the 1980s.

Katharina Grosse, Untitled, 2018 © Katharina Grosse and VG Bild-Kunst, Bonn 2019

Katharina Grosse, Untitled, 2011 © Katharina Grosse and VG Bild-Kunst Bonn, 2019

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Frozen Gesture
Gesten in der Malerei

May 18–August 18, 2019
Kunst Museum Winterthur, Switzerland
www.kmw.ch

In 1965 Roy Lichtenstein created his famous Brushstrokes and in doing so highlighted the fundamental elements of the image, such as the appearance of the colors and the pigment, the color fields and their limits, and not least the application of paint in the form of a gesture. This exhibition aims to explore the sheer range of gestures in contemporary painting. Work by Katharina Grosse, Roy Lichtenstein, and David Reed is included.

Katharina Grosse, Untitled, 2011 © Katharina Grosse and VG Bild-Kunst Bonn, 2019

Katharina Grosse, Untitled, 2014 © VG Bild-Kunst, Bonn 2019

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Katharina Grosse in
In Bester Gesellschaft

April 13–August 4, 2019
Preußischer Kulturbesitz, Berlin
www.smb.museum

In bester Gesellschaft, which translates to In Good Company, presents a selection of the Berlin Kupferstichkabinett’s most important acquisitions from the past ten years, ranging from those dating to the late Middle Ages to recent works. Work by Katharina Grosse is included.

Katharina Grosse, Untitled, 2014 © VG Bild-Kunst, Bonn 2019

Katharina Grosse, Untitled, 2015 © Katharina Grosse and VG Bild-Kunst Bonn, 2019

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Katharina Grosse in
German Forest

May 23, 2017–June 12, 2019
Staatliche Kunstsammlungen Dresden, Germany
albertinum.skd.museum

This exhibition of works from the first half of the nineteenth century brings together works from the collection of Staatliche Kunstsammlungen Dresden related to themes of forests, trees, and hunting. A monumental work by Katharina Grosse appears alongside these Romantic and early Realist paintings, acting as both a corrective to and shift away from the earlier work.

Katharina Grosse, Untitled, 2015 © Katharina Grosse and VG Bild-Kunst Bonn, 2019

Installation view, Katharina Grosse: Mumbling Mud, chi K11 art museum, Shanghai, November 10, 2018–February 24, 2019. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: JJYPHOTO, courtesy K11 Art Foundation and Galerie nächst St. Stephan, Vienna

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Katharina Grosse
Mumbling Mud

March 30–June 2, 2019
Guangzhou K11 Art Mall, China
www.k11artfoundation.org

Guangzhou’s K11 Art Mall hosts a major exhibition originally created by Katharina Grosse for Shanghai’s chi K11 art museum.

Installation view, Katharina Grosse: Mumbling Mud, chi K11 art museum, Shanghai, November 10, 2018–February 24, 2019. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: JJYPHOTO, courtesy K11 Art Foundation and Galerie nächst St. Stephan, Vienna

Katharina Grosse, Untitled, 2017, installation view, Amulet or He calls it chaos, 500 Capp Street Foundation, San Francisco, March 9–June 1, 2019. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: Preston/Kalogiros 

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Amulet or He calls it chaos

March 9–June 1, 2019
500 Capp Street Foundation, San Francisco
500cappstreet.org

This two-part exhibition uses sculpture, video, and painting as a way to restructure the narrative. Amulet or He calls it chaos chooses the illogical, philosophical, yet recognizable material world of magical realism, while also addressing the power and sensitivity of architecture, gender, politics, and mortality. Work by Katharina Grosse and Cindy Sherman is included.

Katharina Grosse, Untitled, 2017, installation view, Amulet or He calls it chaos, 500 Capp Street Foundation, San Francisco, March 9–June 1, 2019. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: Preston/Kalogiros 

Installation view, Katharina Grosse: Wunderbild, National Gallery, Prague, February 16, 2018–March 31, 2019, commissioned by National Gallery Prague © Katharina Grosse and VG Bild-Kunst Bonn. Photo: Nic Tenwiggenhorn, courtesy Galerie nächst St. Stephan, Gagosian, and König Gallery

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Katharina Grosse
Wunderbild

February 16, 2018–March 31, 2019
National Gallery, Prague
www.ngprague.cz

Katharina Grosse has been invited to develop a site-responsive work for the main hall of the Trade Fair Palace in the National Gallery, Prague. Wunderbild, which consists of two outsize paintings on cloth, hangs from the wall.

Installation view, Katharina Grosse: Wunderbild, National Gallery, Prague, February 16, 2018–March 31, 2019, commissioned by National Gallery Prague © Katharina Grosse and VG Bild-Kunst Bonn. Photo: Nic Tenwiggenhorn, courtesy Galerie nächst St. Stephan, Gagosian, and König Gallery

Installation view, Katharina Grosse: Mumbling Mud, chi K11 art museum, Shanghai, November 10, 2018–February 24, 2019 © Katharina Grosse and VG Bild-Kunst Bonn, 2018. Photo: JJYPHOTO, courtesy of K11 Art Foundation and Galerie nächst St. Stephan, Vienna

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Katharina Grosse
Mumbling Mud

November 10, 2018–February 24, 2019
chi K11 art museum, Shanghai
www.shanghaik11.com

Katharina Grosse has been invited to create a major site-specific exhibition at chi K11 art museum. This is her first solo exhibition in China.

Installation view, Katharina Grosse: Mumbling Mud, chi K11 art museum, Shanghai, November 10, 2018–February 24, 2019 © Katharina Grosse and VG Bild-Kunst Bonn, 2018. Photo: JJYPHOTO, courtesy of K11 Art Foundation and Galerie nächst St. Stephan, Vienna

Ellen Gallagher, DeLuxe, 2004–05 (detail) © Ellen Gallagher

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The World on Paper

September 27, 2018–January 7, 2019
PalaisPopulaire by Deutsche Bank, Berlin
www.db-palaispopulaire.de

This exhibition includes works on paper by 133 artists from thirty-four countries and explores the evolution of this medium from postwar modernism to the digital age. Work by Ellen Gallagher and Katharina Grosse is included.

Ellen Gallagher, DeLuxe, 2004–05 (detail) © Ellen Gallagher

Glenn Brown, The Life Hereafter, 2011, Scharpff Collection © Glenn Brown

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The Flexible Plan
The Rococo in Contemporary Art

September 23, 2018–January 6, 2019
Museum Morsbroich, Leverkusen, Germany
www.museum-morsbroich.de

The Flexible Plan: The Rococo in Contemporary Art examines the survival of European grandeur in contemporary art. The exhibition presents a varied panorama of works against the backdrop of the Rococo castle that houses the museum. Work by Glenn Brown and Katharina Grosse is included.

Glenn Brown, The Life Hereafter, 2011, Scharpff Collection © Glenn Brown

Jennifer Guidi, Becoming the Mountain (Painted White Sand SF #1F, White and Yellow), 2016 © Jennifer Guidi

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Generations Part 1
Female Artists in Dialogue

February 22–June 30, 2018
Sammlung Goetz, Munich
www.sammlung-goetz.de

Sammlung Goetz celebrated its twenty-fifth anniversary in 2018 with a three-part exhibition dedicated to artistic creations by women. On display were nearly two hundred works by more than forty artists in an intergenerational dialogue. Generations Part 1 focused on the appropriation of ordinary materials and practices rooted in advertising and design. Work by Ellen GallagherKatharina Grosse, and Jennifer Guidi was included.

Jennifer Guidi, Becoming the Mountain (Painted White Sand SF #1F, White and Yellow), 2016 © Jennifer Guidi

Installation view, Katharina Grosse and Tatiana Trouvé: Le numerose irregolarità, Villa Medici, Rome, February 2–April 29, 2018. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2018 and © Tatiana Trouvé. Photo: Alessandro Vasari

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Katharina Grosse and Tatiana Trouvé
Le numerose irregolarità

February 2–April 29, 2018
Villa Medici, Rome
www.villamedici.it

The Villa Medici has created a program for female artists to recount different artistic and existential adventures. This show celebrates the work of Katharina Grosse and Tatiana Trouvé, two artists who blur the boundaries of painting, sculpture, and installation, and who are fascinated by the limits between inside and outside.

Installation view, Katharina Grosse and Tatiana Trouvé: Le numerose irregolarità, Villa Medici, Rome, February 2–April 29, 2018. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2018 and © Tatiana Trouvé. Photo: Alessandro Vasari

Installation view, Katharina Grosse: The Horse Trotted Another Couple of Metres, Then It Stopped, Carriageworks, Sydney, January 6–April 8, 2018. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn 2017. Photo: Zan Wimberley

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Katharina Grosse
The Horse Trotted Another Couple of Metres, Then It Stopped

January 6–April 8, 2018
Carriageworks, Sydney
carriageworks.com.au

In this site-specific installation, Katharina Grosse envelops Carriageworks in more than 8,250 square meters of suspended fabric—draped, knotted, and hung across and between the architectural elements of the building—using a palette of raw color to create a vast painting over the layers of folds.

Installation view, Katharina Grosse: The Horse Trotted Another Couple of Metres, Then It Stopped, Carriageworks, Sydney, January 6–April 8, 2018. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn 2017. Photo: Zan Wimberley

Installation view, Katharina Grosse: This Drove My Mother up the Wall, South London Gallery, September 28–December 3, 2017

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Katharina Grosse
This Drove My Mother up the Wall

September 28–December 3, 2017
South London Gallery
www.southlondongallery.org

Katharina Grosse presents a site-specific painted installation in the South London Gallery’s main space. Continuing her exploration of the role of performance, the role of the artist’s body within painting, and sculptural practice, this new work is defined by a large empty rectangle on the floor, raising questions about time and action.

Installation view, Katharina Grosse: This Drove My Mother up the Wall, South London Gallery, September 28–December 3, 2017

Katharina Grosse, Untitled, 2010 © Bildrecht, Wien, 2017. Photo: Sebastian Schobbert

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Katharina Grosse in
Abstract Painting Now!

July 2–November 5, 2017
Kunsthalle Krems, Austria
www.kunsthalle.at

This exhibition features a wide range of abstract approaches to art making, including deconstruction, criticism of authorship, quotation, and ornament. A work by Katharina Grosse is included.

Katharina Grosse, Untitled, 2010 © Bildrecht, Wien, 2017. Photo: Sebastian Schobbert

Anselm Kiefer, The Door, 1973 © Anselm Kiefer

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Deutschland 8

September 16–October 31, 2017
Eight exhibition venues in Beijing, China
www.stiftungkunst.de

Deutschland 8 is the continuation of the intercultural dialogue between China and Germany that successfully started with the exhibition China 8 in 2015. New works by German artists will be on view at eight different museums throughout Beijing. The works selected will highlight the historical context and developments in German art from 1945 to the present day. Work by Georg Baselitz, Katharina Grosse, Andreas Gursky, Anselm Kiefer, Albert Oehlen, and Thomas Ruff is included.

Anselm Kiefer, The Door, 1973 © Anselm Kiefer

Installation view, Mentally Yellow (High Noon), Städtische Galerie Lenbachhau, Munich, 2017. Photo: David Ertl

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Katharina Grosse in
Mentally Yellow (High Noon)

May 6–October 8, 2017
Städtische Galerie Lenbachhaus, Munich
www.lenbachhaus.de

Assembled by Doris and Hans-Gerd Riemer, the KiCo Collection has been held by the two museums hosting this exhibition since the mid-1990s. Initially focused on monochrome color painting, the collection has steadily grown over the course of two decades to encompass a wide spectrum of contemporary art. Work by Katharina Grosse is included.

Installation view, Mentally Yellow (High Noon), Städtische Galerie Lenbachhau, Munich, 2017. Photo: David Ertl

Katharina Grosse, Asphalt Air and Hair, 2017. Photo: René Dame

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Katharina Grosse in
ARoS Triennial: THE GARDEN—End of Times; Beginning of Times

June 3–July 30, 2017
ARoS Aarhus Art Museum, Denmark
en.arostriennial.dk

The triennial focuses on depictions of nature throughout history and is split into three sections: “The Past,” which examines landscape and man’s relationship with nature; “The Present,” which looks at nature in the context of the modern city; and “The Future,” which scrutinizes artistic responses to ecological change. A new site-specific work by Katharina Grosse is included.

Katharina Grosse, Asphalt Air and Hair, 2017. Photo: René Dame