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Michael Andrews, A Man Who Suddenly Fell Over, 1952, Tate © The Estate of Michael Andrews

On View

Bacon, Freud, and the School of London

Through January 13, 2019
Hungarian National Gallery, Budapest, Hungary
mng.hu

In the decades following World War II, Bacon, Freud, and their British contemporaries engaged with subjects that felt immediate and intensely personal. This exhibition retraces their artistic developments via works, including paintings and drawings, spanning seven decades. Despite the sheer diversity of approaches and techniques that embodied their practices, the members of this group were constantly renewing their individual appraisals of the artist’s personal position in the world, focusing on individuals, locations, and narratives close and dear to them. The exhibition was initially produced under the title Bacon, Freud, and the London Painters by ARoS Aarhus Kunstmuseum, Denmark. Work by Michael Andrews, Francis Bacon, Glenn Brown, Alberto Giacometti, and Jenny Saville is included.

Michael Andrews, A Man Who Suddenly Fell Over, 1952, Tate © The Estate of Michael Andrews

Jenny Saville, Intertwine, 2011–14 © Jenny Saville

On View

Jenny Saville

Opened June 18, 2018
Economou Foundation, Athens
www.thegeorgeeconomoucollection.com

This focused show will present an overview of Jenny Saville’s work dating from 1993 to 2015. It will include the important early work Cindy (1993), which introduces Saville’s concern with corporeality and anticipates her ongoing engagement with the manipulation of the body and the construction of a gendered identity.

Jenny Saville, Intertwine, 2011–14 © Jenny Saville

Jenny Saville, Rosetta II, 2005–06 © Jenny Saville

Closed

Now
Jenny Saville

March 24–September 16, 2018
Scottish National Gallery
www.nationalgalleries.org

This presentation will mark the first museum exhibition of Saville’s work ever to be staged in Scotland. Featuring monumental paintings and drawings that Saville, a graduate of the Glasgow School of Art, completed between 1992 and 2018, the show will explore her singular and dynamic approach to gesture, composition, materials, and subject matter.

Jenny Saville, Rosetta II, 2005–06 © Jenny Saville

Jenny Saville, Reverse, 2003 © Jenny Saville

Closed

All Too Human
Bacon, Freud, and a Century of Painting Life

February 28–August 27, 2018
Tate Britain, London
www.tate.org.uk

In the decades following World War II, Bacon, Freud, and their British contemporaries engaged with subjects that felt immediate and intensely personal. This exhibition retraces their artistic developments via works, including paintings and drawings, spanning seven decades. Despite the sheer diversity of approaches and techniques that embodied their practices, the members of this group were constantly renewing their individual appraisals of the artist’s personal position in the world, focusing on individuals, locations, and narratives close and dear to them. The exhibition was initially produced under the title Bacon, Freud, and the London Painters by ARoS Aarhus Kunstmuseum, Denmark. Work by Michael Andrews, Francis Bacon, and Jenny Saville is included.

Jenny Saville, Reverse, 2003 © Jenny Saville

Jenny Saville, Entry, 2004–05 © Jenny Saville

Closed

Jenny Saville in
From Life

December 11, 2017–March 11, 2018
Royal Academy of Arts, London
www.royalacademy.org.uk

From Life traces a line from the origins of the Royal Academy in the eighteenth century to the present day. Drawing from casts and life models was long considered essential training for any aspiring artist. This exhibition takes an inquisitive look at that tradition and its ongoing relationship with artists today. Work by Jenny Saville is included.

Jenny Saville, Entry, 2004–05 © Jenny Saville

Jenny Saville, Study of Arms II (after the Titian drawing), 2015 © Jenny Saville. Collection of the Ashmolean Museum, photo by Mike Bruce

Closed

Jenny Saville in
Drawing Together

September 30, 2017–January 2, 2018
Courtauld Gallery, London
courtauld.ac.uk

Drawing Together aims to explain the creative power of drawing by staging a series of dialogues between works in the Courtauld collection. Looking beyond traditional questions of attribution and function, the display will focus on drawing as a creative act. Work by Jenny Saville is included.

Jenny Saville, Study of Arms II (after the Titian drawing), 2015 © Jenny Saville. Collection of the Ashmolean Museum, photo by Mike Bruce