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Installation view, Feelings: Kunst und Emotion, Pinakothek der Moderne, Munich, November 7, 2019–October 4, 2020. Artwork © Richard Prince

Closing this Week

Feelings
Kunst und Emotion

Through October 4, 2020
Pinakothek der Moderne, Munich
www.pinakothek-der-moderne.de

One hundred paintings, objects, and films from contemporary artists invite the viewer to intuitively approach art from an emotional perspective. What does art provoke in us? To what extent does our view of art depend on our personal experiences and memories? This exhibition seeks to encourage this direct dialogue between artwork and viewer in order to stimulate an intense emotional engagement. Work by Gregory Crewdson, Richard Prince, and Cindy Sherman is included.

Installation view, Feelings: Kunst und Emotion, Pinakothek der Moderne, Munich, November 7, 2019–October 4, 2020. Artwork © Richard Prince

Cindy Sherman, Untitled #582, 2016 © Cindy Sherman. Photo: courtesy the artist and Metro Pictures, New York

Just Opened

Crossing Views

Through January 3, 2021
Fondation Louis Vuitton, Paris
www.fondationlouisvuitton.fr

Presented in conjunction with a retrospective on Cindy Sherman, Crossing Views examines a selection of works from the collection of the Fondation Louis Vuitton, chosen in collaboration with Cindy Sherman. Echoing the artist’s work, the exhibition unfolds across two floors and is centered on the theme of the portrait and its interpretation through different approaches and media, including painting, photography, sculpture, video, and installation. Work by Damien Hirst, Albert Oehlen, Cindy Sherman, and Andy Warhol is included.

Cindy Sherman, Untitled #582, 2016 © Cindy Sherman. Photo: courtesy the artist and Metro Pictures, New York

Cindy Sherman, Untitled Film Still #13, 1978 © Cindy Sherman. Photo: courtesy the artist and Metro Pictures, New York 

Just Opened

Cindy Sherman

Through January 3, 2021
Fondation Louis Vuitton, Paris
www.fondationlouisvuitton.fr

This career retrospective on the work of Cindy Sherman, designed in close collaboration with the artist, presents more than 170 works from 1975 to 2020, with a particular focus on pieces produced in the early 2010s, as well as some previously unseen works.

Cindy Sherman, Untitled Film Still #13, 1978 © Cindy Sherman. Photo: courtesy the artist and Metro Pictures, New York 

Gregory Crewdson, Untitled, 2005 © Gregory Crewdson

On View

Photography’s Last Century
The Ann Tenenbaum and Thomas H. Lee Collection

Through November 30, 2020
Metropolitan Museum of Art, New York
www.metmuseum.org

This exhibition celebrates the remarkable ascendancy of photography in the last century, and Ann Tenenbaum and Thomas H. Lee’s promised gift of over sixty photographs in honor of the Met’s 150th anniversary in 2020. The collection is particularly notable for its breadth and depth of works by women artists, its sustained interest in the nude, and its focus on artists’ beginnings. Work by Gregory Crewdson, Andreas Gursky, Man Ray, Cindy Sherman, Andy Warhol, and Rachel Whiteread is included.

Gregory Crewdson, Untitled, 2005 © Gregory Crewdson

Cindy Sherman, Untitled (#138), 1984, Sheldon Museum of Art, University of Nebraska–Lincoln © Cindy Sherman

On View

Person of Interest

Through December 31, 2020
Sheldon Museum of Art, University of Nebraska–Lincoln
sheldonartmuseum.org

Exploring nuances in portraiture from the late nineteenth century to today—and testing the very definition of the genre—Person of Interest presents depictions of the literal and abstracted body from Sheldon’s rich holdings and selected loans. This exhibition asks open-ended questions about self-fashioning, cultural memory, gender identity, and the performance of identity. In doing so, it prompts conversations about race and representation, institutional power, and lived experiences. Work by Nathaniel Mary Quinn, Jenny Saville, and Cindy Sherman is included.

Cindy Sherman, Untitled (#138), 1984, Sheldon Museum of Art, University of Nebraska–Lincoln © Cindy Sherman

Urs Fischer, Untitled, 2003 © Urs Fischer

On View

The Paradox of Stillness
Art, Object, and Performance

Opening May 15, 2021
Walker Art Center, Minneapolis
walkerart.org

Featuring works from the early twentieth century to today, The Paradox of Stillness examines the notion of stillness as both a performative and a visual gesture. More than sixty-five artists present object-based art, pictures, and actions staged by live performers to test the boundaries between stillness and motion, mortality and aliveness, and the still life and the living picture. Work by Urs Fischer, Piero Manzoni, Cindy Sherman, Tom Wesselmann, and Franz West is included.

Urs Fischer, Untitled, 2003 © Urs Fischer

Installation view, Amuse-Bouche: The Taste of Art, Museum Tinguely, Basel, February 19–July 26, 2020. Artwork, left to right: © Opavivará!; © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Gina Folly © 2020 Museum Tinguely, Basel

Closed

Amuse-Bouche
The Taste of Art

February 19–July 26, 2020
Museum Tinguely, Basel
www.tinguely.ch

Amuse-Bouche: The Taste of Art presents works—some with a participatory element—by more than forty-five international artists from the Baroque period to the present that explore taste as a dimension of aesthetic perception. Breaking with the usual museum practice of appealing primarily to the sense of sight, works in the exhibition offer art historical and phenomenological encounters with the sense of taste. Work by Urs Fischer, Damien Hirst, Cindy Sherman, Andy Warhol, and Tom Wesselmann is included.

Installation view, Amuse-Bouche: The Taste of Art, Museum Tinguely, Basel, February 19–July 26, 2020. Artwork, left to right: © Opavivará!; © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Gina Folly © 2020 Museum Tinguely, Basel

Cindy Sherman, Untitled (#93), 1981, Astrup Fearnley Museet, Oslo © Cindy Sherman. Photo: courtesy the artist and Metro Pictures, New York

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The Cindy Sherman Effect
Identität und Transformation in der zeitgenössischen Kunst

January 29–July 19, 2020
Kunstforum Wien, Vienna
www.kunstforumwien.at

Cindy Sherman’s work has long questioned issues of identity, including the ways in which it can be constructed and transformed, and elements of fiction. The exhibition, whose title translates to Identity and Transformation in Contemporary Art, juxtaposes Sherman’s work with that of other contemporary artists, including Douglas Gordon, working in a variety of media.

Cindy Sherman, Untitled (#93), 1981, Astrup Fearnley Museet, Oslo © Cindy Sherman. Photo: courtesy the artist and Metro Pictures, New York

Jenny Saville, Black Mass (after Leonardo), 2008 © Jenny Saville

Closed

Inspiration
Iconic Works

February 20–May 17, 2020
Nationalmuseum, Stockholm
www.nationalmuseum.se

This exhibition presents contemporary art that draws inspiration from historic masterpieces. A selection of paintings, plaster sculptures, drawings, graphic prints, and applied arts from Nationalmuseum’s vast collections are displayed in dialogue with contemporary objects. Work by Glenn Brown, Jeff Koons, Jenny Saville, and Cindy Sherman is included.

Jenny Saville, Black Mass (after Leonardo), 2008 © Jenny Saville

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

Closed

Andy Warhol bis Cindy Sherman
Amerikanische Kunst aus der Albertina

November 19, 2019–March 29, 2020
Schlossmuseum Linz, Austria
www.landesmuseum.at

Europe’s view of America is influenced by images of the entertainment industry: from film and television to advertising and newspapers. No other nation has placed so much reliance upon the power and impact of pictures and symbols as the US. With more than two hundred works of American art from 1960 to the present day, this large-scale exhibition, whose title translates to Andy Warhol to Cindy Sherman: American Art from the Albertina Museum, aims to illustrate how much our perceptions of truth and reality, facts and fake news, owe to America’s visual culture. Work by Gregory CrewdsonRoy LichtensteinCindy ShermanAndy Warhol, and Tom Wesselmann is included. 

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

Ed Ruscha, Hotel, 1962 © Ed Ruscha

Closed

Edward Hopper and the American Hotel

October 26, 2019–February 23, 2020
Virginia Museum of Fine Arts, Richmond
www.vmfa.museum

Edward Hopper and the American Hotel explores the artist’s images of hospitality settings showcasing more than sixty of the artist’s paintings, drawings, watercolors, and illustrations. Also included are thirty-five works by American artists that similarly explore the visual culture of hotels, travel, and mobility from the early twentieth century to the present, including work by Gregory Crewdson, Ed Ruscha, and Cindy Sherman.

Ed Ruscha, Hotel, 1962 © Ed Ruscha

Sterling Ruby, BASKET (6111), 2016 © Sterling Ruby

Closed

Strange

August 21, 2019–January 19, 2020
University of California, Berkeley Art Museum and Pacific Film Archive
bampfa.org

A century after the Surrealist movement exploded across the global cultural scene, celebrating the improbable, uncanny, and mysterious, the “strange” remains a source of fascination and artistic inspiration today. Strange features works from Berkeley Art Museum and Pacific Film Archive’s collection that invoke strangeness and resonate with the spirit of Surrealism. Work by Sterling Ruby and Cindy Sherman is included.

Sterling Ruby, BASKET (6111), 2016 © Sterling Ruby

Installation view, Art & Porn, Kunsthal Charlottenborg, Copenhagen, October 5, 2019–January 12, 2020. Artwork, left to right: © Jeff Koons, © Cindy Sherman. Photo: David Stjernholm

Closed

Art & Porn

October 5, 2019–January 12, 2020
Kunsthal Charlottenborg, Copenhagen
kunsthalcharlottenborg.dk

To mark the fiftieth anniversary of the lifting of the ban on visual pornography in Denmark, Kunsthal Charlottenborg presents Art & Porn. This exhibition explores the development in art from the ’60s legalization of visual pornography to the current fourth wave of feminism, and highlights how art has been influenced by changing laws and social mores pornography. Work by Jeff Koons and Cindy Sherman is included.

Installation view, Art & Porn, Kunsthal Charlottenborg, Copenhagen, October 5, 2019–January 12, 2020. Artwork, left to right: © Jeff Koons, © Cindy Sherman. Photo: David Stjernholm

Chris Burden, 1/4 Carat Diamond 1/4 Carat Cubic Zirconium Magnified 25 Times, #3, 2007 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Closed

Crystals in Art
Ancient to Today

October 12, 2019–January 6, 2020
Crystal Bridges Museum of American Art, Bentonville, Arkansas
crystalbridges.org

Crystals in Art explores the connections between crystals and art throughout the world, spanning history and geography. The exhibition includes a selection of works and specimens from ancient Egypt up to the present day and addresses broader recurring themes in the history of crystals such as science and religion, art and medicine, aesthetic beauty and transformation, and more. Work by Chris Burden, Pablo Picasso, Cindy Sherman, and Andy Warhol is included.

Chris Burden, 1/4 Carat Diamond 1/4 Carat Cubic Zirconium Magnified 25 Times, #3, 2007 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Douglas Gordon, Monster, 1996–97 © Studio lost but found/VG Bild-Kunst, Bonn 2019

Closed

Mask
In Present-Day Art

September 1, 2019–January 5, 2020
Aargauer Kunsthaus, Aarau, Switzerland
www.aargauerkunsthaus.ch

This exhibition explores how the subject of the mask is being addressed in contemporary art. Interest in masks among contemporary artists focuses not just on the mask as an object but also, and in particular, on its social, cultural, and political implications. Work by Theaster Gates, Douglas Gordon, and Cindy Sherman is included.

Douglas Gordon, Monster, 1996–97 © Studio lost but found/VG Bild-Kunst, Bonn 2019

Closed

Shape of Light
Defining Photographs from the Frances Lehman Loeb Art Center

September 20–December 15, 2019
Frances Lehman Loeb Art Center, Poughkeepsie, New York
fllac.vassar.edu

Shape of Light presents a survey of Vassar’s collection of close to 4,500 photographs. The exhibition features numerous innovations in the history of photography including various types of photographic practices from daguerreotypes and gelatin silver prints to large-scale Polaroids and digital color prints as well as a wide range of styles and geographic focuses. Work by Sally Mann, Man Ray, Cindy Sherman, and Andy Warhol is included.

Katharina Grosse, Untitled, 2017, installation view, Amulet or He calls it chaos, 500 Capp Street Foundation, San Francisco, March 9–June 1, 2019. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: Preston/Kalogiros 

Closed

Amulet or He calls it chaos

March 9–June 1, 2019
500 Capp Street Foundation, San Francisco
500cappstreet.org

This two-part exhibition uses sculpture, video, and painting as a way to restructure the narrative. Amulet or He calls it chaos chooses the illogical, philosophical, yet recognizable material world of magical realism, while also addressing the power and sensitivity of architecture, gender, politics, and mortality. Work by Katharina Grosse and Cindy Sherman is included.

Katharina Grosse, Untitled, 2017, installation view, Amulet or He calls it chaos, 500 Capp Street Foundation, San Francisco, March 9–June 1, 2019. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: Preston/Kalogiros 

Installation view, Cindy Sherman: Works from the Olbricht Collection, Weserburg | Museum für moderne Kunst, Bremen, Germany, May 18, 2018–February 24, 2019. Artwork © Cindy Sherman. Photo: Björn Behrens

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Cindy Sherman
Works from the Olbricht Collection

May 18, 2018–February 24, 2019
Weserburg | Museum für moderne Kunst, Bremen, Germany
www.weserburg.de

This exhibition presents more than sixty photographic works by Cindy Sherman from almost all phases of her extensive oeuvre. The works represent a special highlight within the Olbricht Collection and focus on existential themes: dreams, fears, and sometimes disturbing and terrifying fantasies of violence and death.

Installation view, Cindy Sherman: Works from the Olbricht Collection, Weserburg | Museum für moderne Kunst, Bremen, Germany, May 18, 2018–February 24, 2019. Artwork © Cindy Sherman. Photo: Björn Behrens

Rudolf Stingel, Untitled (Alpino, 1976), 2006, Pinault Collection © Rudolf Stingel. Photo by Stefan Altenburger

Closed

Dancing with Myself

April 8–December 16, 2018
Punta della Dogana, Venice
www.palazzograssi.it

Dancing with Myself explores the importance of the artist’s role as an actor in and subject of his own creations, from the 1970s to today. The exhibition brings together a great range of artistic practices, languages, cultures, geographic origins, generations, and experiences, establishing a tension between different artistic approaches. Work by Urs Fischer, Cindy Sherman, and Rudolf Stingel is included.

Rudolf Stingel, Untitled (Alpino, 1976), 2006, Pinault Collection © Rudolf Stingel. Photo by Stefan Altenburger

Pablo Picasso, Seated Bather, 1930, Museum of Modern Art, New York © 2018 Estate of Pablo Picasso/Artists Rights Society (ARS), New York

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MoMA at NGV
130 Years of Modern and Contemporary Art

June 9–October 8, 2018
National Gallery of Victoria, Melbourne, Australia
www.ngv.vic.gov.au

MoMA at NGV will provide a unique survey of the museum’s iconic collection. Two hundred key works will be arranged chronologically into eight thematic sections. The exhibition will trace the development of art and design from late-nineteenth-century urban and industrial transformation through to the digital and global present. Work by Alexander Calder, Andreas Gursky, Jeff Koons, Roy Lichtenstein, Pablo Picasso, Cindy Sherman, and Andy Warhol will be included.

Pablo Picasso, Seated Bather, 1930, Museum of Modern Art, New York © 2018 Estate of Pablo Picasso/Artists Rights Society (ARS), New York

Man Ray, Pisces, 1938 ©︎ Man RayTrust. Photo © Tate, London 2018

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Nude
Art from the Tate Collection

March 24–June 24, 2018
Yokohama Museum of Art, Japan
yokohama.art.museum

Journeying through time, from the nineteenth century to the present, this exhibition brings together masterpieces by renowned artists including Francis Bacon, John Currin, Alberto Giacometti, Man Ray, Henri Matisse, Pablo Picasso, and Cindy Sherman. More than one hundred artworks tell the story of the nude and trace artists’ captivation with the human form over the past two centuries. The exhibition has most recently traveled from the Seoul Olympic Museum of Art.

Man Ray, Pisces, 1938 ©︎ Man RayTrust. Photo © Tate, London 2018

Cindy Sherman, Untitled Film Still #35, 1979. Photo courtesy the artist and Metro Pictures, New York

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Woman House

March 9–May 28, 2018
National Museum of Women in the Arts, Washington, DC
nmwa.org

Women House explores both the female gender and the concept of the domestic space. Thirty-six female artists of the twentieth and twenty-first centuries who take on these subjects draw our attention to the persistence of stereotypes about the house as a feminine realm. This exhibit has traveled from the Monnaie de Paris. Work by Cindy Sherman and Rachel Whiteread is included.

Cindy Sherman, Untitled Film Still #35, 1979. Photo courtesy the artist and Metro Pictures, New York

Cindy Sherman, Untitled #121, 1983, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC ©︎ Cindy Sherman

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Brand New
Art and Commodity in the 1980s

February 14–May 13, 2018
Hirshhorn Museum and Sculpture Garden, Washington, DC
hirshhorn.si.edu

Brand New will explore the collision of art and commerce in the 1980s. More than 150 works by sixty-six artists reveal the fascinating ways art infiltrated the worlds of advertising and business. Work by Jeff Koons and Cindy Sherman will be included.

Cindy Sherman, Untitled #121, 1983, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC ©︎ Cindy Sherman

Jeff Koons, Rabbit, 1986 © Jeff Koons.Photo by Nathan Keay © MCA Chicago

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We Are Here

August 19, 2017–April 1, 2018
Museum of Contemporary Art Chicago
mcachicago.org

In honor of the Museum of Contemporary Art’s fiftieth anniversary, the museum presents We Are Here, a three-part exhibition drawn from its collection. I Am You gathers works that question how we relate to and shape our environments; You Are Here examines how the role of the viewer has changed over time; and We Are Everywhere showcases artists who borrow from popular culture. Work by Richard Artschwager, Francis Bacon, Chris Burden, Ellen Gallagher, Andreas Gursky, Michael Heizer, Jasper Johns, Jeff Koons, Takashi Murakami, Bruce Nauman, Richard Serra, Cindy Sherman, Rudolf Stingel, Andy Warhol, and Franz West is included.

Jeff Koons, Rabbit, 1986 © Jeff Koons.
Photo by Nathan Keay © MCA Chicago