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Tatiana Trouvé, Les indéfinis, 2014 (detail) © Tatiana Trouvé. Photo: Annette Kradisch

On View

Feel the Sun in Your Mouth
Recent Acquisitions

Through February 23, 2020
Hirshhorn Museum and Sculpture Garden, Washington, DC
hirshhorn.si.edu

This exhibition brings together artworks acquired by the museum over the past five years with a focus on art that incites sensation and demonstrates a renewed interest in sublime encounters with the world. Spanning a period of extreme technological growth that has led us from the first steps on the moon to the development of the Internet, this exhibition illuminates a return to the poetic, the intuitive, and the cosmic in current artistic practice. Work by Alex Israel, Tatiana Trouvé, and Mary Weatherford is included.

Tatiana Trouvé, Les infinis, 2014 (detail) © Tatiana Trouvé. Photo: Annette Kradisch

Douglas Gordon, Déjà-Vu, 2000
, installation view, Geffen Contemporary at MOCA, Los Angeles. Artwork © Studio lost but found/VG Bild-Kunst, Bonn 2019
. D.O.A., 1950, USA. Directed by Rudolph Maté. Produced by Joseph H. Nadel, Harry M. Popkin, and Leo C. Popkin. Distributed by United Artists © Cardinal Pictures. Photo: Brian Forrest
 

On View

In Production
Art and the Studio System

Through March 1, 2020
Yuz Museum, Shanghai
www.yuzmshanghai.org

In Production: Art and the Studio System emphasizes the overlapping histories of visual art and film, with a particular focus on how the site of the studio, both in visual arts and in cinematic production, has radically shifted in the last twenty years. The exhibition highlights the exceptional gifts and acquisitions related to film and video that have entered the Los Angeles County Museum of Art’s permanent collection in recent years including work by Piero Golia, Douglas Gordon, Alex Israel, and Mike Kelley.

Douglas Gordon, Déjà-Vu, 2000
, installation view, Geffen Contemporary at MOCA, Los Angeles. Artwork © Studio lost but found/VG Bild-Kunst, Bonn 2019
. D.O.A., 1950, USA. Directed by Rudolph Maté. Produced by Joseph H. Nadel, Harry M. Popkin, and Leo C. Popkin. Distributed by United Artists © Cardinal Pictures. Photo: Brian Forrest
 

Installation view, Alex Israel, MAMO–Marseille Modulor, France, June 8–August 31, 2019. Artwork © Alex Israel

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Alex Israel

June 8–August 31, 2019
MAMO–Marseille Modulor, France
mamo.fr

Alex Israel at MAMO occupies the rooftop deck and former gymnasium of Le Corbusier’s iconic Cité Radieuse. Inspired by Marseille’s gritty history and the architect’s use of concrete, Alex Israel has reimagined the building as Gotham City, and as a temporary home for two new works appropriated from Tim Burton’s Batman (1989). Continuing the artist’s ongoing exploration of rented film props as readymade sculpture, the Batmobile serves as the centerpiece of an installation with smoke, light, and sound, while the Bat-Signal, projected high above the city, activates the night sky throughout the summer.

Installation view, Alex Israel, MAMO–Marseille Modulor, France, June 8–August 31, 2019. Artwork © Alex Israel

© Alex Israel

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Alex Israel × Snapchat

June 17–21, 2019
Le Centre d’art La Malmaison, Cannes, France

Invited to collaborate with Snap’s advanced augmented reality (AR) team, Alex Israel has expanded his multidisciplinary practice through the creation of five new experiences, each linked to one of his Self-Portrait paintings. These five “Snap-Portraits,” unleashed in the user’s smartphone, overlay Snap’s groundbreaking AR onto Israel’s physical works to give viewers an entirely new experience of painting.

© Alex Israel

Alex Israel, Wave 9, 2017–18 © Alex Israel. Photo by Jeff McLane

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Alex Israel
Waves

March 17–April 28, 2018
Kunstraum Innsbruck, Austria
www.kunstraum-innsbruck.at

This spring at Kunstraum Innsbruck Alex Israel presents a new body of work, Waves, low-relief sculptural friezes inspired by surfing wet suits and Hokusai. Each “wave” is an elaboration on a recurring graphic motif from Israel’s 2017 film SPF-18 and is painted in colors drawn from the film’s unique palette.

Alex Israel, Wave 9, 2017–18 © Alex Israel. Photo by Jeff McLane

Roy Lichtenstein, Temple, 1964 © Estate of Roy Lichtenstein

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The Classical Now

March 2–April 28, 2018
King’s College, London
www.kcl.ac.uk

The Classical Now pairs the work of modern and contemporary artists with classical Greek and Roman antiquities. The exhibition traces the ways in which Greco-Roman art has captured and permeated modern imagination, while exploring the myriad continuities and contrasts between the ancient, modern, and contemporary, revealing the “classical” as a living and fluid tradition. Work by Michael Craig-Martin, Damien Hirst, Alex Israel, Yves Klein, Roy Lichtenstein, Henry Moore, Bruce Nauman, Pablo Picasso, and Rachel Whiteread is included.

Roy Lichtenstein, Temple, 1964 © Estate of Roy Lichtenstein

Photo by Robert Wedemeyer

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Unpacking
The Marciano Collection

May 25–September 16, 2017
Marciano Art Foundation, Los Angeles
marcianoartfoundation.org

Unpacking: The Marciano Collection is the debut presentation of the collection’s holdings organized by Philipp Kaiser. The title and theme of the show are derived from Walter Benjamin’s essay “Unpacking My Library,” in which he discusses the chaotic potentiality inherent in unpacking and recontextualizing one’s collection. Work by Mark Grotjahn, Thomas Houseago, Alex Israel, Takashi Murakami, Albert Oehlen, Sterling Ruby, Cindy Sherman, Franz West, Jonas Wood, and Christopher Wool is included.

Photo by Robert Wedemeyer

Sterling Ruby, 99/MK, 2017. Photo by Robert Wedemeyer

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99 Cents or Less

May 19–August 6, 2017
Museum of Contemporary Art Detroit
mocadetroit.org

A major group exhibition of ninety-nine artists based in the United States addresses Detroit’s ongoing economic crisis and its 2013 bankruptcy. Four years after a federal judge approved Detroit’s bankruptcy-exit plan, the city’s financial present and future are still in flux. This exhibition is a reflection on the realities of a city that was once one of the country’s wealthiest and most diverse. Work by Piero Golia, Alex Israel, Adam McEwen, Josephine Meckseper, and Sterling Ruby is included.

Sterling Ruby, 99/MK, 2017. Photo by Robert Wedemeyer

Jonas Wood, Landscape Pot with Flower Chair, 2016

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Los Angeles
A Fiction

March 8–July 9, 2017
Musée d’Art Contemporain de Lyon, France
www.mac-lyon.com

This exhibition presents works that have become synonymous with the image of Los Angeles. Pioneers like Ed Ruscha are included alongside younger artists such as Alex Israel and Jonas Wood.

Jonas Wood, Landscape Pot with Flower Chair, 2016

Alex Israel, Self-Portrait (Mom), 2016. Photo by Will Ragozzino

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Using Walls, Floors, and Ceilings
Alex Israel

November 4, 2016–April 23, 2017
Jewish Museum, New York
www.thejewishmuseum.org

Alex Israel’s Self-Portrait (Mom) (2016)—a new painting in the artist’s ongoing Self-Portrait series—is currently on view at the Jewish Museum. A scenic portrait of the artist’s mother within an outsize silhouette of the artist’s head in profile, the work was commissioned for the museum’s ongoing program, Using Walls, Floors, and Ceilings, which invites artists to create or adapt a work for the museum’s lobby.

Alex Israel, Self-Portrait (Mom), 2016. 

Photo by Will Ragozzino