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Still from “Yale Photo Pop Up Lecture Series: Tilda Swinton”

Lecture Series

Gregory Crewdson
Yale Photo Pop Up Lecture Series

Gregory Crewdson, director of graduate studies in photography at the Yale School of Artis opening his MFA Photography Pop Up Lecture Series to the public while the Yale campus goes online, hosting question-and-answer sessions with leading figures of contemporary film and photography on Zoom. Featuring a wide range of guest speakers including William Eggleston, Spike Jonze, Tilda Swinton, and Kara Walker, the series opens up a conversation about how to find artistic inspiration in this moment of great change. 

To find out about upcoming lectures, visit Yale Photo’s Instagram or follow @crewdsonstudio on Instagram. To watch previous lectures, visit www.youtube.com.

Still from “Yale Photo Pop Up Lecture Series: Tilda Swinton”

Film still from Gregory Crewdson: There but Not There (2017), directed by Juliane Hiam © Crewdson Studio

Talk and Screening

Gregory Crewdson

May 19–20, 2018
Festival of Disruption at Brooklyn Steel, New York
www.festivalofdisruption.com

Gregory Crewdson will participate in the Festival of Disruption, curated by David Lynch. He will be giving a talk in conjunction with the screening of Gregory Crewdson: There but Not There, a short documentary released in 2017 that offers a rare glimpse into his casting and artistic process.

Film still from Gregory Crewdson: There but Not There (2017), directed by Juliane Hiam © Crewdson Studio

Gregory Crewdson, The Haircut, 2014

Tour

Gregory Crewdson
Cathedral of the Pines

Tuesday, September 19, 2017, 6pm
The Photographers’ Gallery, London 
www.thephotographersgallery.org.uk

Join Gagosian and the Photographers’ Gallery for a tour of Gregory Crewdson’s Cathedral of the Pines with a special talk by curator Clare Grafik. The event is free and open to the public.

Gregory Crewdson, The Haircut, 2014

Announcements

Dress from Namacheko’s Autumn/Winter 2020 collection featuring an image from Gregory Crewdson’s Hover series

Design

Namacheko and Gregory Crewdson
AW20 Collection

Belgian fashion label Namacheko is launching a new collection inspired by and featuring Gregory Crewdson’s photographs. The garments were shown for the first time at Namacheko’s Fall 2020 runway show in January at Espace Niemeyer, the French Communist Party headquarters in Paris, designed by Oscar Niemeyer. The clothing will be available later this year at select retailers, including the Gagosian Shop.

Dress from Namacheko’s Autumn/Winter 2020 collection featuring an image from Gregory Crewdson’s Hover series

Gregory Crewdson

Video

Gregory Crewdson
Matthew Weiner

As part of 2013 Paris Photo Los Angeles, photographer Gregory Crewdson sits with writer and director Matthew Weiner in the Sherry Lansing Theater to discuss the relationship between still and moving images in the history of art and cinema.

Gregory Crewdson

Video

Gregory Crewdson
Sanctuary

Bomb magazine visits Gregory Crewdson at his home in upstate New York to discuss his photo series Sanctuary (2009), which he shot at Cinecittà, a famous film studio outside of Rome. In contrast to his previous work, these sparse images—of deteriorated sets Crewdson discovered on the studio grounds—reveal the photographer to have intervened only minimally with his subject, eschewing artificial lighting.

Museum Exhibitions

Installation view, Feelings: Kunst und Emotion, Pinakothek der Moderne, Munich, November 7, 2019–October 4, 2020. Artwork © Richard Prince

On View

Feelings
Kunst und Emotion

Through October 4, 2020
Pinakothek der Moderne, Munich
www.pinakothek-der-moderne.de

One hundred paintings, objects, and films from contemporary artists invite the viewer to intuitively approach art from an emotional perspective. What does art provoke in us? To what extent does our view of art depend on our personal experiences and memories? This exhibition seeks to encourage this direct dialogue between artwork and viewer in order to stimulate an intense emotional engagement. Work by Gregory Crewdson, Richard Prince, and Cindy Sherman is included.

Installation view, Feelings: Kunst und Emotion, Pinakothek der Moderne, Munich, November 7, 2019–October 4, 2020. Artwork © Richard Prince

Gregory Crewdson, Untitled, 2005 © Gregory Crewdson

On View

Photography’s Last Century
The Ann Tenenbaum and Thomas H. Lee Collection

Opened March 10, 2020
Metropolitan Museum of Art, New York
www.metmuseum.org

This exhibition celebrates the remarkable ascendancy of photography in the last century, and Ann Tenenbaum and Thomas H. Lee’s promised gift of over sixty photographs in honor of the Met’s 150th anniversary in 2020. The collection is particularly notable for its breadth and depth of works by women artists, its sustained interest in the nude, and its focus on artists’ beginnings. Work by Gregory Crewdson, Andreas Gursky, Man Ray, Cindy Sherman, Andy Warhol, and Rachel Whiteread is included.

Gregory Crewdson, Untitled, 2005 © Gregory Crewdson

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

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Andy Warhol bis Cindy Sherman
Amerikanische Kunst aus der Albertina

November 19, 2019–March 29, 2020
Schlossmuseum Linz, Austria
www.landesmuseum.at

Europe’s view of America is influenced by images of the entertainment industry: from film and television to advertising and newspapers. No other nation has placed so much reliance upon the power and impact of pictures and symbols as the US. With more than two hundred works of American art from 1960 to the present day, this large-scale exhibition, whose title translates to Andy Warhol to Cindy Sherman: American Art from the Albertina Museum, aims to illustrate how much our perceptions of truth and reality, facts and fake news, owe to America’s visual culture. Work by Gregory CrewdsonRoy LichtensteinCindy ShermanAndy Warhol, and Tom Wesselmann is included. 

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

Gregory Crewdson, Untitled, 2006 © Gregory Crewdson

Closed

Unseen
35 Years of Collecting Photographs

December 17, 2019–March 8, 2020
J. Paul Getty Museum, Los Angeles
www.getty.edu

Commemorating the thirty-fifth anniversary of the J. Paul Getty Museum’s collection of photographs, this exhibition reveals the breadth and depth of the Getty’s acquisitions through an array of its hidden treasures, none of which have been exhibited at the museum before. Spanning the history of the medium from its early years to the present day, Unseen highlights visual associations between photographs from different times and places to encourage fresh discoveries and underscore a sense of continuity and change within the history of the medium. Work by Gregory Crewdson and Taryn Simon is included.

Gregory Crewdson, Untitled, 2006 © Gregory Crewdson

Ed Ruscha, Hotel, 1962 © Ed Ruscha

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Edward Hopper and the American Hotel

October 26, 2019–February 23, 2020
Virginia Museum of Fine Arts, Richmond
www.vmfa.museum

Edward Hopper and the American Hotel explores the artist’s images of hospitality settings showcasing more than sixty of the artist’s paintings, drawings, watercolors, and illustrations. Also included are thirty-five works by American artists that similarly explore the visual culture of hotels, travel, and mobility from the early twentieth century to the present, including work by Gregory Crewdson, Ed Ruscha, and Cindy Sherman.

Ed Ruscha, Hotel, 1962 © Ed Ruscha

Gregory Crewdson, Untitled, 1998–2002 © Gregory Crewdson

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Shared Space
A New Era, Photographs from the Bank of America Collection

September 13–December 15, 2019
Art Museum, University of Saint Joseph, West Hartford, Connecticut
www.usj.edu

This exhibition explores a changing social landscape captured in photography and video created over the span of nearly twenty-five years. Eighteen artists from nine countries explore how the physical spaces in which we interact—from city streets to rural landscapes—have evolved alongside our access to a virtual “global village.” Work by Gregory Crewdson and Andreas Gursky is included.

Gregory Crewdson, Untitled, 1998–2002 © Gregory Crewdson

Gregory Crewdson, Untitled (beckoning bus driver), 2001–02, Whitney Museum of American Art, New York © Gregory Crewdson

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Vantage Points
Contemporary Photography

September 14–November 10, 2019
Peoria Riverfront Museum, Illinois
www.peoriariverfrontmuseum.org

Vantage Points is a collaboration between the Peoria Riverfront Museum and the Whitney Museum of American Art in New York. The exhibition features photographs by twenty artists dating from the 1970s through the 2000s and explores the mythologies, theatricalities, and empirical narratives of identity and location from an American perspective. Work by Gregory Crewdson and Sally Mann is included.

Gregory Crewdson, Untitled (beckoning bus driver), 2001–02, Whitney Museum of American Art, New York © Gregory Crewdson

Installation view, Fiçcão e fabricação: Fotografia de arquitetura após a revolução digital, Museum of Art, Architecture and Technology, Lisbon, March 20–August 19, 2019. Artwork, left to right © Jeff Wall, © Gregory Crewdson

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Fiçcão e fabricação
Fotografia de arquitetura após a revolução digital

March 20–August 19, 2019
Museum of Art, Architecture and Technology, Lisbon
www.maat.pt

This exhibition, whose English title is Fiction and Fabrication: Photography of Architecture after the Digital Turn, looks at artists who have created and engaged with imagery of architecture. It examines how digital manipulation has enabled a fictionalization of architectural spaces, and explores architecture’s role in an expanded practice of photography within contemporary art. Work by Gregory Crewdson, Andreas Gursky, and Jeff Wall is included.

Installation view, Fiçcão e fabricação: Fotografia de arquitetura após a revolução digital, Museum of Art, Architecture and Technology, Lisbon, March 20–August 19, 2019. Artwork, left to right © Jeff Wall, © Gregory Crewdson

Ed Ruscha, Azteca/Azteca In Decline, 2007, Broad Art Foundation © Ed Ruscha

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A Journey That Wasn’t

June 30, 2018–February 10, 2019
The Broad, Los Angeles
www.thebroad.org

This exhibition explores complex representations of time and its passage. The show includes more than fifty works drawn from the museum’s collection of postwar and contemporary art and features more than twenty artists, including Richard Artschwager, Gregory Crewdson, Andreas Gursky, Anselm Kiefer, and Ed Ruscha.

Ed Ruscha, Azteca/Azteca In Decline, 2007, Broad Art Foundation © Ed Ruscha

Gregory Crewdson, Untitled, 2006 © Gregory Crewdson

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New Territory
Landscape Photography Today

June 24–September 16, 2018
Denver Art Museum
denverartmuseum.org

This exhibition will survey contemporary landscape photography from around the world. More than eighty photographs will gauge how artists stretch the boundaries of traditional landscape photography to reflect the environmental attitudes, perceptions, and values of our time. Work by Gregory Crewdson and Sally Mann will be included.

Gregory Crewdson, Untitled, 2006 © Gregory Crewdson

Ellen Gallagher, Untitled (10), 2000 © Ellen Gallagher

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Praying for Time

March 2–July 8, 2018
Rose Art Museum, Brandeis University, Waltham, Massachusetts
www.brandeis.edu

Marked by the fall of the Berlin Wall, the attacks of September 11, and civil war, the end of the twentieth century can also be viewed as a time that presaged immense global revolutions, both social and digital, that have transformed our world. Praying for Time reflects the diversity of voices and concerns in art produced during that pivotal period from 1980 through the early 2000s. Work by Gregory Crewdson, Ellen Gallagher, Richard Prince, Richard Serra, and Andy Warhol is included. 

Ellen Gallagher, Untitled (10), 2000 © Ellen Gallagher

Gregory Crewdson, Untitled, 1998–2002 © Gregory Crewdson

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Gregory Crewdson in
Making Home: Contemporary Art from the DIA

December 1, 2017–June 6, 2018
Detroit Institute of Arts
www.dia.org

This exhibition presents prints, drawings, and photographs that are concerned with idealistic representations of home. Works both affirm common symbols of domestic space and question popular ideas of home as a symbol of comfort, belonging, and permanency. Work by Gregory Crewdson is included.

Gregory Crewdson, Untitled, 1998–2002 © Gregory Crewdson

See all Museum Exhibitions for Gregory Crewdson