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Installation view, ICP at 50: From the Collection, 1845–2019, International Center of Photography, New York, January 24–May 6, 2024. Artwork, left to right: © Nan Goldin, © Zanele Muholi, © Deana Lawson. Photo: Jeenah Moon, courtesy International Center of Photography

On View

ICP at 50
From the Collection, 1845–2019

Through May 6, 2024
International Center of Photography, New York
www.icp.org

ICP at 50 is a thematic exploration of the many processes that comprise the history of the photographic medium, drawn from the International Center of Photography’s holdings. The institution was established in 1974 and the exhibition offers insight into the breadth and depth of its collection which spans from the nineteenth century to the present day. Work by Richard Avedon, Nan Goldin, Deana Lawson, and Andy Warhol is included.

Installation view, ICP at 50: From the Collection, 1845–2019, International Center of Photography, New York, January 24–May 6, 2024. Artwork, left to right: © Nan Goldin, © Zanele Muholi, © Deana Lawson. Photo: Jeenah Moon, courtesy International Center of Photography

Nan Goldin, Christmas at The Other Side, Boston, 1972 © Nan Goldin

Opening Soon

Nan Goldin
This Will Not End Well

Opening October 2024
Neue Nationalgalerie, Berlin
www.smb.museum

This retrospective explores Nan Goldin’s photographic practice within the context of filmmaking. Over the years, she has created more than a dozen moving-image works composed of thousands of images, ranging from portraits of her friends to traumatic family stories about addiction and domestic violence. Embracing the artist’s original vision of how her work is to be experienced, the exhibition—presented in six unique buildings designed by architect Hala Wardé— focuses on Goldin’s slideshows and video installations set to sound and music. This exhibition originated at Moderna Museet, Stockholm.

Nan Goldin, Christmas at The Other Side, Boston, 1972 © Nan Goldin

Nan Goldin, My horse, Roma, Valley of the Queens, Luxor, Egypt, 2003 © Nan Goldin

Opening Soon

Nan Goldin
This Will Not End Well

October 5, 2025–February 15, 2026
Pirelli HangarBicocca, Milan
pirellihangarbicocca.org

This retrospective explores Nan Goldin’s photographic practice within the context of filmmaking. Over the years, she has created more than a dozen moving-image works composed of thousands of images, ranging from portraits of her friends to traumatic family stories about addiction and domestic violence. Embracing the artist’s original vision of how her work is to be experienced, the exhibition—presented in six unique buildings designed by architect Hala Wardé—focuses on Goldin’s slideshows and video installations set to sound and music. This exhibition has traveled from Moderna Museet, Stockholm.

Nan Goldin, My horse, Roma, Valley of the Queens, Luxor, Egypt, 2003 © Nan Goldin

Glenn Brown, The Holy Bible, 2022 © Glenn Brown

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Dix und die Gegenwart

September 30, 2023–April 1, 2024
Deichtorhallen Hamburg, Germany
www.deichtorhallen.de

This exhibition, whose title translates to Dix and the Present, explores the work of Otto Dix (1891–1969) and the artist’s enduring influence. It focuses on the ostensibly apolitical work Dix created beginning in 1933, which was less aggressive than his radical and provocative paintings of the 1920s. His Nazi-era landscapes, commissioned portraits, and Christian allegories were instead subtle and subversive forms of contemporary social critique. The exhibition aims to reveal the shifting cultural and social parameters in the reception of Dix’s art, while also demonstrating how his oeuvre continues to fascinate more than forty contemporary artists. Work by Georg Baselitz, Glenn Brown, John Currin, Nan Goldin, and Anselm Kiefer is included.

Glenn Brown, The Holy Bible, 2022 © Glenn Brown

Nan Goldin, Picnic on the Esplanade, Boston, 1973 © Nan Goldin

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Nan Goldin
This Will Not End Well

October 7, 2023–January 28, 2024
Stedelijk Museum Amsterdam
www.stedelijk.nl

This retrospective explores Nan Goldin’s photographic practice within the context of filmmaking. Over the years, she has created more than a dozen moving-image works composed of thousands of images, ranging from portraits of her friends to traumatic family stories about addiction and domestic violence. Embracing the artist’s original vision of how her work is to be experienced, the exhibition—presented in six unique buildings designed by architect Hala Wardé— focuses on Goldin’s slideshows and video installations set to sound and music. This exhibition has traveled from Moderna Museet, Stockholm.

Nan Goldin, Picnic on the Esplanade, Boston, 1973 © Nan Goldin

Installation view, Friends & Lovers, FLAG Art Foundation, New York, October 6, 2023–January 20, 2024. Artwork, left to right: © Paul Mpagi Sepuya, © Anna Weyant, © Alessandro Teoldi, © Sung Jik Yang. Photo: Steven Probert

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Friends & Lovers

October 6, 2023–January 20, 2024
FLAG Art Foundation, New York
www.flagartfoundation.org

Friends & Lovers is an expansive group exhibition that centers on the relationships between fifty artists and their subjects and explores the infinite ways in which we are influenced by our inner circles. Just as a studio visit opens a window onto an artist’s creative process, whom the artists choose to immortalize through their work—be that a lover, partner, family member, friend, celebrity crush, or a fleeting encounter—provides a similarly fascinating insight into their practice. Work by John Currin, Nan Goldin, Rudolf Stingel, and Anna Weyant is included.

Installation view, Friends & Lovers, FLAG Art Foundation, New York, October 6, 2023–January 20, 2024. Artwork, left to right: © Paul Mpagi Sepuya, © Anna Weyant, © Alessandro Teoldi, © Sung Jik Yang. Photo: Steven Probert

Nan Goldin, Memory Lost, 2020 © Nan Goldin

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Nan Goldin in
Purple Haze: Art and Drugs across the Americas

September 9–December 10, 2023
Samuel Dorsky Museum of Art, State University of New York, New Paltz
www.newpaltz.edu

Purple Haze: Art and Drugs across the Americas explores the representation of drugs in the media and public imagination. The exhibition brings together works from the 1960s to the present by more than twenty international artists, as well as a selection of pre-Hispanic objects associated with drug use. Work by Nan Goldin is included.

Nan Goldin, Memory Lost, 2020 © Nan Goldin

Nan Goldin, Memory Lost, 2019–21 © Nan Goldin

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Nan Goldin
Memory Lost

May 11–October 8, 2023
Louisiana Museum of Modern Art, Humlebaek, Denmark
louisiana.dk

The Louisiana Museum of Modern Art is presenting Nan Goldin’s Memory Lost (2019–21)—a new acquisition jointly owned with Moderna Museet, Stockholm. Scored by composer Mica Levi, with additional music by CJ Calderwood and Soundwalk Collective, the twenty-four-minute-long slideshow relates a haunting and emotional narrative comprised of outtakes drawn from Goldin’s archive. It is exhibited alongside selected works from the collection by artists including Taryn Simon.

Nan Goldin, Memory Lost, 2019–21 © Nan Goldin

Sally Mann, Semaphore, 2003 © Sally Mann

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Love Songs
Photography and Intimacy

June 1–September 11, 2023
International Center of Photography, New York
www.icp.org

Love Songs features photographic projects about love and intimacy from sixteen contemporary photographers, including Nan Goldin and Sally Mann. Through the myriad lens of intimate relationships, the exhibition brings together series dating from 1952 to 2022 that explore love, desire, and intimacy in complex and contradictory ways.

Sally Mann, Semaphore, 2003 © Sally Mann

Nan Goldin, Self-portrait on New Year’s Eve, Malibu, California, 2006 © Nan Goldin

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Nan Goldin
This Will Not End Well

October 29, 2022–February 26, 2023
Moderna Museet, Stockholm
www.modernamuseet.se

This retrospective explores Nan Goldin’s photographic practice within the context of filmmaking. Over the years, she has created more than a dozen moving-image works composed of thousands of images, ranging from portraits of her friends to traumatic family stories about addiction and domestic violence. Embracing the artist’s original vision of how her work is to be experienced, the exhibition—presented in six unique buildings designed by architect Hala Wardé—focuses on Goldin’s slideshows and video installations set to sound and music.

Nan Goldin, Self-portrait on New Year’s Eve, Malibu, California, 2006 © Nan Goldin

Nan Goldin, The Ballad of Sexual Dependency, 1979–2004, Museum of Modern Art, New York © Nan Goldin. Photo: John Wronn

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Nan Goldin
The Ballad of Sexual Dependency

June 11, 2016–April 16, 2017
Museum of Modern Art, New York
www.moma.org

Comprising almost seven hundred photographs sequenced against an evocative soundtrack, Nan Goldin’s The Ballad of Sexual Dependency (1979–2004) is a deeply personal narrative formed out of the artist’s own experiences around Boston, New York, Berlin, and elsewhere in the late 1970s, ’80s, and beyond. In this exhibition, The Ballad is presented in its original 35mm format alongside individual photographs from the slideshow. Introducing the installation is a selection of materials from the artist’s archive, including posters and flyers announcing early iterations of the work.

Nan Goldin, The Ballad of Sexual Dependency, 1979–2004, Museum of Modern Art, New York © Nan Goldin. Photo: John Wronn

Mark Tansey, Valley of Doubt, 1990 © Mark Tansey. Photo: Tim Nighswander/Imaging4Art

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Legacy
The Emily Fisher Landau Collection

June 5–September 14, 2014
San José Museum of Art, California
sjmusart.org

Legacy: The Emily Fisher Landau Collection presents a selection of works from the historic gift of art pledged to the Whitney in May 2010 by longtime museum trustee Emily Fisher Landau. The exhibition, which includes more than seventy works by thirty-eight artists, traces many of the ideas that have preoccupied artists in the United States, particularly since the 1960s. Questions about the relevance of painting in the aftermath of Minimalism, debates about representation, “culture wars,” and a revived interest in personal narratives are explored. This exhibition has traveled from the Whitney Museum of American Art, New York. Work by Richard Artschwager, Gregory Crewdson, Willem de Kooning, Nan Goldin, Neil Jenney, Vera Lutter, Richard Prince, Ed Ruscha, Mark Tansey, Cy Twombly, and Andy Warhol is included.

Mark Tansey, Valley of Doubt, 1990 © Mark Tansey. Photo: Tim Nighswander/Imaging4Art

Installation view, Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York, February 10–May 1, 2011. Artwork, left to right © Mark Tansey, © Ed Ruscha. Photo: Tim Nighswander/Imaging4Art

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Legacy
The Emily Fisher Landau Collection

February 10–May 1, 2011
Whitney Museum of American Art, New York
whitney.org

Legacy: The Emily Fisher Landau Collection presents a selection of works from the historic gift of art pledged to the Whitney in May 2010 by longtime museum trustee Emily Fisher Landau. The exhibition, which includes works by fifty-three artists, traces many of the ideas that have preoccupied artists in the United States, particularly since the 1960s. Questions about the relevance of painting in the aftermath of Minimalism, debates about representation, “culture wars,” and a revived interest in personal narratives are explored. Work by Richard Artschwager, Gregory Crewdson, Willem de Kooning, Nan Goldin, Neil Jenney, Vera Lutter, Richard Prince, Ed Ruscha, Mark Tansey, Cy Twombly, and Andy Warhol is included.

Installation view, Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York, February 10–May 1, 2011. Artwork, left to right © Mark Tansey, © Ed Ruscha. Photo: Tim Nighswander/Imaging4Art